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CAC·列奥纳多艺术、科学与技术系列讲座 | 体验制造：交互与机器人艺术中的具身化

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2018 列奥纳多艺术、科学与技术系列讲座

体验制造：交互与机器人艺术中的具身化

讲者
路易·菲利普·迪迈斯（Louis-Philippe Demers）

日期
2019.05.18（周六）

时间
13:00 – 15:00

语言
英文（配中文现场翻译）

地点
同济大学（上海市杨浦区四平路1239号）中法中心104号教室

联合主办
新时线媒体艺术中心、中央美院艺术与科技中心、中央美术学院美术馆、同济大学艺术与传媒学院

合作
列奥纳多/国际艺术、科学与技术协会

*活动免费，报名请点击“阅读原文”

此次讲座将介绍路易·菲利普·迪迈斯在艺术探索中与系统、空间以及机器人相关的体验。他将讨论数字/电子媒介中身体的体验，更关注其物理性和模拟性，而非只看到虚拟性和数字性。

讲座将探索具身化其深远且常常出人意料的含义，关注从生态到社会、观众感知视角到机器人主体视角这些层面。

基于因果规律与有生性（animacy）的机器人行为感质（qualia）是多层次、多面向的，它来自于运动物体由其形态到情景性（situatedness）所同时构成的线索。物理空间和物品是物质性的存在，观众与它们同享着这一世界。我们的身体不仅在空间之中，它就是空间的体现。这不只指向有形界面以及沉浸式空间，同时也创造了一个文化语境作为体验的组成部分。

我们与舞台上的表演者共享着生物、社会和文化体验。现象学家和剧院理论家称其很大程度上基于我们体验式的身体。当我们不仅在舞台上而是在习以为常的人类社会场景中注入人工造物会发生什么呢？

Image courtesy of the artist.

在这一系列调研中，迪迈斯开始发展涉及单个身体性体验的作品，这些体验包括被机器人触摸—— “盲眼机器人”（The Blind Robot）、被连身机器人（exoskeleton）控制 —— “地狱神曲”（Inferno）、将机器与人类的本体感觉（proprioception）结合——“重复”（Repeat）。

这些激进的碰撞发生在划分着人与机器的零界点上，迫使观众去（重新）思考人类的身体并（重新）探索具身化的体验。

关于讲者

路易·菲利普·迪迈斯（Louis-Philippe Demers）是一位运用混合及跨学科方法的多界别艺术家。他致力于一些大型交互式机器人装置的构思与制作，迄今为止已经完成了350多台机器。他的作品展出于国际范围内的文化节与场所，如里尔2004（欧洲文化首都活动）、1992年世博会（西班牙塞维亚）、2000年世博会（德国汉诺威）、Sonambiente声音艺术节（德国柏林）、电子艺术学会（Inter-Society for the Electronic Arts ），计算机图形学和交互技术特别兴趣小组（Special Interest Group on Computer Graphics and Interactive Techniques）和声纳音乐节（Sónar）。他在奥地利电子艺术节（Prix Ars Electronica）上获得过六次提名和一次荣誉奖，还获得过Vida 2.0一等奖、Vida 12.0和15.0的提名奖、两次日本媒体艺术节的评审团推荐奖、Lightforms 98的互动奖。其舞台作品“退化“（Devolution）获项大奖，其中包括两个Helpmann奖。

迪迈斯拥有普利茅斯大学的机器人表演博士学位。他曾是卡尔斯鲁厄艺术学院的教授，隶属于世界著名的德国卡尔斯鲁厄艺术与媒体中心（ZKM）。之后，迪迈斯加入了南洋理工大学（NTU）的互动与娱乐研究中心，并在那里担任艺术、设计和媒体学院的副教授。迪迈斯现在是昆士兰科技大学（QUT）创新发明系教授和创意实验室主任。

2018 Leonardo Art, Science and Technology Lecture Series

Making Experiences: Embodiment in Interactive and Robotic Arts

Speaker:
Louis-Philippe Demers

Date:
May 18, 2019 (Saturday)

Time:
1 - 3pm

Language:
English (with consecutive Chinese translation)

Venue:
Tongji University (Siping Road No. 1239, Yangpu District, Shanghai), Sino-French Center, Room 104

Co-organized by Chronus Art Center, CAFA Center for Art and Technology, CAFA Art Museum, Tongji University College of Art & Media

In collaboration with Leonardo / ISAST

*Free Admission

Please click "Read More" for reservation.

This talk reports on experiences with systems, spaces and robots in the context of Louis - Philippe Demers’ artistic explorations. He will address embodied experiences, looking at physicality as opposed to virtuality and at analog as opposed to digital computation in the realm of Digital / Electronic Media.

The far-reaching and often surprising implications of embodiment will be explored. This presentation will look at several levels of embodiment, from the ecological to the social, from the perceptual perspective of the audience to the perspective of the robotic agents itself.

Rooted in causality and animacy, the qualia of a robot behavior is multi-layered, multi-faceted and it results from the simultaneous composition of cues ranging from the morphology to the very situatedness of the object in movement. Physical spaces and objects have a material existence whilst audiences share this very same world. Our body is not primarily in space: it is of it. This leads not only to tangible interfaces and immersive spaces but also creates a contributing cultural context as an integral part of the experiences.

We share and identify to biological, social and cultural experiences with performers on the stage. Phenomenologists and theatre theorists claim that these experiences are vastly grounded in the experiential body. What happens when we inject artificial constructions not only on the stage but also in tacitly human social scenarios?

In the course of these investigations, Demers started developing artworks entailing singular bodily experiences such as being touched by a robot (The Blind Robot), being controlled by an exoskeleton (Inferno), merging with machine (Devolution) and merging proprioception between machine and human (Repeat).

Having these radical encounters at the liminal space bordering man and machine, it forces audiences to (re)consider their human bodies and (re)visit their embodied experiences.

About the Speaker

Louis - Philippe Demers is a multidisciplinary artist using hybrid and trans-disciplinary approaches. He works on the conception and production of several large-scale interactive robotic installations, so far realizing more than 350 machines. His works have been featured at major international festivals and venues such as Lille 2004, Expo 1992 (Seville, Spain), Expo 2000 (Hanover, Germany), Sonambiente（Berlin, Germany）, ISEA (Inter-Society for the Electronic Arts), SIGGRAPH and Sónar. He received six mentions and a distinction at the prestigious Prix Ars Electronica, the prize for Interactive Lighting at Lightforms 98, jury selections at the Japan Media Art Festival 2010 and 2014, the first prize of artificial life Vida 2.0 and two special mentions at Vida 12.0 and 15.0. His major stage work, Devolution, received seven prizes including two Helpmann Awards.

Demers holds a PhD on machine performance from Plymouth University. He was a Full Professor of Digital Media and Exhibit Design at the Hochschule fuer Gestaltung, the academic institution affiliated to the world renowned ZKM (Zentrum fuer Kunst und Medientechnologie) in Karlsruhe (Germany). Demers then joined the Interaction and Entertainment Research Centre (IERC) of the Nanyang Technological University (NTU) as a Principal Investigator. From 2006 to 2018, Demers is now the director of Creative Lab in School of Creative Practice, Queensland University of Technology.

生长

2019.03.21 – 06.30

新时线媒体艺术中心 (CAC)

上海市普陀区莫干山路50号18号楼

Growing

March 21– June 30, 2019

Chronus Art Center (CAC)

BLDG.18, No.50 Moganshan RD., Shanghai

新时线媒体艺术中心（CAC）荣幸宣布联合中央美术学院艺术与科技中心、中央美术学院实验艺术学院、同济大学艺术与传媒学院 (上海)、华东师范大学 (上海) 合作开展主题为 “后人类转向：再遇控制论“ 的联合工作室项目。

更多信息

新时线媒体艺术中心（CAC）成立于2013年，系国内首家致力于媒体艺术之展示、研究/创作及学术交流的非营利性艺术机构。通过展览、驻留、奖学金、讲座、工作坊及相关文献的梳理与出版，CAC为媒体艺术在全球语境中的论述、生产及传播开拓了一个多样化且富有活力的平台。CAC以批判地介入不断改变进而重塑当代经验的媒体技术来推动艺术创新及文化认知。

Established in 2013, Chronus Art Center (CAC) is China’s first nonprofit art organization dedicated to the presentation, research / creation and scholarship of media art. CAC with its exhibitions, residency-oriented fellowships, lectures and workshop programs and through its archiving and publishing initiatives, creates a multifaceted and vibrant platform for the discourse, production and dissemination of media art in a global context. CAC is positioned to advance artistic innovation and cultural awareness by critically engaging with media technologies that are transforming and reshaping contemporary experiences.

www.chronusartcenter.org

更多展览以及艺术家信息请持续关注新时线媒体艺术中心微信公众号动态.

媒体垂询：jiamin.cao@chronusartcenter.org