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迈克尔·莱特（Michael Wright） | “风格派及未来”参展艺术家

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风格派及未来

DE STIJL AND THE FUTURE

艺术家介绍第二期 Introduce of artists：2

迈克尔·莱特（Michael Wright）

16次射击 16 shots from a cycle| 40cm x 40cm

16次射击 16 shots from a cycle| 40cm x 40cm 数字绘画 Digital Painting 2018

干预 6 Intervention 6 | 40cm x 40cm 数

干预 6 Intervention 6 | 40cm x 40cm 数字绘画 Digital Painting 2018

干预3 Intervention 3 | 40cm x 40cm 数字绘画&nb

干预3 Intervention 3 | 40cm x 40cm 数字绘画 Digital Painting 2018

紫红干预5 Fushsia intervention5 | 540cm x 40

紫红干预5 Fushsia intervention5 | 540cm x 40cm 数字绘画 Digital Painting 2018

舞动的灯 5 Dancing Light | 46秒46Secs 视频

舞动的灯 5 Dancing Light | 46秒46Secs 视频 Video 2018

通过长期专注于来自观察结果的绘图、雕刻和绘画,以及通过关注视觉表达感知过程和呈现给这个过程的心理复杂性, Wright制定出属于自己个人的实践做法。Wright认为,感知必然会受到文化、潜意识和主观想象解释和投射过程的束缚。

在2001年通过研究"绘画,景观空间的概念建模过程¨获得硕士学位后,发生了个重要且必要的转变,即转向更现象学的方法,将基于绘画的做法扩展到对数字和电影媒体的探索。使用时基媒体的最初目的是为了实现记录运动的基本目标。但记录题材运动的这种基本关注很快发展成记录题材空间中更重要的投影及运动。尤其是, Wright对运动的动觉型阅读特别感兴趣,通过动觉型阅读,我们可以想象和移情地阅读身体、环境和造型艺术作品中的实际和推断运动。这种动觉型的观察不仅仅是外观或象征性的表现,而是意识在空间中运动时的图形或电影痕迹,阅读和解释形状的重量、节奏和运动以及解释性凝视的运动。

关于他的实践, Wright说“与其说是我发现作品题材,倒不如说是作品题材来找我,并且它们的出现形式都遵循它们自身存在的逻辑。每个作品在某种程度上都是一种必要的内在化,并随后升华为视觉诗意的形式。”

Wight的做法转变为与时基媒体合作,与此同时,他与荷兰艺术家 Henri?tte van 't Hoog合作,自2006年以来Wght-直与他一起从事实验视频和安装实践。他们以Wgh和van'tHog的名义展示他们的合作作品。他们的实践在探索着视频序列的编排,从而形成抽象的时基作品。编辑后的视频是根据对日常现象的简短视频观察构建。

（本文有所删改）

Wright’s practice has developed through a long standing preoccupation witdrawing, sculpting and painting from observation, through a concern to visually articulate the processes of perception and the psychological complexity which is present to the process. Wright’s understanding is that perception is inexorably bound to both a cultural, subconscious and subjective process of imaginative interpretation and projection.

Following undertaking an MA by Research in 2001 entitled 'Drawing, processes of conceptual modelling of landscape space' there was a significant and necessary shift to a more phenomenological approach, extending the drawing based practice into an exploration of digital and film based media. The initial interest in using time based media was to fulfil a basic aim of recording movement. However this elemental concern to record movement in the subject quickly developed into a concern with recording the more significant projection and movement of the gaze through a subject space. In particular Wright is interested in the kinaesthetic reading of movement, by which we imaginatively and empathetically read both actual and inferred movement in the body, the environment and plastic art works. Observation in this kinaesthetic sense is not solely the representation of appearance or symbolic representation but rather the graphic or cinematic trace of consciousness as it moves through space, reading and interpreting the weight, rhythm and movement of form and the movement of the interpretative gaze.

Wright states in relation to his practice ‘I do not so much find subjects as subjects find me, and the form they take follows their own logic. Each work is at some level a necessary internalisation and subsequent distillation to a visually poetic form’.

The shift in Wight’s practice to working with time based media coincided with working collaboratively with the Dutch artist Henri?tte van ‘t Hoog with whom Wright has engaged in experimental video and installation practice since 2006. They exhibit their collaborative works under the name of Wright & Van 't Hoog. Their practice explores the orchestration of video sequences to form abstract time based compositions. The edited video is constructed from short video observations of daily phenomena.

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迈克尔·莱特（Michael Wright） | “风格派及未来”参展艺术家,迈克尔·莱特,Wright,风格派,绘画,视频,英国,Amsterdam,阿姆斯特丹,Boxes,华侨城

展览现场

迈克尔·莱特（Michael Wright）

1955年出生于赫特福德郡（英国） , 在伦敦（英国）生活和工作

近期个展：

2017年

“具体” 阿姆斯特丹(NL) Wright&Van' t Hoogg

“Perspectives of spa-ce”, Lakaserne, Bad Nieuweschans(NL)

2015年

Wright&Van't Hoog “Dazzle 2”阿姆斯特丹Reuten画廊(NL)

联展：

2017年

伦敦lnvisible Line画廊(英国)

巴伐利亚慕尼黑Schafhof 欧洲艺术之家(德国)

“Boogiewoogie”节奏乐器组阿姆斯特丹Reuten画廊(NL)

2016年

“Offbeats”

伊斯坦布尔karsi Sanat画廊(TR)

“Boogie Woogie节奏乐器组”

阿姆斯特丹，Artiet Amicitiae (NL)

Michael Wright

born in 1955, Hertfordshire (UK) Lives and works in London (UK)

Recent solo exhibitions:

2017

Concrete, Amsterdam (NL) Wright & Van ’t Hoog

Perspectives of Space, LaKaserne, Bad Nieuweschans (NL)

2015 Wright & Van ’t Hoog Dazzle 2, Reuten Gallery, Amsterdam (NL)

Group exhibitions:

2017

The Invisible Line Gallery, London (UK)

Schafhof European House of art, Munich, Bavaria (DE)

‘Boogie Woogie Rhythm Section’ Reuten Gallery, Amsterdam (NL)

2016

Karsi Sanat Gallery Istanbul(TR)

‘ Offbeats’

‘Boogie Woogie Rhythm Section’

Arti et Amicitiae,Amsterdam (NL)

过往作品 Past works

迈克尔·莱特（Michael Wright） | “风格派及未来”参展艺术家,迈克尔·莱特,Wright,风格派,绘画,视频,英国,Amsterdam,阿姆斯特丹,Boxes,华侨城地毯干预1 Carpet intervention 1 | 40cm x 40cm 数字绘画 Digital Painting

迈克尔·莱特（Michael Wright） | “风格派及未来”参展艺术家,迈克尔·莱特,Wright,风格派,绘画,视频,英国,Amsterdam,阿姆斯特丹,Boxes,华侨城地毯干预2 Carpet intervention 2 |40cm x 40cm 数字绘画 Digital Painting

飞行的干预 Flight intervention | 40cm x 40cm&

飞行的干预 Flight intervention | 40cm x 40cm 数字绘画 Digital Painting

成分为蓝色，烧过的锡耶纳，光谱为红色和白色 Composition Blue,

成分为蓝色，烧过的锡耶纳，光谱为红色和白色 Composition Blue, burnt sienna, spectrum red and white | 120cm x 70cm acrylic on archival paper 档案纸和烯酸树脂

>>>正在展出 On view

迈克尔·莱特（Michael Wright） | “风格派及未来”参展艺术家,迈克尔·莱特,Wright,风格派,绘画,视频,英国,Amsterdam,阿姆斯特丹,Boxes,华侨城

风格派及未来

DE STIJL AND THE FUTURE

策展人 Curator:索菲-夏洛特·邦贝克 Sophie-Charlotte Bombeck

出品人 Producer:周力 Zhou Li

学术主持 Academic Host:刘可 Liu Ke

艺术家 Artists:陈亮 Chen Liang、黄拱烘 Huang Gonghong、李鹏 Li Peng、马树青 Ma Shuqing、唐骁 Tang Xiao、王晓鸣 Wang Xiaoming、Henriette van 't Hoog、Iemke van Dijk、Michael Wright、Oleksiy Koval、Veronika Wenger

主办单位 Organizers:华侨城盒子美术馆 OCT Boxes Art Museum、合美术馆 United Art Museum

展览地点 Address：佛山市顺德区顺峰山湿地公园（南门）华侨城盒子美术馆 OCT Boxes Art Museum, Shunfeng Mountain Wetland Park, Shunde District, Foshan City, Guang Dong Province

展览时间 Exhibition Time：2019年3月22日—2019年5月5日 March 22,2019—May 5,2019 周二至周五10:00 — 18:00 周末10:00 — 20:00 Tuesday to Friday 10：00-18：00 Weekend 10:00-20:00

“荷兰风格派” 有一本同名杂志，自1917年由特奥·凡·杜斯伯格在莱顿市出版，直到1931年为全世界艺术家和理论家提供了理论依据。主题涵盖了从美术到建筑、设计到电影、音乐和文学等方方面面。在为“荷兰风格派运动” 撰写的首批系列文章中，蒙德里安阐述了大量对抽象艺术发展影响至深的观点。恰巧2017年是“风格派”成立一百周年的重要日子，为此，策展人精心策划了此展览。参加展览的有六位外国艺术家（其中二位为荷兰艺术家，一位为德国艺术家，一位为华裔德国艺术家，一位为英国艺术家，一位为乌克兰艺术家），五位为中国艺术家。有趣的是，五位中国艺术家都有留学背景。通过这个具有学术意义的展览，我们不仅可以了解当代抽象艺术家对传统抽象艺术源头之一“风格派”的传承与发展，还可看到中外抽象艺术家作品之间的碰撞交流。本次展览将持续到2019年5月5日，免费对公共开放。

“DE STIJL” has a magazine with the same name, which was published by Theo van Doesburg in Leiden in 1917, and it was not until 1931 that it provided theoretical basis for artists and theorists around the world, covering art, architecture, design, film, music, literature, etc. In the first series of articles written for “DE STIJL”, Mondrian elaborated on a number of points of view which have profound influences on the development of abstract art. Coincidentally, 2017 is an important year - the 100th anniversary of the “DE STIJL”, so the curator has made elaborate preparations for this exhibition. The participating artists come from China, the Netherlands, Germany, Great Britain and from Ukraine. The interesting thing in the course of this is that all of the Chinese artists have oversea education background, too. Through the exhibition of academic significance, we can not only understand the inheritance and development of “DE STIJL” - one of the sources of traditional abstract art - by contemporary abstract artists, but also get in touch with the exchange and collision between Chinese and foreign abstract artworks. The exhibition will last until May 5th, 2019.