唐人曼谷 | 10月4日再现纳提•尤塔瑞个展：胡梭的无题诗

纳提?尤塔瑞：胡梭的无题诗

 Natee Utarit: Untitled Poems of Théodore Rousseau

2018.10.4 - 10.28

开幕 Opening: 2018.10.4,  6-8 pm

特别派对  Special Party: 

2018.10.17, 9am-10pm

当代唐人艺术中心  曼谷空间

Tang Contemporary Art, Bangkok

当代唐人艺术中心荣幸地宣布，继 2018 年 2 月在香港空间举办艺术家纳提·尤塔瑞的个展，并备受赞誉后，曼谷空间将再次推出纳提的个展 “胡梭的无题诗”。展览将于 2018 年 10 月 4 日下午 6 点至 8 点开幕，并于 10 月 17 日上午 9 点至晚上 10 点举办一场特别派对。

艺术家纳提在法国枫丹白露森林中

Natee in “foret de fontainebleau”

纳提的绘画深得西方绘画技术的精髓。他深入地研究了西方绘画形成中宗教、哲学、社会和文化的影响，并将同样的方法运用到对东方社会和群体文化的研究中。纳提的多元化艺术实践着重于探索绘画媒介，他用复杂多义的图像和在传统静物画样式下的丰富隐喻，映衬出泰国当前的社会和政治景观。其作品被诸多东西方重要艺术机构和基金会收藏，亦受到欧洲和亚洲私人藏家的青睐。

旧浪漫主义的最后描述 No.2，布面油画及木质着色剂，160x120cm，2005

The last description of the old romantic No.2, Oil and wood stain on canvas, 160x120cm, 2005

绿，布面油画，225x195cm，2008

The Green, Oil on canvas, 225x195cm, 2008

纳提的作品在拍卖市场亦广受欢迎，其静物油画作品《汽船序曲》(240x200cm) 在2015年11月的香港佳士得“亚洲二十世纪及当代艺术拍卖中”以1,720,000 港币（约150万人民币）成交。

Natee’ work steamboat overture (240x200cm, Oil on linen) was sold at HKD 1,720,000 in Christie's Asia 20th Century & Contemporary Art (Evening Sale) in 2015.

本次展览推出的是艺术家 2017 年在法国枫丹白露森林创作的绘画系列。2017年的春季到秋季，纳提入住法国巴黎南郊的巴比松，进行了为期几个月的探访和创作。在附近的枫丹白露森林中的生活与写生，极大地激发了纳提的的思想和创作，让他始终保持了艺术创作的高度兴奋状态，并身临其境地探索和体会巴比松画派领袖西奥多·胡梭在风景画作品中呈现的各种饶有意趣的意象和题材。

“在我看来，森林是个谜。它可以激发任何来者的灵感。"- 纳提在巴比松，2017春季

“In my opinion, Forest is a mystery. It can be inspire anyone who comes to the woods.”- Natee in Barbizon, spring 2017

纳提1999 - 2000的与胡梭对话系列，此处引用胡梭1852年的油画《橡树》。

Pictorial Statement / Conversation with group of oaks, Théodore Rousseau, 64x100cm, 1852 (Pictorial statement series 1999 - 2000, first time on dialogue with Theodore Rousseau works)

我们不禁好奇，纳提·尤塔瑞为何从90年代开始倾心于风景题材的创作。可以发现，风景系列的作品贯穿了他艺术生涯的各个阶段，穿插在不同的作品系列之中，就好像婉转动听的间奏曲一般。在巴黎的美展沙龙时期，风景题材饱受争议，正是巴比松画派的一些画家勇敢地领导了当代艺术语言的革新，从而开创出一个崭新的时代。这些年里，绘画技巧的不断提升对纳提的风景画创作形成了助力，其作品也从抽象阶段过渡到更为叙事性的风格。同时风格和技巧的发展也不断拓展和重塑他对于风景画的思考方式。

亚力克西斯，布面油画, 120x100cm, 2017

Alexis, oil on canvas, 120x100cm, 2017

在本次展出的最新作品系列中，艺术家将橡木树干作为绘画主体元素。他将自己的审美取向和观念表达完美地交织在一起，向观者展现了枫丹白露森林中的美好景色与幽静氛围，也巧妙地体现了他不亚于任何艺术天才的创作功力与素养，这让他得以在艺术的征途上不断迈进。在展现大自然和自我的过程中，他着重关注概念和主题之间的关系，以及“风景画的观念性视角”与“世界或空间的构想”之间的关系。“对于现实和完整性，每个人都有自己的认知。我亲身感受了我画中的风景；那是一种异常鲜活而实在的体验。”

纳提个展  “胡梭的无题诗”，当代唐人艺术中心，香港，2018

Natee's solo exhibition Untitled Poems of Théodore Rousseau, Tang Contemporary Art, Hong Kong, 2018

关于艺术家

纳提 ? 尤塔瑞1970 出生于泰国曼谷，是活跃在国际舞台上的著名当代艺术家，其艺术实践既深且广。他1987毕业于曼谷美术学院，1991毕业于泰国曼谷Silpakorn大学雕塑和图形艺术学院BFA平面艺术专业。现生活工作在曼谷。

他的个展包括：《胡梭的无题诗》，当代唐人艺术中心，香港（2018）；《乐观主义是荒谬的：The Altarpieces》，印度尼西亚国家画廊，雅加达 (2017)；《危机的图解》，曼谷大学美术馆，曼谷（2013）；《绘画之后，纳堤?尤塔瑞研究展，1992-2008年作品》，新加坡美术馆，新加坡（2010）； 《梦想、希望、完美的乐趣》，朱拉隆功大学艺术中心，曼谷（2007）。部分群展包括《Thai Eye》，萨奇美术馆，伦敦（2015）；《Time of Others》，东京都现代美术馆，日本（2015）；《亚洲艺术双年展：返常》，国立台湾美术馆，台北（2013）等。

纳提的作品受到世界各地诸多重要艺术机构和基金会收藏，如泰国曼谷大学，Silpakorn大学、英国文化协会、泰国MAIIAM当代艺术博物馆，新加坡美术馆，胡志明市美术馆，以及欧洲和亚洲等地的私人收藏。

纳提个展 “乐观主义是荒谬的：祭坛画”，印尼国家美术馆，雅加达，印度尼西亚，2017

Natee's solo exhibition Optimism is Ridiculous: The Altarpieces, National Gallery of Indonesia, Jakarta, Indonesia, 2017

纳提个展 “乐观主义是荒谬的：祭坛画”，阿亚拉博物馆，马尼拉，菲律宾，2017

Natee's solo exhibition Optimism is Ridiculous: The Altarpieces, Ayala Museum, Manila, Philippines, 2017

纳提个展 “绘画之后: 1992-2008”，新加坡艺术博物馆，新加坡，2010

Natee's solo exhibition After Painting, Natee Utarit’s survey exhibition, works from 1992–2008, Singapore Art museum, Singapore, 2010

纳提作品参展“泰之眼”，萨奇画廊，伦敦，英国，2015

Natee's work at the exhibition Thai Eye, Saatchi Gallery, London, UK, 2015  

Tang Contemporary Art Bangkok is proud to announce the opening of “Untitled Poems of Théodore Rousseau,” a solo exhibition for celebrated contemporary artist Natee Utarit, with an opening on October 4  (6:00 – 8:00 pm) and a special party on October 17 (9:00 am – 22:00 pm).

This exhibition features a series that the artist created in the Fontainebleau forest in France, where he lived from spring to autumn 2017. He spent several months making art and seeking the wonder of the imagery and subjects of landscape painting with a reference to Théodore Rousseau, the leader of the Barbizon school.

起源与接受的寓言，布面油画，228x91cm(each)，2015

Allegory of the beginning and acceptance, Oil on canvas, 228x91cm(each), 2015

Landscape subject was controversial during the time of “Le Salon” in Paris and the “peinture en plein air” was considered less valuable than portrait and historic subjects. Artists part of the Barbizon school were pioneer representatives of a new revolutionary era in artistic contemporary language. Sadly, as always happened during big artistic revolutions, their genius would have been recognized and understood only many years later.

Interesting is how landscape subject has intrigued Natee Utarit since the 90s. He constantly developed landscapes in many stages of his artistic career, it`s a subject he goes back to in the between of the creation of different series. Clearly during the years Natee Utarit landscapes were interested by an evolution of technique. They went through a phase of abstraction into a more narrative style. His style and technique persistently expand and remold his way of thinking about landscape painting.

危机中的维纳斯，亚麻油画，150x240cm，2010 

Venus of the crisis, Oil on linen, 150x240cm, 2010 

This latest series is characterized by the choice of synthesizing an element of oaks trunks. In this attempt aesthetic choice and conceptual message interlace perfectly, returning to the viewer the precise dimension and atmosphere of the Fontainebleau forest, and subtly stating his practice and his contribution at the same level of those pivotal unique geniuses, capable to move steps forward in Art process. In confronting nature and the self, Natee Utarit focuses on the relationship between concept and subject, as well as the relationship between a conceptual perspective on landscape painting and visions of the world or space. “Every person has a different perception of reality and completeness. I experienced the landscape as I worked; it was a particularly fresh and solid experience.”

Natee Utarit is a noted artist active in the international contemporary art world, with a deep yet wide-ranging artistic practice. His work has been collected by many important art institutions and foundations around the world.

福康宁公园，布面油画，56x68cm，2017

Fort Canning, Oil on canvas, 56x68cm, 2017

ABOUT ARTIST

Natee Utarit (b. 1970, Bangkok) studied at the College of Fine Art in 1987 and graduated in Graphic Arts at the Painting and Sculpture Faculty at Silpakorn University, both in Bangkok, Thailand in 1991. 

Solo exhibitions include Optimism Is Ridiculous: Untitled Poems of Théodore Rousseau, Tang Contemporary Art, Hong Kong (2018), The Altarpieces, Ayala Museum, Manila, Philippines (2017), Illustration of the Crisis, Bangkok University Gallery, Bangkok, Thailand (2013), After Painting, Singapore Art Museum, Singapore (2010) and The Amusement of Dreams, Hope and Perfection, Art Center of Chulalongkorn University, Bangkok, Thailand (2007). Recent group exhibitions include Thai Eye, BACC, Bangkok, Thailand and Saatchi Gallery, London, UK (2016/2015), Art of ASEAN, Bank Negara Museum and Gallery, Kuala Lumpur, Malaysia (2015), Time of Others, Museum of Contemporary Art Tokyo, Tokyo, Japan (2015) and Asian Art Biennale 2013: Everyday Life, National Taiwan Museum of Fine Arts, Taipei, Taiwan (2013).

His work is part of many renowned collections, such the Bangkok University, Bangkok, Silpakorn University, Bangkok, British Council, Bangkok, MAIIAM Contemporary Art Museum, Thailand, Lasalle-SIACollecgeoftheArts, Singapore, Singapore Art Museum, Singapore, Fine Art Museum of Ho Chi Minh City, Vietnam, Queensland Art Gallery and Gallery of Modern Art, Brisbane, Australia, Burger Collection, Hong Kong and Switzerland as well as private collections in Europe and Asia.

曼 谷 | 北 京 | 香 港

BANGKOK | BEIJING | HONG KONG

泰国曼谷帕度万伦披尼区，拉查丹利路，金地广场三楼

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+662 652 2732 | bkk@tangcontemporary.net

www.tangcontemporary.com