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希腊提洛岛遗迹首次公共艺术项目

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Antony Gormley, Another Time V, 2007. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

作为首位被邀请的艺术家，安东尼·葛姆雷Antony Gormley在希腊提洛岛遗迹及提洛博物馆呈现个展‘SIGHT’（视界）。此次合作项目延续了葛姆雷一直以来在创作中探讨的主题：人类与建筑和自然的关系。

Antony Gormley, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

Antony Gormley,Side II, 2017. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

希腊的提洛岛（Delos）是一个遍布考古遗迹的地方，在古希腊神话中，泰坦神勒托受到赫拉的诅咒，无法在陆地上生产。于是她选择了漂浮在海面上的提洛岛，在岛上产下了阿尔忒弥斯和阿波罗。岛上常驻人口极少，存留了大量神庙残骸、石雕和壁画，因其丰富的考古资源被联合国教科文组织评为世界文化遗产。

Antony Gormley, Connect,2015. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

Antony Gormley, Reflect, 2017. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

安东尼·葛姆雷Antony Gormley根据考古遗迹和环境构思作品呈现的方式，以期与岛上独特的地貌、神庙等考古遗迹以及动人心魄的自然景致产生共鸣。

Antony Gormley, Chute II, 2018. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

“人体雕塑静静佇立，全神贯注思考着人与世界的关系。”

—— 安东尼·葛姆雷

Antony Gormley, 6 Times Left, 2009. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

Antony Gormley, Another Time XIV,2011. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

“这些雕塑像是矗立的石头：在空间和时间中留下痕迹，与特定的地点和它们的历史紧密相连；成为反思的催化剂。”

—— 安东尼·葛姆雷

Antony Gormley, Vice II, 2015. Installation view, SIGHT, at the archaeological site of Delos Island, 2019. Photograph ? Oak Taylor Smith | Courtesy NEON; Ephorate of Antiquities of Cyclades and the artist.

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