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马凌画廊（香港／上海）很高兴宣布将首次参加纽约弗里兹艺博会（Frieze New York）。在此次展位中将呈现来自杨嘉辉（1979年生于香港）、周育正（1976年生于台湾）和杰里米?埃弗雷特（1979年生于美国）三位艺术家的作品。
在展位的中心是一来自杨嘉辉的多媒体装置作品《大大公司》（2019）。杨嘉辉在音乐作曲方面有着跨文化的专业素养，擅长将多元文化的范例编织成一首有关图像和声音的交响乐，试图在常见的议题上和观众产生共鸣，例如身份认知、战争和文学。《大大公司》也在其位于加拿大温哥华亚洲当代艺术国际中心（Centre A）的个展展出，源于杨嘉辉对首个有着中国血统出生于加拿大的华人温金有的档案研究。对《音乐之声》（港译《仙乐飘飘处处闻》）中脍炙人口的经典名曲《My Favorite Things》进行重新编排并用于这部动画录像作品中，杨嘉辉创作出了一对平行的乌托邦世界。由此，这一装置作品探索了离散无际的想像中的诗意美学，同时也反映出杨嘉辉对拓扑学、现代国家和社会想像的浓厚兴趣。作为一位广受赞誉的香港作曲家和声音媒体艺术家，杨嘉辉曾在纽约古根海姆美术馆多次举办展览，并在2017年曾代表香港参加第57届威尼斯双年展，目前正在为第8届纽约表演艺术双年展“Performa 19”的大型委托项目潜心创作。
≡ 杨嘉辉 Samson Young
大大公司 Da Da Company
2019
动画、商用陈列 (胶合板)、互动式灯光系统
Animation, repurposed commercial displays (plywoods),
interactive lighting system
个展“没有童年的年代 保住那一发青山”展览现场
Installation view of "It's a heaven over there"
加拿大温哥华亚洲当代艺术国际中心
Centre A, Vancouver International Centre for Contemporary Asian Art
?图片由加拿大温哥华亚洲当代艺术国际中心提供
Image courtesy of Centre A
摄影 Photo credit: Rachel Topham
在右手边的墙壁上挂着来自美国新兴艺术家杰里米?埃弗雷特的两幅摄影作品。有着景观建筑学的专业背景，埃弗雷特借鉴二十世纪70年代美国大地艺术的传统和对瞬息万变的美学的直觉捕捉进行创作，使得其作品总是充满著诗情画意。其在墨西哥对各式各样非盆栽的植物的影像拍摄，好似是沙漠绿洲的景象，实则是对贫瘠土地上的生活的隐喻。与此图像并置的是一个抽象的物品，即被一束光照射的胶片，好似是一霓虹酒吧的细节。二者的并置突出了每一张图像的重点，从绿植的根茎到蕴藏于抽象物品中的自然线性。埃弗雷特作为知名新锐艺术家，曾在芝加哥当代美术馆以及史密森尼博物馆多次举办展览。
≡ 杰里米· 埃弗雷特 Jeremy Everett
无题 Untitled
2018
干板墙上喷墨打印 Inkjet print on drywall
162.56 x 109.22 cm
?图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
悬挂在对墙的作品是一幅来自知名台湾艺术家周育正的大型渐层绘画作品。通过多样媒介的创作，周育正对大众传播媒体、机构和对应的创立机制进行着微妙的批判。这一作品早前曾在马尼拉当代艺术设计博物馆展出，呈现了周育正在马尼拉街头乘坐公交车时所观察到的鲜艳的色彩变化。如此一来，周育正思索着科技和数字色彩的兴起，并通过画笔描绘并突显其对当代都市不同色调的所思所想。周育正是一位广受推崇的艺术家，于台北居住和工作。其群展遍布世界各地，包括利物浦双年展、新美术馆和皇后区博物馆。
三位艺术家透过各自的作品以不同的方式来回应时间、观察和存在的议题。杨嘉辉借助科技来探索认同的演变，周育正在此基础上以传统的绘画媒介来指出科技对美学观念的深远影响，而埃弗雷特则捕捉日常之景用以编织表象之下的视觉连结。
≡ 周育正 Chou Yu-Cheng
电镀金，保持冷静，镀铝锌版，祈祷，渐层，灰烬，抗议，不均，不满，
资本，香炉，佼存，激动,击，日光，五 （渐层绘画：马尼拉橙红和绿)
Chemical Gilding, Keep Calm, Galvanise, Pray, Gradient, Ashes,
Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner,
Survival, Agitation, Hit, Day Light. V
(Gradient Painting: Manila Orange & Green)
2019
布面丙烯 Acrylic on canvas
216 x 180 x 5 cm
? 图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Edouard Malingue Gallery (Hong Kong/Shanghai) is pleased to present for its inaugural participation at Frieze New York a booth that brings together works by Samson Young (b. 1979, Hong Kong), Chou Yu-Cheng (b. 1976, Taiwan) and Jeremy Everett (b. 1979, USA).
At the centre of the booth is a multimedia installation by Samson Young. With a formal cross-cultural training in music composition, Young draws from multicultural paradigms to weave a symphony of image and sound, touching upon the recurring topics of identity, war and literature. Young’s installation, equally shown as part of his solo exhibition at Centre A in Vancouver, entitled ‘Da Da Company’ (2019) originates from Samson Young’s archival research on Won Alexander Cumyow, the first person of Chinese descent born in Canada. In an animated video that is set to a musical deconstruction of ‘My Favorite Things from the Sound of Music’, Young presents a pair of utopian visions as parallel realities. Ultimately, the installation explores the poetics of the diasporic imagination and reflects Young’s interest in shifting topologies, the modern nation-state, and cosmopolitan social imaginaries. A highly regarded composer, sound and media artist based in Hong Kong, Young has held exhibitions at the Guggenheim, represented Hong Kong at the 57th Venice Biennale and is unveiling a large-scale commission for Performa 19.
≡ 杨嘉辉 Samson Young
大大公司 Da Da Company
2019
动画、商用陈列 (胶合板)、互动式灯光系统
Animation, repurposed commercial displays (plywoods),
interactive lighting system
个展“没有童年的年代 保住那一发青山”展览现场
Installation view of "It's a heaven over there"
加拿大温哥华亚洲当代艺术国际中心
Centre A, Vancouver International Centre for Contemporary Asian Art
?图片由加拿大温哥华亚洲当代艺术国际中心提供
Image courtesy of Centre A
摄影 Photo credit: Rachel Topham
On the right wall are two photographic works by emerging American artist Jeremy Everett. With a background in landscape architecture and previous exhibitions at the MCA Chicago and Smithsonian, Everett creates lyrical works that develop from the 1970s American land art tradition and stem from a place of intuition, existing in an evolving state of beauty. On the one hand is the capture of various unpotted plants, an image taken in Mexico, seemingly growing in a desert landscape, a hint of life amid the barren landscape. This is juxtaposed with an abstract piece, a raw exposure of light on film, that resembles the detail of a neon bar. Side by side, accents of each image are highlighted, from the green plant stems to the natural linearity of abstract work. A highly celebrated emerging artist, Everett has previously exhibited at the MCA Chicago and Smithsonian, amongst others.
≡ 杰里米· 埃弗雷特 Jeremy Everett
无题 Untitled
2018
干板墙上喷墨打印 Inkjet print on drywall
162.56 x 109.22 cm
?图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Presented on the opposite wall is a large gradient painting by established Taiwanese artist Chou Yu-Cheng who builds, across multiple mediums, a subtle critique of mass media, institutions and the mechanisms that produce them. Previously exhibited at the Museum of Contemporary Art and Design in Manila, the work expresses the vivid colour variations spotted by Chou when riding buses through the streets of Manila. As such, Chou reflects on the rise of technology and digital colour, a consideration that is heightened by depicting by hand the range of generated tonal urban hues. A highly acclaimed artist who lives and works in Taipei, Chou has notably exhibited at the Liverpool Biennial, New Museum and Queens Museum, amongst others.
Ultimately, all three artists respond to time, observation and states of being. Young considers developments of identity using technology, while Yu-Cheng extends this by noting the visual impact of technology on our notions of aesthetics through the traditional medium of painting, while Everett weaves visual connections between everyday sightings.
艺术家简介 About the artist
杨嘉辉 Samson Young
杨嘉辉是广受认可的作曲家、声音艺术和媒体艺术家。他拥有普林斯顿大学音乐博士（作曲）学位（2013），并代表香港参加2017年第57届威尼斯双年展。此外，他曾在世界各地举办个展，包括香港视觉艺术中心、温哥华亚洲当代艺术国际中心（Centre A）、德国杜塞尔多夫美术馆、曼彻斯特华人当代艺术中心（CFCCA）、香港M+展亭和广岛市现代美术馆等。群展包括纽约古根海姆美术馆、悉尼双年展、大阪国立国际美术馆、首尔MMCA国立现代美术馆和卡塞尔文献展之卡塞尔电台广播等等。杨嘉辉是多个乐队的成员，并和世界各地乐团合作。他也参加多个艺术节，并获得多个奖项，包括2015年宝马艺术之旅奖项和2018年香港艺术中心艺术荣誉奖。其他奖项包括香港艺术发展局的年度最佳艺术家奖（2013）、奥地利媒体艺术节电子艺术大奖（2012）、彭博新一代艺术奖（2007）。
? 图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery
and the artist
Multi-disciplinary artist Samson Young was trained as a composer, and graduated with a Ph.D. in Music Composition from Princeton University in 2013. Young has had solo exhibitions at Hong Kong Visual Arts Centre, Centre A: Vancouver International Centre for Contemporary Asia Art, the Kunsthalle Düsseldorf, Centre for Contemporary Chinese Art in Manchester, M+ Pavilion in Hong Kong, and Hiroshima City Museum of Contemporary Art, among others. In 2017, he represented Hong Kong at the 57th Venice Biennale. Group exhibitions include Solomon R. Guggenheim Museum, New York; Biennale of Sydney; National Museum of Art, Osaka; National Museum of Modern and Contemporary Art, Seoul; and documenta 14: documenta radio; amongst others. Furthermore, he has participated in multiple festivals, as well as been the recipient of several prizes, including the 2015 BMW Art Journey Award and 2018 Hong Kong Art Centre Honorary Fellowship. Further awards include Artist of the Year (Hong Kong Arts Development Council), Prix Ars Electronica, Bloomberg Emerging Artist Award.
周育正 Chou Yu-Cheng
1976年生于台北台湾，周育正透过重塑、转移或转化创作元素刷新身份和物件之间的关系，贯穿其多媒介艺术创作的脉络是他对大众媒体、体制和生产系统的批判。周育正毕业于法国国立巴黎高等艺术学院与塞纳河研究计划，在国际艺术界以其创作策源和成果之间的相互辩证作用见称。他通过创作产生了一次次精心策划的对话，塑造出极简而斟酌到位的知性和美学艺技，把玩艺术、物件和空间本身的特质。周育正的实践中贯穿协作和展演。他从企业、博物馆或工厂的语境撷取物件，呈现艺术生产和组织幕后的系统。其个展包括贝塔宁艺术村，柏林（2015）；高雄市立美术馆，高雄（2015）；台北市立美术馆，台北（2014）；台北关渡美术馆，台北，（2011）；和科罗拉多州丹佛当代艺术博物馆，科罗拉多（2008）。群展包括利物浦双年展（2018）；新美术馆，纽约（2015）；台中亚洲艺术双年展，台湾（2015）；纽约皇后区艺术博物馆，纽约（2013）；台北双年展，台北（2012）等。他于2013年参与曼彻斯特华人当代艺术中心艺术家驻留计划，又在2011和2012年分别获颁台新视觉艺术奖和台北美术奖。周育正的作品已被纳入多个馆藏之中，包括索尔福德大学/曼彻斯特曼彻斯特华人当代艺术中心，英国；台北市立美术馆；高雄市立美术馆等。
? 图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery
and the artist
Modified, shifted or transferred elements amounting to new relationships between status and object: herein lies the pulse of Chou Yu-Cheng’s (b. 1976) practice that builds, across multiple mediums, a subtle critique of mass media, institutions and the mechanisms that produce them. A graduate from l’Ecole Nationale Supérieure des Beaux-Arts de Paris, and the research programme La Seine, Chou has gained international recognition for his dialectical interplay between the source and results of his creations. Through his selective conversations, Chou shapes a minimal yet deliberate set of intellectual and aesthetic tricks, which ultimately play on the properties of art, object and space. Running throughout Chou’s practice is the process of cooperation and display. Often borrowing objects from companies, museums or factories, Chou sets to make the mechanism of art production and organisation visible. His notable solo shows include Künstlerhaus Bethanien, Berlin (2015); Kaohsiung Fine Art Museum, Kaohsiung (2015); Taipei Fine Art Museum, Taipei (2014); Kuandu Museum of Fine Arts, Kuandu (2011); Museum of Contemporary Art Denver, Colorado (2008). Group exhibitions include Liverpool Biennial (2018); New Museum, New York (2015); Asian Art Biennial, Taiwan (2015); Queens Museum, New York (2013); Taipei Biennial, Taipei (2012). Chou held a residency at the Chinese Centre For Contemporary Art (CFCCA), Manchester in 2013 and received the Taipei Art Award, Taiwan in 2012 as well as the Taishin Annual Visual Art Award, Taiwan in 2011. Chou’s work is held in multiple museum collections including the University of Salford/CFCCA, UK; Taipei Fine Art Museum; Kaohsiung Museum of Fine Art.
杰里米·埃弗雷特 Jeremy Everett
在获得景观建筑学学位后，杰里米?埃弗雷（1979年生于美国，现居纽约和巴黎）又转入了艺术创作领域，并在多伦多大学完成了艺术硕士课程。风化的表面像粗糙得不能反射的镜子；被油彩玷污的丝绸轻盈地浮动；结晶体下隐藏着几乎被错过的文字本源—这些都是杰里米?埃弗雷特充满诗意的创作元素。风化的表面像粗糙得不能反射的镜子；被油彩玷污的丝绸轻盈地浮动；结晶体下隐藏着几乎被错过的文字本源—这些都是杰里米?埃弗雷特充满诗意的创作元素。杰里米?埃弗雷特作为知名新锐艺术家，曾在洛杉矶、纽约、旧金山、巴黎和香港等地举办个展。埃弗雷特近期参与了在特内里费艺术空间举办的群展,其作品也曾在芝加哥现代艺术博物馆中展出。杰里米·埃弗雷特的创作被各大媒体和艺术评论广泛报道,并刊登于Centerfold 杂志、费顿(Phaidon)、l’Officiel de l’Art、缪斯杂志、纽约时报、史密森尼杂志、Flash Review、现代画家与ArtReview 等出版物。
? 图片由艺术家提供
Image courtesy of the artist
After beginning his studies with a degree in Landscape Architecture, New York and Paris-based, Jeremy Everett (b. 1979) traversed into the art of making by subsequently completing an MFA at the University of Toronto. A weathered surface akin to a textured unreflective mirror; a lightly floating piece of silk soiled by traces of oil paint; crystalline formations that only so slightly betray their origins as texts – these are but some of the poetics elements that form Everett’s subtle works. Jeremy Everett is a highly celebrated emerging artist who has held solo exhibitions in Los Angeles, New York, San Francisco, Paris and Hong Kong, amongst other locations. Everettrecently participated in a group show at Espacio Tenerife de las Artes and has been exhibited at the Museum of Contemporary Art, Chicago. Everett’s practice has been extensively featured in publications and critical reviews including Centerfold Magazine, Phaidon, l’Officiel de l’Art, Muse Magazine, The New York Times, The Smithsonian Magazine, Flash Art, Modern Painters and ArtReview, amongst others.
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