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薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家

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风格派及未来

DE STIJL AND THE FUTURE

艺术家介绍第六期 Introduce of artists：6

薇罗妮卡·威戈（Veronika Wenger）

薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家,风格派,Wenger,薇罗妮卡·威戈,马克笔,丝线,荷兰,华侨城,美术馆,Boxes,胶带 1，pencil, marker, spray on MDF 铅笔、马克笔在中密度纤维板上，135 x 200 cm，2016

I，Marker and tape on paper 纸上马克笔和胶带，160 x 150 cm，2

I，Marker and tape on paper 纸上马克笔和胶带，160 x 150 cm，2015

Ж，tape and marker on plastic 塑料上胶带和马克笔，160 x 125cm

Ж，tape and marker on plastic 塑料上胶带和马克笔，160 x 125cm，2018

REFRAIN，marker and tape on wall 墙上胶带和马克笔，2019,薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家,风格派,Wenger,薇罗妮卡·威戈,马克笔,丝线,荷兰,华侨城,美术馆,Boxes,胶带

REFRAIN，marker and tape on wall 墙上胶带和马克笔，2019

“我遇到的第一条线是实际的“丝线”。成股的缝纫丝线让我意识到一条线的内含: “聚集丝线”、“丝线-直线”。由单线构成的表面可通过“聚集丝线”(不同大小和表面数量的“丝线一直线”来进行定义。这看起来像是一条美妙的线。这种线处理方法用于剪裁,可以获得真正的直线。

当我驻足在Mondrian的荷兰风格派运动作品前时,我茅塞顿开。我意识到秩序排列、体系和每一个成分,都展现为整体性的剪贴画; 表现为一种通用的语言。它可以讲述所有细节,自然和抽象的现实:体现为一种整体性的通用解决方案。因此,荷兰风格派运动的作品使我豁然开朗,以此可以应对任何事、我周围和世界上发生的一切,包括语言、思维、写作、生活和现象学领域。对我来说,找到存在的最佳地点是公共空间中一堵墙的剪切画,它涵盖秩序和混乱、组织有序和杂乱无章、有意和巧合。如今,我在寻找整体性,有人称之为精神抽象。”

艺术家自述

"In any art fair there is the acute sense of voices, visions and egos clambering for attention. It is a noise filled market. You see the best and worst of what it is to be a human being, from the cynical, superficial, the deluded to the inspired moments of revelation of some essential truth.It is one of the primary and elemental powers of the art making process that it reveals the intention, the very desire of the artist in all its hubris or humility perception or delusion, the process reveals our certainty and our fallibility. The degree to which an artist uses or doesn’t use their art to search for a truth. It so clearly reveals the stage of human development which the artist has attained. The first line I encountered was the physical ‘strand’. Through the strand of sewing thread I realized what the meaning of a line is: ‘gathering the strand’, ‘strand – straight’. A surface, built from single lines, can be defined by ‘gathering the strand’, ( ‘strand – straight’ in different sizes and numbers of surfaces).It appears as a wonderful line. This treatment of line is used in tailoring to get a really straight line.

When I am standing in front of the Mondrian’s De Stijl-compositions, I see finally someone cleared up. I recognize order, arrangement, system and a composition, which allows to show a cutout of the wholeness; an universal language, which submit to tell about all details, natural and abstract reality: an universal solution for the wholeness. So De Stijl finally cleared up for me to deal with everything, what happens around me and in the world in general, including language, thinking, writing, living, phenomenology. The best place for me for finding existence is a cutout of a wall in the public space including order and disorder, organisation and disorganisation, intention and coincidence. I am looking for the wholeness today, some call it psychic abstraction."

by Veronika Wenger

薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家,风格派,Wenger,薇罗妮卡·威戈,马克笔,丝线,荷兰,华侨城,美术馆,Boxes,胶带

展览现场,薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家,风格派,Wenger,薇罗妮卡·威戈,马克笔,丝线,荷兰,华侨城,美术馆,Boxes,胶带

展览现场

薇罗妮卡·威戈（Veronika Wenger）

出生于1967年,在慕尼黑生活和工作

1990-1996年,慕尼黑艺术学院学习

精选讲座:

2013年,德黑兰大学美术学院

2014年,第比利斯当代艺术中心

2016年,赫特福德郡大学创意艺术美术学院

2017年,Upper Bavaria洲艺术馆, Freising,湖北美术学院,武汉

近期展览:

2018年

“美丽配方集合”, Karin Wimmer当代艺术伊斯坦布尔艺术博览会

Boogie Woogie节奏乐器组, Reuten画廊,阿姆斯特丹

2017年

乌托邦,伊斯坦布尔艺术博览会, Boogie Woogie节奏乐器组, Reuten画廊,阿姆斯特丹

%,伦敦T画廊

2016年

节奏乐器组, Offbeats, Karsi Sanat画廊,伊斯坦布尔

“美丽的配方组合“ - Steve Coleman和五种元素, Lothr inger13Hale,慕尼黑

Veronika Wenger

1967, lives and works in Munich. 1990 – 1996 study at the Academy of Arts in Munich

Selected lectureships:

2013 College of Fine Arts, University of Teheran

2014 Center of Contemporary Art, Tbilisi

2016 Fine Art School of Creative Arts University of Hertfordshire

2017 European House of Art Upper Bavaria, Freising, Hubei Institute of Fine Arts, Wuhan

Selected exhibitions:

2018

The Beautiful Formula Collective, Karin Wimmer Contemporary Art

Art Fair Istanbul, Boogie Woogie Rhythm Section, Reuten Gallery, Amsterdam

2017

UTOPIA, Art Fair Istanbul, Boogie Woogie Rhythm Section, Reuten Gallery, Amsterdam

%, TIL Gallery, London

2016

Rhythm Section Offbeats, Kar?i Sanat Gallery, Istanbul

The Beautiful Formula Collective – Steve Coleman and five elements, Lothringer 13 Halle, Munich

过往作品 Past works

Kratzer, 60 x 70 cm, marker, spray, acrylic o

Kratzer, 60 x 70 cm, marker, spray, acrylic on MDF 铅笔、马克笔在中密度纤维板上, 2019

full house, 160 x 125 cm, marker on plastic 塑

full house, 160 x 125 cm, marker on plastic 塑料上和马克笔, 2018

black line, marker on wall 墙上马克笔, 2017,薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家,风格派,Wenger,薇罗妮卡·威戈,马克笔,丝线,荷兰,华侨城,美术馆,Boxes,胶带

black line, marker on wall 墙上马克笔, 2017

>>> 正在展出 On view <<<

风格派及未来,薇罗妮卡·威戈（Veronika Wenger）| “风格派及未来”参展艺术家,风格派,Wenger,薇罗妮卡·威戈,马克笔,丝线,荷兰,华侨城,美术馆,Boxes,胶带

风格派及未来

DE STIJL AND THE FUTURE

策展人 Curator:索菲-夏洛特·邦贝克 Sophie-Charlotte Bombeck

出品人 Producer:周力 Zhou Li

学术主持 Academic Host:刘可 Liu Ke

艺术家 Artists:陈亮 Chen Liang、黄拱烘 Huang Gonghong、李鹏 Li Peng、马树青 Ma Shuqing、唐骁 Tang Xiao、王晓鸣 Wang Xiaoming、Henriette van 't Hoog、Iemke van Dijk、Michael Wright、Oleksiy Koval、Veronika Wenger

主办单位 Organizers:华侨城盒子美术馆 OCT Boxes Art Museum、合美术馆 United Art Museum

展览地点 Address：佛山市顺德区顺峰山湿地公园（南门）华侨城盒子美术馆 OCT Boxes Art Museum, Shunfeng Mountain Wetland Park, Shunde District, Foshan City, Guang Dong Province

展览时间 Exhibition Time：2019年3月22日—2019年5月5日 March 22,2019—May 5,2019 周二至周五10:00 — 18:00 周末10:00 — 20:00 Tuesday to Friday 10：00-18：00 Weekend 10:00-20:00

“荷兰风格派” 有一本同名杂志，自1917年由特奥·凡·杜斯伯格在莱顿市出版，直到1931年为全世界艺术家和理论家提供了理论依据。主题涵盖了从美术到建筑、设计到电影、音乐和文学等方方面面。在为“荷兰风格派运动” 撰写的首批系列文章中，蒙德里安阐述了大量对抽象艺术发展影响至深的观点。恰巧2017年是“风格派”成立一百周年的重要日子，为此，策展人精心策划了此展览。参加展览的有六位外国艺术家（其中二位为荷兰艺术家，一位为德国艺术家，一位为华裔德国艺术家，一位为英国艺术家，一位为乌克兰艺术家），五位为中国艺术家。有趣的是，五位中国艺术家都有留学背景。通过这个具有学术意义的展览，我们不仅可以了解当代抽象艺术家对传统抽象艺术源头之一“风格派”的传承与发展，还可看到中外抽象艺术家作品之间的碰撞交流。本次展览将持续到2019年5月5日，免费对公共开放。

“DE STIJL” has a magazine with the same name, which was published by Theo van Doesburg in Leiden in 1917, and it was not until 1931 that it provided theoretical basis for artists and theorists around the world, covering art, architecture, design, film, music, literature, etc. In the first series of articles written for “DE STIJL”, Mondrian elaborated on a number of points of view which have profound influences on the development of abstract art. Coincidentally, 2017 is an important year - the 100th anniversary of the “DE STIJL”, so the curator has made elaborate preparations for this exhibition. The participating artists come from China, the Netherlands, Germany, Great Britain and from Ukraine. The interesting thing in the course of this is that all of the Chinese artists have oversea education background, too. Through the exhibition of academic significance, we can not only understand the inheritance and development of “DE STIJL” - one of the sources of traditional abstract art - by contemporary abstract artists, but also get in touch with the exchange and collision between Chinese and foreign abstract artworks. The exhibition will last until May 5th, 2019.