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唐骁 | “风格派及未来”参展艺术家

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风格派及未来

DE STIJL AND THE FUTURE

艺术家介绍第九期 Introduce of artists：9

唐骁

Gold \ 70x60x30cm 木板丙烯，亚克力板 Acryl on Wood, Acrylic plate 2017

Fake grass | 160x100cm 人造草皮，有机玻璃 artificial grass,plexiglass 2017

Turquoise | 70x60x30cm，Acrylic on wood，Acrylic Plate 木板丙烯，亚克力板2017

松石绿的刺 | 50x50x100cm 松木，纤维板，亚麻布，丙烯 Pine,fiberboard,canvas,acrylic, 2016

Sponge | 160x100cm 硬海绵，有机玻璃 hard sponge,plexiglass 2017

“荷兰哲学家苏恩梅克尔（Schoen-maekers）认为，人们通过冥想深入自然，透视现实隐秘的内在结构，这个内在结构就是“造型”。自然中存在相互对立的一对对元素，如积极与消极、男与女，空间与时间，黑暗与光明等等，都可以通过简化而压缩为水平线和垂直线。这个论述与蒙德里安（Mondrian）早前的“加减构成”实验不谋而合，且拓展到更深远。这种对于造型的理解方式同样深深的影响着我的绘画。通神论哲学是受东方思想影响的一种神秘主义，关于对立的二元，在我看来，和中国的《周易》中太极两仪的演绎有着共通之处，中国哲学关于对立转化的道家思想，以及阴阳在中国山水画中的表现方式，再参照蒙德里安的艺术的话，或许能为中国抽象找到更多可行的出路，而不必局限在以修行名义进行的“极多主义”的重复动作中。”

艺术家自述

"The Dutch philosopher Piet Schoenmakers thinks that people go further into nature by meditation and look into the secret inner structure of reality which is “Form”. The nature exist pairs of elements which are in opposition to each other, including, “positive and negative”, “man and women”, “space and time”, “dark and light”. All of these can be compressed into horizontal and vertical lines by simplifying. This discuss coincides with Mondrian’s “Neoplastizismus” experiment which did in early years and developed further. This understanding way to modeling also has deep impact on my paintings. Theosophy philosophy is a kind of mysticism which is influenced by oriental thinking. It is about opposite duality. In my ways, it has performed commonality with Chinese two ways of “tai chi” in “I Ging”. From Chinese philosophy about opposite transform Taoism, “Ying” and “Yang” manifestation in Chinese landscape painting and the art of Mondrian, it may find more feasible ways for Chinese abstract instead of being limited to the “chinesischen-Maximalismus” repetitive movements which is in the name of cultivate morality."

by Tangxiao

展览现场

唐骁

1976年生于中国武汉

2006年毕业于德国慕尼黑造型艺术学院

现工作和生活于武汉

Tang Xiao

Born in Wuhan, China in 1976.

Graduated from Munich Academy of Fine Arts, Germany in 2006.

Work and live in Wuhan.

过往作品 Past works

无题 Without Title，尺寸可变 Variable size，丙烯，木板搭建 Acryl，made of wood，2015

无题 Without Title，120x100x30cm，丙烯，木板，Acryl，wood，2013

无题 Without Title，2016

>>> 正在展出 On view <<<

风格派及未来

DE STIJL AND THE FUTURE

策展人 Curator:索菲-夏洛特·邦贝克 Sophie-Charlotte Bombeck

出品人 Producer:周力 Zhou Li

学术主持 Academic Host:刘可 Liu Ke

艺术家 Artists:陈亮 Chen Liang、黄拱烘 Huang Gonghong、李鹏 Li Peng、马树青 Ma Shuqing、唐骁 Tang Xiao、王晓鸣 Wang Xiaoming、Henriette van 't Hoog、Iemke van Dijk、Michael Wright、Oleksiy Koval、Veronika Wenger

主办单位 Organizers:华侨城盒子美术馆 OCT Boxes Art Museum、合美术馆 United Art Museum

展览地点 Address：佛山市顺德区顺峰山湿地公园（南门）华侨城盒子美术馆 OCT Boxes Art Museum, Shunfeng Mountain Wetland Park, Shunde District, Foshan City, Guang Dong Province

展览时间 Exhibition Time：2019年3月22日—2019年5月5日 March 22,2019—May 5,2019 周二至周五10:00 — 18:00 周末10:00 — 20:00 Tuesday to Friday 10：00-18：00 Weekend 10:00-20:00

“荷兰风格派” 有一本同名杂志，自1917年由特奥·凡·杜斯伯格在莱顿市出版，直到1931年为全世界艺术家和理论家提供了理论依据。主题涵盖了从美术到建筑、设计到电影、音乐和文学等方方面面。在为“荷兰风格派运动” 撰写的首批系列文章中，蒙德里安阐述了大量对抽象艺术发展影响至深的观点。恰巧2017年是“风格派”成立一百周年的重要日子，为此，策展人精心策划了此展览。参加展览的有六位外国艺术家（其中二位为荷兰艺术家，一位为德国艺术家，一位为华裔德国艺术家，一位为英国艺术家，一位为乌克兰艺术家），五位为中国艺术家。有趣的是，五位中国艺术家都有留学背景。通过这个具有学术意义的展览，我们不仅可以了解当代抽象艺术家对传统抽象艺术源头之一“风格派”的传承与发展，还可看到中外抽象艺术家作品之间的碰撞交流。本次展览将持续到2019年5月5日，免费对公共开放。

“DE STIJL” has a magazine with the same name, which was published by Theo van Doesburg in Leiden in 1917, and it was not until 1931 that it provided theoretical basis for artists and theorists around the world, covering art, architecture, design, film, music, literature, etc. In the first series of articles written for “DE STIJL”, Mondrian elaborated on a number of points of view which have profound influences on the development of abstract art. Coincidentally, 2017 is an important year - the 100th anniversary of the “DE STIJL”, so the curator has made elaborate preparations for this exhibition. The participating artists come from China, the Netherlands, Germany, Great Britain and from Ukraine. The interesting thing in the course of this is that all of the Chinese artists have oversea education background, too. Through the exhibition of academic significance, we can not only understand the inheritance and development of “DE STIJL” - one of the sources of traditional abstract art - by contemporary abstract artists, but also get in touch with the exchange and collision between Chinese and foreign abstract artworks. The exhibition will last until May 5th, 2019.