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【OCAT上海馆｜作品介绍】黄然《对荣耀的管理》

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作品图，图片由艺术家、长征空间及西蒙·李画廊提供

对荣耀的管理

The Administration of Glory

2014，影像，彩色，有声

33分00秒

作品由艺术家和王兵先生提供

2014, Video, colour, sound

33'00''

Courtesy of the artist and Wang Bing

展场图，图片由OCAT上海馆提供

作品通过五个相互交叉的叙事，讲述了“欺诈、盗窃、控制和侵害”的故事。占卜仪式、被盗的汽车、神圣的寻宝之旅，以及控制思维的科学实验。通过塑造画面和故事之间的张力，影片从抽象的个人自传的角度描述了戏剧潜在的可能性。在复杂的故事情节以及不断叠加的图像语言背后，隐藏着艺术家对个人实践所面临的创作条件的思考，以及对其所信任的“历史语言”的怀疑。

The Administration of Glory brings together five parallel narratives covering themes of deception, theft and violation, both sacred and mundane － A fortune telling ritual, a stolen car, a divine treasure hunt, a mind control and a science experiment. Working from an obscure personal and autobiographical perspective, the film asserts the latent possibilities of drama, often exhibiting tensions between surface and story, where the seduction of image and narrative serve as a fa?ade for the artist’s interrogation of the conditions of artistic practice and the possibility of historical credibility.

展场图，图片由OCAT上海馆提供

艺术家简介

黄然，1982年出生于四川西昌，现生活、工作于北京。2004年，以年级第一的成绩毕业于伯明翰艺术与设计学院纯艺术本科。2007年，毕业于伦敦大学伦敦大学金史密斯学院（Goldsmiths）的纯艺术研究生专业。2009年，黄然成为被欧洲媒体艺术家进驻计划（EMARE）选中的16位艺术家之一，由欧盟文化部以及英国艺术委员基金会共同资助，在欧洲完成了艺术家进驻计划。

黄然的创作覆盖了诸多当代艺术媒介，包括电影，录像，绘画，装置，以及表演等。2014年，黄然拍摄的电影短片《对荣耀的管理》入围了第67届戛纳电影节短片竞赛单元角逐金棕榈电影短片大奖。这部作品是中国该年唯一一部入围竞赛单元的电影, 同时也是历史上自1965年以来中国电影短片首次入围该奖项。

近期部分个展：

“我现在所经历的是被那从未经历过的经验所塑造的”，Simon Lee画廊，伦敦，2014年

“破坏性的欲望，镇定剂，遗失的清晰”，长征空间，北京，2012年

“愉悦悲剧”，空间站，北京，2010年

近期部分群展：

“开始之前结束之后 II”，长征空间，北京，2016年

“第13届里昂双年展—Rendez-vous”，里昂，2015年

“中华廿八人”，亚洲艺术博物馆, 旧金山, 2015年

Huang Ran (b. 1982, Xichang, China) currently lives and works in Beijing. In 2004, he graduated from Birmingham Institute of Art and Design in BA (Hons) Fine Arts with First Class Distinction and later received his MFA in Fine Arts from Goldsmiths, University of London in 2007. In 2009, Huang Ran was one of the 16 selected artists for European Media Artists in Residency Exchange (EMARE) funded by European Culture Programme and Art Council England. He then finished his artist resident program in Europe.

Though primarily working in video, Huang Ran is also known for his conceptual painting practice, sculptural installations and prints. Despite his use in a variety of media, the same issues regarding the instability of human nature and the negotiation between truth and history are of paramount importance. The Administration of Glory (2014), Ran Huang’s most recent short film, was the only collection from China on the Palme d’Or at the 67th Cannes International Film Festival, which also marks the first nomination of China’s short films since 1985.

Selected Solo Exhibitions:

An Experience Shaped by An Experience I Never Experienced, Simon Lee Gallery, London, 2014

Disruptive Desires, Tranquility and the Loss of Lucidity, Long March Space, Beijing, 2012

Blithe Tragedy, Space Station, Beijing, 2010

Selected Group Exhibitions:

Before the Beginning and after the End II, Long March Space, Beijing, 2016

Rendez-vous, 13e Biennale de Lyon, Lyon, 2015

28 Chinese, Asian Art Museum, San Francisco, 2015

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