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【空间站】现场 | 地天通—时空的神圣秩序

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地 天 通 — 时 空 的 神 圣 秩 序

Link Heaven and Earth —Sacredness rule of Time and Space


策展人 | Curator : 付晓东 | Fu Xiaodong

学术顾问 |Academic Adviser:袁宁杰 | Yuan Ningjie

艺术家 | Artist:陈花现 | Chen Huaxian、陈春木 | Chen Chunmu、范华 | Patrice Fava(收藏 | Colleced works)、付晓东 | Fu Xiaodong、郭宇剑 | Guo Yujian、郭锐文 | Raven Kwok、雷子人 | Lei Ziren、梁硕 | Liang Shuo、吕胜中 | Lv Shengzhong、鲁大东 | Lu Dadong、卢彦鹏 | Lu Yanpeng、毛晨雨 | Mao Chenyu、孙宇 | Sun Yu、邬建安 | Wu Jianan、王琛 | Wang Chen、王梵僧 | Wang Fanseng、贤之 | Xian Zhi、袁宁杰 | Yuan Ningjie(收藏 | Colleced works)

开幕 | Opening : 2019.4.27  2:00 PM

日期 | Exhibition Time:2019.4.27 - 6.16

地点 |  Venue : 空间站 北京市朝阳区酒仙桥路4号798艺术区中一街 | Space Station, NO.4 Jiuxianqiao Rd, 798 Art District, Beijing




展览现场





地天通 — 时空的神圣秩序


文:付晓东


      空间站非常荣幸的邀请到了多年进行人类学研究或者田野考察的艺术家和作者们,来参与此次展览。此次展览由资深策展人付晓东策划,故宫钦安殿文物专家袁宁杰作为学术顾问,不仅有当代艺术家结合传统的图像符号进行转化的当代艺术创作,也有来自民间田野调查中的视频记录,以及民间收藏的明清手抄本、面具、雕像和绘画。展厅的现场以中国古代的仪式空间的方式进行搭建,全部采用中轴线对称的方式,进行内容和图像上的空间呼应,以一种全新的方式分配和建构展厅内在的逻辑次序,使小型的内部空间对应一种宇宙天地等级的排列方式。不同作者的作品之间的内部循环和呼应关系结合成有机的整体,结成一种人为的新型风水,将艺术作品转化为仪仗的排列,将可看的展览空间转化为可以使用的仪式的空间。这将作为后续一系列研究的开端和序言,以宇宙的起源,人类的起源为意向的展览。女娲的形象以傩公傩母的形象反复出现,昆仑山或须弥山也以中心原点的四轴对称的形式成为展厅这个虚拟空间和秩序起源的象征。

     

展览现场

展览现场

郭宇剑 | Guo Yujian

御轻舟而上溯 | Liberat

布面油画 | Oil on canvas

70x50cm/2018

展览现场

毛晨雨 | Mao Chenyu

傩教经济 | Nuoist Economy

影像 | Image

14'50"/2018(影像截图)


陈花现 | Chen Huaxian

用水墨画一张看过的图轴

Use Ink to Draw an Axis of the Drawing You've Seen

纸本水墨 | Ink on paper

213x144cm/2016

陈花现 | Chen Huaxian

海底反2 | Hai Di Fan No.2

纸本水墨 | Ink on paper

45x60cm/2016

赤心忠良玉灵官(作品由绘真堂提供)

纸本设色 | Ink on paper

67x112cm


绘真堂是一间以恢复创作道教神像画和传承道教神像绘画技艺为主的组织。由道教上清派弟子王敏源道长和特想集团董事长刘旬强先生创立。画师学徒均为道士及道教信徒。作品以传统儒释道内容为题材,在宋元明时期的释道画及水陆画的基础上进行恢复与创作。从起稿到线描着色开脸皆如仪如法。公司成立至今共绘制神像一百余幅,丁酉年江苏道教论坛画展,青城山罗天大醮坛场及首届高淳道教水陆画论坛专题画展均有展出。



陈春木 | Chen Chunmu

我的武器 | My Weapon

硅青铜、木头、钢筋 | Silicon bronze, wood, steel

270x330x100cm/2017

陈春木 | Chen Chunmu

我的武器(细节) | My Weapon(Detail)

硅青铜、木头、钢筋 | Silicon bronze, wood, steel

270x330x100cm/2017

卢彦鹏 | Lu Yanpeng 收藏 ( Colleced works)

六戎门 | Liu Rong Men

宣纸、矿物彩 | paper, mineral color


    “绝地天通”是上古文明中,反对“天地不分,人神杂糅”而建立起来的天地秩序,从而达到政教合一的统治。“地天通”在这里则成为一种隐喻,“天人合一”而不是“天人分裂”,回顾天地人互相渗透,互相感应,万物通灵,宇宙感应的万物有灵的自然哲学的时代。人人自主,打破各种人为界限的区隔,也是“地天通”对未来世的形象性的隐喻。


展览现场

展览现场

请屏幕向左横屏观看

吕胜中 | Lv Shengzhong

大平安 | Great Peace

剪纸 | Paper-cut

900x230cm/2000

鲁大东 | Lu Dadong

四方咒 | All Sides Incantation

纸本水墨 | Ink on paper

552x32cmx4/2019

东方苍龙七宿星驱邪逐魔,

西方赤龙天繁星镇宅避祸

南方黄龙羊角星扫黄打非

北方黑龙暗杀星灭黑除恶

鲁大东 | Lu Dadong

清净咒 | Pure Incantation

纸本水墨 | Ink on paper

598x32cmx4/2019

四方四星皆清净急急如律令

由我作法质天庭急急如律令

扫除一切害人虫急急如律令

全无敌太上老君急急如律令

展览现场

邬建安 | Wu Jianan

杨 | Yang (作品由北京前波画廊提供)

黄铜 | Brass

111 1/4x39  1/4x39 1/4 in(282.5x100x100cm)/2016

邬建安 | Wu Jianan

杨 (细节)| Yang(Detail) (作品由北京前波画廊提供)

黄铜 | Brass

111 1/4x39  1/4x39 1/4 in(282.5x100x100cm)/2016


      本次展览特别感谢法国远东学院的范华Patrice Fava教授、袁宁杰和卢彦鹏慷慨出借的古代私人藏品,为完成这一次时空穿越的碰撞,提供了一个来自遥远时代的精确坐标。同时也感谢在这个跨界性的展览中,芝加哥大学的陶金、南京大学的曹泽宇、福建艺术家陈花现在远程所参与的讨论和帮助,以及各位参展艺术家为了配合这次展览的特殊性搭建所给予的支持和协作。


展览现场

展览现场

展览现场

展览现场

卢彦鹏 | Lu Yanpeng

自在观音 | ZI ZAI GU AN YIN

收藏级艺术微喷 | Collecting micr o spray

110X168cm/2015

3/3版

梁硕 | Liang Shuo

女娲创业园 | The Story of Beginning

青铜雕塑 | Bronze

2014

梁硕 | Liang Shuo

女娲创业园(部分) | The Story of Beginning(Part)

青铜雕塑 | Bronze

2014

展览现场展览现场展览现场

王梵僧 | Wang Fanseng

旸谷 | Yang Gu

布面油画 | Oil on canvas

90x60cm/2017


王梵僧 | Wang Fanseng

出征 | War

布面油画 | Oil on canvas

40cmx60cm/2017


王梵僧 | Wang Fanseng

“海鸥!海鸥!我的朋友...“ | "A seagull! A seagull!My friend..."

布面油画 | Oil on canvas

18cmx14cm/2017




TheLink between Heaven and Earth: The Divine Order of Space and Time


By:Fu Xiaodong


It is a great honor for Space Station toinvite the artists who have been doing anthropological research or fieldworkfor many years to participate in this exhibition planned by Fu Xiaodong, a seniorcurator. The exhibition, with Yuan Ningjie, an expert on cultural relics at theQin’an Palace of the Palace Museum, served as the academic consultant, includesnot only contemporary artistic creation transformed by traditional imagesymbols, but also video-recordings from field surveys, as well as handwrittencopies, masks, statues and paintings collected by the folk in the Qing Dynasty.The exhibition site is modeled on the ritual space in ancient China: all the hallsare symmetrical around the central axis, making the content and imagecorrespond in space. The internal logical order of the halls is allocated andconstructed in a new way, so that the small internal space corresponds to acosmic arrangement of heaven and earth. The inner circles and echoes betweenthe works of different authors combine into an organic whole, a new artificial Fengshui,transforming the works of art into the arrangement of honor guards, and the viewableexhibition space the usable space of ritual. This will be the beginning andforeword of a series of follow-up studies, with the aim of exploring the originof the universe and human beings in the exhibition. Nuwa’s image appearsrepeatedly as Nuo god and goddess. Mt. Kunlun or Mt. Sumeru has also become thesymbol of the origin of the virtual space in the form of the central origin ofthe exhibition hall.



展览现场

雷子人 | Lei Ziren

庄子“三言”之寓言 | "Yu Yan",Word of Symbol

纸本设色 | Chinese Color on paper

360×145cm/2010

鄂伦春萨满

符书

符页


雷霆都司


展览现场

范华 | Patrice Fava 收藏 ( Colleced works)

清代木雕 | Qing dynasty woodcarving


范华 | Patrice Fava 收藏 ( Colleced works)

清代木雕 | Qing dynasty woodcarving

范华 | Patrice Fava 收藏 ( Colleced works)

清代木雕 | Qing dynasty woodcarving


The separation of heavenand earth is an order established in ancient civilization against the unity ofheaven and earth, the mixture of man and god, so as to achieve the unificationof politics and religion. The link between heaven and earth here is a metaphorfor the unity of heaven and man rather than the division of heaven and man,looking back on the era of natural philosophy in which heaven, earth and maninfiltrate and interact with each other, all things are animated by theuniverse and communicate with each other. The universal autonomy, breaking allkinds of artificial boundaries, is also a vivid metaphor for the future world. 


展览现场

展览现场

展览现场

郭锐文 | Guo Ruiwen

未命名-031419

影像 | Image

1'18"/2019(影像截取)


袁宁杰 | Yuan Ningjie 收藏 ( Colleced works)

总真图 | Zong Zhen Tu

164x45cm/明朝


This exhibition isespecially grateful to Professor Patrice Fava of the Far East College, YuanNingjie and Lu Yanpeng for their generous loan of ancient private collections,which provide an accurate coordinate from a distant era for completing thiscollision across time and space. At the same time, I would like to thank TaoJin of the University of Chicago, Cao Zeyu of Nanjing University and the artistChen Hua who based in Fujian for their discussions and help in thiscross-border exhibition, as well as the support and collaboration of all theartists participating in the exhibition in order to match the particularitiesof it.


开幕活动现场

开幕活动现场

开幕活动现场

开幕活动现场

开幕活动现场

开幕活动现场


本次展览开幕荣幸地邀请到著名汉学家薛爱华(Edward Schafer)的再传弟子袁宁杰为空间站做道教仪轨演式:”展览由传统的道教演法活动拉开序幕。仪式可分为两个部分,前半部分以一盂净水象征沧海涌浪卷起千堆雪,法师运用内功之作用令玉液内朝,甘露融泄于华池,扫荡空间内外悉令清静。后半部分焚爇香烟,邀请十方三界神灵暂离洞府降临神圣空间之中。最后奉咏“雷尊睿号”加持坛场,并将呈送神灵的祈福信笺装入蓝色的方函内,与云钱纸马一并送化归空。并祝愿国祚昌盛、雨暘时若,展览圆满成功、福流万姓。“


开幕行为现场

孙宇 | Sun Yu

劫  | Kalpa

开幕行为现场

孙宇 | Sun Yu

劫 | Kalpa

开幕行为现场

孙宇 | Sun Yu

劫 | Kalpa


开幕行为现场


开幕现场

开幕现场

开幕现场

开幕现场

开幕现场

开幕现场

开幕现场

开幕现场

开幕现场






    扫一扫关注中国北京“空间站”

    来自宇宙时空的前沿现场:

T: +86 10 59789671 

W: www.space-station-art.com 

E: spacestationart@163.com

地址:空站 北京市朝阳区酒仙桥路4号798艺术区中一街

Adr : Space Station,NO.4 Jiuxianqiao Rd,798 Art District,Beijing 100015


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