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亨丽特·凡特虹（Henriette van 't Hoog）| “风格派及未来”参展艺术家

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风格派及未来

DE STIJL AND THE FUTURE

艺术家介绍第五期 Introduce of artists：5

亨丽特·凡特虹（Henriette van 't Hoog）

亨丽特·凡特虹（Henriette van Foton (Golden Edge) II, 25x21x14cm，cmacrylic and reflective paint on zinc 锌上反光漆和丙烯，2012

Heptagon I (7 parts), 150x150x7cm，acrylic and refl

Heptagon I (7 parts), 150x150x7cm，acrylic and reflective paint on MDF 中密度纤维板上反光漆和丙烯，2018

Wedge I, 49x30x18cm，acrylic and reflective paint o

Wedge I, 49x30x18cm，acrylic and reflective paint on zinc 锌上反光漆和丙烯，2013

Wedge VI, 43x30x18cm，acrylic and reflective p

Wedge VI, 43x30x18cm，acrylic and reflective paint on zinc 锌上反光漆和丙烯，2014

亨丽特·凡特虹（Henriette van Wedge XIII, 44x42x13cm，acrylic and reflective paint on MDF 中密度纤维板上反光漆和丙烯，2017

“由1917年少数几名荷兰艺术家进行的实验开始,荷兰风格派运动逐渐成为所有学科内现代主义者的标志性国际先锋运动。他们怀着对革命的一腔热情,构想出一个高度创新的风格,制定了新的建设性原则。在荷兰风格派运动开始一个世纪后,它的乌托邦愿景已经消失。但对于包括我在内的许多艺术家来说,它的几何抽象语言以及色彩和形式的减少,仍是有重大意义并能带来灵感。如果没有荷兰风格派运动,我的作品可能会不堪设想。”

艺术家自述

"Having started in 1917 as an experiment by just a few Dutch artists, De Stijl became an iconic, international avant-garde movement of modernists in all disciplines. With revolutionary élan they formulated a highly innovative idiom and new constructive principles. A century after the start of De Stijl, its utopian vision has evaporated. But its geometric-abstract language and its reduction of colour and form are still relevant and inspirational to many artists, including myself. Without De Stijl, my work as it is would have been unthinkable."

by Henriette van 't Hoog

亨丽特·凡特虹（Henriette van

展览现场,亨丽特·凡特虹（Henriette van

展览现场

亨丽特·凡特虹（Henriette van 't Hoog）

在阿姆斯特丹生活和工作。

她收到 Mondria基金和其他基金的资助。她的资助者之一是史基浦机场。

其作品在世界各地均有展出，如阿姆斯特丹、柏林、伊斯坦布尔、基辅、伦敦、慕尼黑、纽约、敖德萨、巴黎、悉尼、第比利斯和武汉。

Henriette van 't Hoog

Henri?tte van ’t Hoog (Amsterdam, 1943) lives and works in Amsterdam.

She received grants from the Mondriaan Fund and other funds. One of her commissioners was Schiphol Airport.

Her work was on view all over the world, a.o. in Amsterdam, Berlin, Istanbul, Kiev, London, Munich, New York, Odessa, Paris, Sydney, Tbilisi and Wuhan.

过往作品 Past works

Wedge XII,46x32x23cm，2017,亨丽特·凡特虹（Henriette van

Wedge XII,46x32x23cm，2017

Contour VII, 25x24x14cm，2011,亨丽特·凡特虹（Henriette van

Contour VII, 25x24x14cm，2011

Bars III, 23x23x13cm，2011,亨丽特·凡特虹（Henriette van

Bars III, 23x23x13cm，2011

>>> 正在展出 On view <<<

风格派及未来,亨丽特·凡特虹（Henriette van

风格派及未来

DE STIJL AND THE FUTURE

策展人 Curator:索菲-夏洛特·邦贝克 Sophie-Charlotte Bombeck

出品人 Producer:周力 Zhou Li

学术主持 Academic Host:刘可 Liu Ke

艺术家 Artists:陈亮 Chen Liang、黄拱烘 Huang Gonghong、李鹏 Li Peng、马树青 Ma Shuqing、唐骁 Tang Xiao、王晓鸣 Wang Xiaoming、Henriette van 't Hoog、Iemke van Dijk、Michael Wright、Oleksiy Koval、Veronika Wenger

主办单位 Organizers:华侨城盒子美术馆 OCT Boxes Art Museum、合美术馆 United Art Museum

展览地点 Address：佛山市顺德区顺峰山湿地公园（南门）华侨城盒子美术馆 OCT Boxes Art Museum, Shunfeng Mountain Wetland Park, Shunde District, Foshan City, Guang Dong Province

展览时间 Exhibition Time：2019年3月22日—2019年5月5日 March 22,2019—May 5,2019 周二至周五10:00 — 18:00 周末10:00 — 20:00 Tuesday to Friday 10：00-18：00 Weekend 10:00-20:00

“荷兰风格派” 有一本同名杂志，自1917年由特奥·凡·杜斯伯格在莱顿市出版，直到1931年为全世界艺术家和理论家提供了理论依据。主题涵盖了从美术到建筑、设计到电影、音乐和文学等方方面面。在为“荷兰风格派运动” 撰写的首批系列文章中，蒙德里安阐述了大量对抽象艺术发展影响至深的观点。恰巧2017年是“风格派”成立一百周年的重要日子，为此，策展人精心策划了此展览。参加展览的有六位外国艺术家（其中二位为荷兰艺术家，一位为德国艺术家，一位为华裔德国艺术家，一位为英国艺术家，一位为乌克兰艺术家），五位为中国艺术家。有趣的是，五位中国艺术家都有留学背景。通过这个具有学术意义的展览，我们不仅可以了解当代抽象艺术家对传统抽象艺术源头之一“风格派”的传承与发展，还可看到中外抽象艺术家作品之间的碰撞交流。本次展览将持续到2019年5月5日，免费对公共开放。

“DE STIJL” has a magazine with the same name, which was published by Theo van Doesburg in Leiden in 1917, and it was not until 1931 that it provided theoretical basis for artists and theorists around the world, covering art, architecture, design, film, music, literature, etc. In the first series of articles written for “DE STIJL”, Mondrian elaborated on a number of points of view which have profound influences on the development of abstract art. Coincidentally, 2017 is an important year - the 100th anniversary of the “DE STIJL”, so the curator has made elaborate preparations for this exhibition. The participating artists come from China, the Netherlands, Germany, Great Britain and from Ukraine. The interesting thing in the course of this is that all of the Chinese artists have oversea education background, too. Through the exhibition of academic significance, we can not only understand the inheritance and development of “DE STIJL” - one of the sources of traditional abstract art - by contemporary abstract artists, but also get in touch with the exchange and collision between Chinese and foreign abstract artworks. The exhibition will last until May 5th, 2019.