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康春慧，1982年生于乌鲁木齐，祖籍河北邯郸，2004年毕业于江南大学艺术与设计学院，获学士学位，2006年赴新疆克孜尔壁画研究所，整理临摹壁画，2011年毕业于首尔大学艺术学院，获硕士学位，现生活工作于北京。

Kang Chunhui (b. 1982, Urumchi, Xinjiang, China) works and lives in Beijing. In 2004, She graduated from Art and Design College of Jiangnan University with a bachelor degree. In 2006, she enrolled at Kizil Grottoes Research Institution in Xinjiang sketching wall paintings. In 2011, she earned her master degree from Seoul National University College of Fine Arts.

水墨，是康春慧的创作介质，也是画家创作理念的核心部分。纸本，敏感而多变，也是康春慧摩挲不断而时有感悟的物什。其实，康春慧对水墨的理解并不仅仅停留在这些层面，而是不断通过自我的水墨实践，上升到精神性的状态。在康春慧身上，我看到了某种以水墨意识所统领出的对自我创作价值与文化身份的积极寻找。无论是中国当代艺术抑或西方当代艺术，其实都不是字面上的文字游戏，需要的是一个个鲜活的艺术个性以及他们创造力的艺术证明，而这正是康春慧默默而坚决地在做的。（赵力）

Ink is the media through which the artist expresses herself, and also a key component of her creative concept. Paper, a sensitive and fickle medium for her ink, has also been a continuing subject of her exploration. In fact, Kang Chunhui's understanding of ink painting is not limited to this superficial level of physical materials, but rather through her never-ending exploration through practice is elevated to a spiritual level. In Kang Chunhui's work, I can see her impassioned search for creative value and cultural identity carried out by her command of a sensibility towards ink. Whether we speak of Chinese contemporary art, or of contemporary Western art, we are not merely dealing with a semantic game, but rather speaking of the need for vigorous, artistic uniqueness and the validation of artistic creativity. This is what Kang Chunhui, in her quiet yet persistent way, brings to all of us. （Zhao Li） 

高茜，1973年生于江苏南京。1995年毕业于南京艺术学院美术系中国画专业，获学士学位。1998年毕业于南京艺术学院美术系中国画专业，获硕士学位。2016年毕业于中国艺术研究院，获博士学位。1999年至2013年任职于上海美术馆，现为中国艺术研究院艺术创作院专职画家，国家一级美术师，硕士研究生导师。

Gao Qian (b. 1973, Nanjing, China). In 1995, she earned her bachelor degree from the Chinese Painting Department of Nanjing Academy of Fine Arts. In 1998, she graduated from the Chinese Painting Department of Nanjing Academy of Fine Arts with a master degree. In 2016, she obtained her PhD from Chinese National Academy of Arts. From 1999 to 2013, she worked at Shanghai Museum. She is currently working as a professional artist at the Literature and Art Department of Chinese National Academy of Arts. She is honored as the National First - Class Artist.

作为深谙传统精髓，具备极为严谨高超创作能力的画家，高茜没有满足于技巧层面的表达，而是一直以来都坚持着“观念先行”的创作路线，或是对“物”的摩挲与迷恋，或是对生命的体认，或是对“艺术通感”的关联建构，或是对古典文字的咀嚼与重释，或是对烟花易冷，富华退却的哀悼。她的作品温婉含蓄，情致细腻，充满了令人玩味的对话关系，和引人入胜的层次细节。同时，她的作品显著地流露着迷人的女性气息和私密化的闺阁气质。

Steeped in the essence of tradition, Gao Qian is a rigorous and excellent artist of the highest order. She has never been satisfied with simply expressing technique, but has always insisted on adopting an “ideas first” method of creating art, whether it be, for example, an infatuation with the caressing of an object, or the realization of life’s vitality, or the associative construction of an artistic synesthesia, or the rumination on classical script, or the lamentation of the ephemera of fireworks and the retreat of prosperity. Gao Qian’s works are gentle and reserved, appealing and exquisite, suffused with details which both fascinate and encourage reflection. At the same time, her works are notable for their revelation of an enchanting feminine spirit as well as the ambience of a private and personal boudoir. These subtle observations, profound meditations and restrained metaphors together create the unique framework of Gao Qian’s artistic practice.

金沙，1968年出生于北京。毕业于中央美术学院中国画系。现为北京工笔重彩画会副会长兼秘书长，中国工笔画学会常务理事，浙江画院中国工笔画研究所艺委会委员。现生活工作在悉尼和北京。

Jin Sha (b. 1968, Beijing, China) works and lives in Beijing and Sydney. He graduated from the Chinese Painting Department of the Central Academy of Fine Arts (CAFA). He is appointed as the Secretary-General of the Beijing Art Institute of Chinese Fine Art Painting and the Executive director of the China Hue Art Society. He is also a member of the Art Committee of the Zhejiang Art Academy’s Chinese Fine Art Painting Research Institute. 

金沙将西方透视和光影表现与中国工笔画的传统技法相结合，并融入当代观念的艺术表现，为画面带来别具一格的风情。他将绘画中的人物的“肉身”全部抽离，只留下一个似乎仍盛放着身体的衣冠，而原本为肉身所遮挡的空间和景象浮现出来，使观者获得全新的视觉经验。目光穿越了一个本应该存在遮挡的空间而直接窥视到远处，生成耐人寻味的视知觉体验。他用其缜密细腻的笔触在其中描绘穿插各种风景，抑或用悬空的苹果、烟斗等具寓意性的物品重置，彷彿有意留下的线索供观者想像。

Jin Sha's painting is not just presenting the modern concept of the new art form, he also combines Western techniques such as perspectives, chiaroscuro modeling, and the Chinese Gongbi-painting in his works. In this series, Jin stripes away the corporeal body from the human figure, and leaving just the appearance of the clothes. The spaces and scenes that is originally behind the body now emerge to the surface, then the viewer is able to see through the landscape of the portraits to gain a new virtual experience. In addition, Jin loves to leave his viewers clues that are symbolic to the artwork . The clues such as a tobacco pipe and an apple in the air are one examples appear in his paintings.

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孙浩，1980年出生于山东省临沂市，现工作生活于北京。2001年鲁迅美术学院中国画系人物画专业本科毕业，2005年中央美术学院中国画学院胡伟工作室硕士毕业，现为中国美术家协会会员，任教于北京印刷学院设计艺术学院。

Sun Hao (b. 1980, Shandong, China) works and lives in Beijing. In 2001, he graduated from the Chinese Traditional Painting Department of Luxun Academy of Fine Arts with a bachelor degree, majored in portraits painting. In 2005, he earned his master degree from the Chinese Painting Department of Central Academy of Fine Art, majored in materials and expression. He is a member of Chinese Artists Association, and currently teaching at the Beijing Institute of Graphic Design Art Institute.

初观孙浩的作品，其中并无“绚丽的当代抽象风”，而正如对于山东汉子那种直率的印象一般，写实的样式，扎实的造型，没有赘述和讨巧，实实在在的视觉震撼来自于深沉且厚重的笔墨。孙浩探究水墨延展的边界和极限，对水墨绘画中的偶发性，不可控性、延伸性、创造性，并发现在绘画雕塑时会产生什么样的效果，这不仅是体裁的问题，更是水墨技法作为艺术语言的独立能力。技术作为观念的切口和途径，在水墨这里，孙浩恰恰找到了精神诉求的物象。

When we first see Sun Hao’s works, we notice that there is none of the flashy contemporary abstract style. They evoke the famous straightforward, masculine image of men from Shandong Province, in that the realist style and solid forms are devoid of any unnecessary embellishments, their visual impact deriving entirely from heavy ink brushwork. Sun Hao explores the expanding boundaries and limits of ink and the serendipitous, uncontrollable, expansive and creative aspects of ink painting, while discovering the effects that emerge from painting sculpture. This is no longer a mere question of carrier; it now encompasses the independent capabilities of ink painting techniques as artistic language. Using technique as the path and entry point to conception, Sun Hao has found the physical appearance of his spiritual pursuits in ink.

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王鉴为，1978年出生于河南开封。曾就读中国书法学院、中央美术学院壁画系和中国画研究院高研班。现工作生活于北京。

Wang Jian Wei (b. 1978, Henan, China) works and lives in Beijing. He studied at College of Chinese Calligraphy, the Mural Painting Department of China Central Academy of Fine Art (CAFA), Research Institute of Traditional Chinese Painting. 

从王鉴为的一系列近作——《游于造物》、《终年走风尘，何似山中住》、《抟鹏翼于北溟》、《共太虚而逍遥》、《坐忘而得》中，可以窥见画家描绘的精神世界受中国传统道家文化影响，更加注重对于“气”的描绘。这种对于“游乎天地之一气”的表达，正是对中国古人通过静修而达到“万物毕得，翼然自来”的人生境界的当代化呈现。如此，王鉴为对于将中国传统文化精神与当代绘画相结合的课题研究，已经迈出了卓有成效且非常关键的一步。

If we take a glance at Wang Jianwei’s recent works, we could sense that the painter’s inner world is influenced by the Taoism philosophy, and the works are the illustrations of artist’s understanding of “Chi”. The appreciation of the idea that all entity is consist of “Chi” is also a contemporary manifestation of an ancient Chinese philosophical idea. Therefore, Wang Jianwei has taken a very important step in the study of the combination of Chinese traditional culture and contemporary painting. 

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刘云，1957年生于湖南岳阳。现工作生活于湖南。中国美术家协会理事，湖南省画院院长，湖南省美术家协会副主席，国家一级美术师，中国人民大学客座教授，中国美协河山画会会员。

Liu Yun (b. 1957, Hunan, China) works and lives in Hunan, Member of China Artists Association, President of Hunan Art Academy, Vice President of Hunan Artist Association, Visiting Professor of Renmin University of China, Member of China Artist Association of Heshan Painting, also honored as the National First Class Artist.

刘云早年学习油画，中年以后又进行中国山水画创作。他对中国传统山水，特别是青绿山水有系统的研究，在他的作品中有青绿的元素。以及又在原来的工笔青绿山水基础上有小写意、水墨这样一种浓彩、浓墨的山水画形式出现。作为生长和工作在湖南的画家，刘云以湖湘景致为自己的生活基地，在长期写生中体会山光水色的变幻和万物生态的灵动，在笔线墨韵中构建起与自然山川神往心会的深幽意趣，平原丘陵、茂林山田、溪湖泉石，都在他笔下呈现出宽远的气象和蓬勃的生机，充满了吐纳呼吸的气息。

Liu Yun studied oil painting in his early years, and later focuses on Chinese landscape paintings. He has systematically studied Chinese traditional landscape painting, especially the Blue and Green Landscape Painting. On the basis of the Blue and Green Landscape Painting, he creates a style with a richness of ink and color. As an artist who lives and works in Hunan, the landscape of lakes and mountains in Xiang area inspires him. Through a long period of painting from life, he senses the change of the mountains and the rivers, the flowing of all life. Therefore, his sensibility of the beauty of nature is expressed within his brush stroke; The plain, the hill, the forest, the countryside, the lake and the stream, all vividly arise on paper under his brushes.

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萧戈，别名小阁，书画鉴定家、摄影家。毕业于江苏大学艺术学院。曾任江苏金陵美术馆馆长、南京金陵饭店文化艺术中心总经理、艺术总监等职。现为中国科举博物馆艺术品鉴定专家委员会委员、江苏省收藏家协会书画鉴定委员会副主任、英国皇家摄影学会会员。

Xiao Ge is a photographer, and also a connoisseur of calligraphy and painting. He graduated from the School of Art of Jiangsu University. He was the former Director of Jiangsu Jin Ling Art Museum, the General Manager and the Art Director of Jin Ling Hotel Cultural and Art Center. Now he is a member of the Expert Committee of the Art Appraisal Committee of the Imperial Museum of China, the Deputy Director of the Calligraphy and Painting Appraisal Committee of Jiangsu Association of Collectors and a member of Royal Photographic Society (RPS). 

出生于艺术世家的萧戈，1998年始从事人文艺术摄影，受教于邵华泽、邓伟等先生，2015年入选英国皇家摄影协会，2017年进入玛格南大师班，师从帕特里克·扎克曼先生学习摄影。作为摄影者，萧戈在游历世界各国之时，常常会被当地的人文气氛所吸引，他善于捕捉人世间美丽的“瞬间”，通过一幅幅生动的照片传达出他对社会个体和群体特征、社会环境、民风习俗的认识，实践布列松“决定性瞬间”理论。

Xiao Ge was born in a family of artists. He started humanities art photography since 1998. In his early years, Xiao Ge studied with Mr. Shao Huaze and Mr. Deng Wei. In 2015 he was elected as a member of Royal photographic Society. In 2017, he studied photography from Mr. Patrick Zachmann at Magnum Workshop. As a photographer, Xiao Ge is fascinated by the local culture while traveling around the world. He is good at capturing the beautiful moments of our life. Through these vivid photos, Xiao Ge expresses his understanding of social characteristic, the social circumstances and the folk custom, and practices the idea of Henri Cartier - Bresson’s The Decisive Moment.