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伊穆克·冯·戴伊克（Iemke van Dijk）| “风格派及未来”参展艺术家

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风格派及未来

DE STIJL AND THE FUTURE

艺术家介绍第七期 Introduce of artists：7

伊穆克·冯·戴伊克（Iemke van Dijk）

无题 Untitled，63 x 46.5cm,graphite on paper 纸上石墨，2016

Relief，?320cm，Porcelain discs瓷碟，2016

Aluminium disc，? 40cm，Spray paint on aluminium 铝上喷漆，2017

Aluminium disc，? 40cm，Spray paint on aluminium 铝上喷漆，2018

“荷兰风格派运动的艺术家们曾经寻找一种新的视觉语言。为实现这一目标,他们制定了严苛的规则,仅采用水平线和垂直线、白色、黑色、灰色和原色。通过使用这些元素,他们成功地将张力与和谐融于一体。这些作品只代表作品本身,并不表现画作以外的内容。在我的工作过程中,我也有自己的一套特定规则。遵循这些规则,在机会与秩序之间寻求张力与平衡。就像风格派艺术家的作品一样,作品所呈现的只是其本身的内涵。

此外,对于如何能够将个人作品融入自然和建筑环境中,我仍怀有浓厚兴趣。因此,我经常选择特定地点创作作品,这与一些风格派的想法不谋而合,即跨越绘画、雕塑和建筑学科之间的界限,比如杜斯博格的奥贝特咖啡厅。”

艺术家自述

"The artists of the De Stijl movement were searching for a new visual language. They achieved this by setting strict rules. Only horizontal and vertical lines, white, black, gray and the primary colors. By using these elements they thrived to achieve tension and harmony. These works only represent itself and nothing outside of the painting. In my work I use my own limited set of rules. Following these rules, I thrive for tension and balance between chance and order. Likewise the work of artists of De Stijl, the work presents itself.

In addition, I am also interested in ways to incorporate the individual works into context of nature and architecture. Therefor I choose to make work often site-specific. This relates very well to the ideas of De Stijl regarding crossing the boundaries between the disciplines of painting, sculpture and architecture, like for example cafe Aubette by Theo van Doesburg."

by Iemke van Dijk

展览现场

伊穆克·冯·戴伊克（Iemke van Dijk）

1969年出生于瓦森纳，她是一名艺术家、策展人和教师,在荷兰莱顿生活和工作。

她在莱顿学术艺术中心LAK任教,也是莱顿S项目的联合创始人。lemke van Dijk的作品已经在世界各地的画廊、艺术空间、博物馆和艺术博览会上展出。在2016/2017年阿姆斯特丹灯光节期间,她创作了作品《影响之下》。2017年,为庆祝荷兰风格派运动百周年,她与 Guido winkler一起策划了莱顿布料厅市立博物馆露天展览活动,包括“风格派诞生100年”,以及在莱顿多处展出的 Raakvlakken雕塑展。2019年, lemke将设计三个大型彩色玻璃窗,并计划在荷兰莱顿的莱顿布料厅市立博物馆永久展出。

Iemke van Dijk

She was born in 1969 in Wassenaar, lives and works as an artist, curator and teacher in Leiden, theNetherlands. She is a Teacher at Leiden Academic Artcentre LAK and co-founder of the IS-projects, Leiden. Iemke van Dijk has exhibited worldwide in galleries, artist run spaces, museums and on art fairs. For 2016/2017 edition of Amsterdam Light Festival she created the work 'Under Influence'. For the centennial of De Stijl movement in 2017, together with Guido Winkler, she curated the Open Air Museum De Lakenhal: 100 years after De Stijl as well as the multi venue exhibition Raakvlakken for Sculptures in Leiden. For 2019, Iemke designed three large format stained glass windows for permanent display in Museum De Lakenhal in Leiden, the Netherlands.

过往作品 Past works

无题 Untilted, baking soda on floor, 4x10m, 2018

纸上绘画 Drawing on paper, 28 x 28 cm，gesso and graphite 石膏粉和石墨，2016

无题 Untitled，? 60cm LUMC，graphite on wall 石墨和墙，2017

>>> 正在展出 On view <<<

风格派及未来

DE STIJL AND THE FUTURE

策展人 Curator:索菲-夏洛特·邦贝克 Sophie-Charlotte Bombeck

出品人 Producer:周力 Zhou Li

学术主持 Academic Host:刘可 Liu Ke

艺术家 Artists:陈亮 Chen Liang、黄拱烘 Huang Gonghong、李鹏 Li Peng、马树青 Ma Shuqing、唐骁 Tang Xiao、王晓鸣 Wang Xiaoming、Henriette van 't Hoog、Iemke van Dijk、Michael Wright、Oleksiy Koval、Veronika Wenger

主办单位 Organizers:华侨城盒子美术馆 OCT Boxes Art Museum、合美术馆 United Art Museum

展览地点 Address：佛山市顺德区顺峰山湿地公园（南门）华侨城盒子美术馆 OCT Boxes Art Museum, Shunfeng Mountain Wetland Park, Shunde District, Foshan City, Guang Dong Province

展览时间 Exhibition Time：2019年3月22日—2019年5月5日 March 22,2019—May 5,2019 周二至周五10:00 — 18:00 周末10:00 — 20:00 Tuesday to Friday 10：00-18：00 Weekend 10:00-20:00

“荷兰风格派” 有一本同名杂志，自1917年由特奥·凡·杜斯伯格在莱顿市出版，直到1931年为全世界艺术家和理论家提供了理论依据。主题涵盖了从美术到建筑、设计到电影、音乐和文学等方方面面。在为“荷兰风格派运动” 撰写的首批系列文章中，蒙德里安阐述了大量对抽象艺术发展影响至深的观点。恰巧2017年是“风格派”成立一百周年的重要日子，为此，策展人精心策划了此展览。参加展览的有六位外国艺术家（其中二位为荷兰艺术家，一位为德国艺术家，一位为华裔德国艺术家，一位为英国艺术家，一位为乌克兰艺术家），五位为中国艺术家。有趣的是，五位中国艺术家都有留学背景。通过这个具有学术意义的展览，我们不仅可以了解当代抽象艺术家对传统抽象艺术源头之一“风格派”的传承与发展，还可看到中外抽象艺术家作品之间的碰撞交流。本次展览将持续到2019年5月5日，免费对公共开放。

“DE STIJL” has a magazine with the same name, which was published by Theo van Doesburg in Leiden in 1917, and it was not until 1931 that it provided theoretical basis for artists and theorists around the world, covering art, architecture, design, film, music, literature, etc. In the first series of articles written for “DE STIJL”, Mondrian elaborated on a number of points of view which have profound influences on the development of abstract art. Coincidentally, 2017 is an important year - the 100th anniversary of the “DE STIJL”, so the curator has made elaborate preparations for this exhibition. The participating artists come from China, the Netherlands, Germany, Great Britain and from Ukraine. The interesting thing in the course of this is that all of the Chinese artists have oversea education background, too. Through the exhibition of academic significance, we can not only understand the inheritance and development of “DE STIJL” - one of the sources of traditional abstract art - by contemporary abstract artists, but also get in touch with the exchange and collision between Chinese and foreign abstract artworks. The exhibition will last until May 5th, 2019.