
展场图,图片由OCAT上海馆提供
2016,影像装置
31分31秒
表演者:Tale Dolven
作曲者:Stian Westerhus
作品由Galerie Anhava, Helsinki; Anthony Wilkinson Gallery,London; OSL contemporary, Oslo 提供
关于作品
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策展人:"塔尔面对相反方向,从左向右穿越地平线,时而爬在人堆上,时而从中穿行,直到最右端,然后离开画面。她显得很放松,缓缓而行,本能而又坚定,交错于留在原地的人们。当紫色T恤的女子落在身上,或钻行或攀爬,似乎都没有打扰到他们;相反,尽管显得在无意识状态中,他们有直觉的怜悯,合作并拥纳了她的到来。换言之,好像这位女子没有打断大家的梦境,她成为了梦境的一部分。他们究竟梦见了什么,无人知晓,只有那首电子吉他的乐曲填满了空间——抽象、实验、即兴而发;时而神圣,时而专断,时而优雅不食人间烟火,时而混乱喧闹,挑战自身的临界。
事实上,配乐的作曲斯田韦斯特胡斯(Stian Westerhus)在创作之前只知道表演的长度,对其内容一无所知。反过来,直到开演之前,演员们对配乐的内容也毫不知情。影片拍摄一镜到底,没有事先排演。同样,做梦从来是不用排演的,我们重播记忆和编造的梦境。如此一来,音乐便不再是表演的阐释,而是发梦者共享的幻象。这一幻象一方面是隐匿不见的,另一方面又恰恰是可以聆听的。"

展场图,图片由OCAT上海馆提供
About the Work
Curator:"Tale heads towards the opposite direction and then starts moving from left to right across the horizon, sometimes over and sometimes partly under and around the people, until she gets to the very far right edge – and out of the picture frame. While she is relaxed, and moves slowly, intuitively but tenaciously, the others stay still where they are on the ground. They do not seem to be disturbed when that violet T-shirt lands on, or comes through or under, their bodies; instead, they appear compassionate, cooperative and instinctive, welcoming and accepting her, although apparently unconsciously. In other words, the woman did not interrupt their dreams but perhaps was part of their dreams. Nothing has been told about what they dreamt, apart from a composition of sound based on an electric guitar filling the space – abstract, experimental and improvisational; sometimes sacred and authoritative; sometimes graceful, like sound from a heavenly world; and sometimes disruptive, or even obstreperous, challenging its own limits.
The sound composer of the piece, Stian Westerhus, in fact, was only informed of the length of the performance but not the content. In return, the sound remained unknown to the performers until the performance took place, the film being shot in one take, with no rehearsal. Similarly, we do not rehearse our dreams; we replay them, with the remembered and the fabricated. Thus, in this case, the music was not designed to illustrate the performance, but became the shared vision of the dreamers. That vision is concealed and remains unseen on the one hand; on the other, it must be precisely what can be heard. "

艺术家简介

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