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王晓鸣 | “风格派及未来”参展艺术家

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风格派及未来

DE STIJL AND THE FUTURE

艺术家介绍第三期 Introduce of artists：3

王晓鸣 Wang Xiaoming

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes 莫扎特六首维也纳小奏鸣曲1 Mozart's six Vienna Sonatas1 | 45.5 × 53cm 综合材料Mixed Media on Canvas 2018

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes 局部

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes 莫扎特六首维也纳小奏鸣曲3 Mozart's six Vienna Sonatas3 | 45.5 × 53cm 综合材料 Mixed Media on Canvas 2018

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes 局部

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes 莫扎特六首维也纳小奏鸣曲6 Mozart's six Vienna Sonatas6 | 45.5 × 53cm 综合材料 Mixed Media on Canvas 2018

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes 局部

图画展览会 Pictures at an Exhibition | 200 ×&

图画展览会 Pictures at an Exhibition | 200 × 200cm 综合材料 Mixed Media on Canvas 2012

局部,王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes

局部

“知道荷兰风格派是在1984年我就读广州美院油画系的时候，当时我们有色彩构成课，老师给我们介绍了蒙德里安的作品，那时中国还没有地方可以看到原作，我们只能通过学校图书馆的画册了解古典绘画之外的西方各新流派的作品。只用单纯的色彩和几何形象来表现纯粹的精神的风格派无疑为我们打开了一扇了解和进入现代艺术的大门，直到今天，风格派也在潜移默化地影响我的古典音乐绘画创作。”

艺术家自述

"Know the De Stijl was in 1984 when I study in Guangzhou Academic Of Fine Arts of painting, at which time we have color composition class, the teacher gave us introduced the Mondrian's works, China hasn't place where you can see the original works,We can only get to know the works and styles of the western except classical painting through the album in the school library.The style school that only uses pure color and geometric image to express pure spirit undoubtedly opens a door for us to understand and enter modern art. Until today,De Stijl is still influencing my classical music painting creation imperceptibly."

by Wang Xiaoming

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes

展览现场,王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes

展览现场

王晓鸣

1965年出生于湖南

1988年广州美术学院油画系学士毕业

1999年日本京都市立艺术大学油画系硕士毕业

2001年天津美术学院油画系客座教授、2003年中国人民大学艺术学院兼职副教授

现居东京。艺术家、策展人、日本美术家联盟会员

WANG XIAOMING

1965 Born in Hunan

1988 Graduted from the Guangzhou Academy of Fine Arts

1999 Received master’s degree from the graduate program for oil painting of Kyoto City University of Arts

2001 Accepted as adjunct professor of Oil Painting Department of Tianjin Academy of Fine Arts

2003 Accepted as Adjunct Professor at School of Arts at Renmin University of China

Live in Tokyo Japan, Artist, curator, member of the Japanese artists association

过往作品 Past works

莫扎特六首维也纳小奏鸣曲2 Mozart

莫扎特六首维也纳小奏鸣曲2 Mozart's six Vienna Sonatas2 | 45.5 × 53cm 综合材料 Mixed Media on Canvas 2018

莫扎特六首维也纳小奏鸣曲4 Mozart

莫扎特六首维也纳小奏鸣曲4 Mozart's six Vienna Sonatas4 | 45.5 × 53cm 综合材料 Mixed Media on Canvas 2018

莫扎特六首维也纳小奏鸣曲5 Mozart

莫扎特六首维也纳小奏鸣曲5 Mozart's six Vienna Sonatas5 | 45.5 × 53cm 综合材料 Media on Canvas 2018

>>>正在展出 On view

王晓鸣 | “风格派及未来”参展艺术家,风格派,王晓鸣,材料,莫扎特,Vienna,维也纳,小奏鸣曲,华侨城,美术馆,Boxes

风格派及未来

DE STIJL AND THE FUTURE

策展人 Curator:索菲-夏洛特·邦贝克 Sophie-Charlotte Bombeck

出品人 Producer:周力 Zhou Li

学术主持 Academic Host:刘可 Liu Ke

艺术家 Artists:陈亮 Chen Liang、黄拱烘 Huang Gonghong、李鹏 Li Peng、马树青 Ma Shuqing、唐骁 Tang Xiao、王晓鸣 Wang Xiaoming、Henriette van 't Hoog、Iemke van Dijk、Michael Wright、Oleksiy Koval、Veronika Wenger

主办单位 Organizers:华侨城盒子美术馆 OCT Boxes Art Museum、合美术馆 United Art Museum

展览地点 Address：佛山市顺德区顺峰山湿地公园（南门）华侨城盒子美术馆 OCT Boxes Art Museum, Shunfeng Mountain Wetland Park, Shunde District, Foshan City, Guang Dong Province

展览时间 Exhibition Time：2019年3月22日—2019年5月5日 March 22,2019—May 5,2019 周二至周五10:00 — 18:00 周末10:00 — 20:00 Tuesday to Friday 10：00-18：00 Weekend 10:00-20:00

“荷兰风格派” 有一本同名杂志，自1917年由特奥·凡·杜斯伯格在莱顿市出版，直到1931年为全世界艺术家和理论家提供了理论依据。主题涵盖了从美术到建筑、设计到电影、音乐和文学等方方面面。在为“荷兰风格派运动” 撰写的首批系列文章中，蒙德里安阐述了大量对抽象艺术发展影响至深的观点。恰巧2017年是“风格派”成立一百周年的重要日子，为此，策展人精心策划了此展览。参加展览的有六位外国艺术家（其中二位为荷兰艺术家，一位为德国艺术家，一位为华裔德国艺术家，一位为英国艺术家，一位为乌克兰艺术家），五位为中国艺术家。有趣的是，五位中国艺术家都有留学背景。通过这个具有学术意义的展览，我们不仅可以了解当代抽象艺术家对传统抽象艺术源头之一“风格派”的传承与发展，还可看到中外抽象艺术家作品之间的碰撞交流。本次展览将持续到2019年5月5日，免费对公共开放。

“DE STIJL” has a magazine with the same name, which was published by Theo van Doesburg in Leiden in 1917, and it was not until 1931 that it provided theoretical basis for artists and theorists around the world, covering art, architecture, design, film, music, literature, etc. In the first series of articles written for “DE STIJL”, Mondrian elaborated on a number of points of view which have profound influences on the development of abstract art. Coincidentally, 2017 is an important year - the 100th anniversary of the “DE STIJL”, so the curator has made elaborate preparations for this exhibition. The participating artists come from China, the Netherlands, Germany, Great Britain and from Ukraine. The interesting thing in the course of this is that all of the Chinese artists have oversea education background, too. Through the exhibition of academic significance, we can not only understand the inheritance and development of “DE STIJL” - one of the sources of traditional abstract art - by contemporary abstract artists, but also get in touch with the exchange and collision between Chinese and foreign abstract artworks. The exhibition will last until May 5th, 2019.