{{sindex}}/{{bigImglist.length}}

影像上海艺术博览会参展画廊 | KLEMM'S Gallery

{{newsData.publisher_name}} {{newsData.update_time}} 浏览：{{newsData.view_count}}

来源 | {{newsData.source}} 作者 | {{newsData.author}}

KLEMM'S Gallery

展位 Booth：D22

参展艺术家 Represented Artists：Viktoria Binschtok, Adrian Sauer

KLEMM’S 是由Sebastian Klemm 和Silvia Bonsiepe 于 2007 年创办的观念性当代艺术画廊。画廊代理的艺术家的共同点是，他们对于现实经历的转化和对于当代社会热点独特批判的关注。画廊支持那些试图打破内容和形式边界的艺术家，并促使其不断探索新媒介。对画廊而言，在一个进步的全球语境下，逐步推动艺术家事业的发展，同时在其发展的所有阶段扶持和陪伴是非常重要的。在构思项目时，画廊也试图为艺术家提供一个平台，让他们观念性的实践逐一展开，并在交流中互动反思和提高。

除了举办代理艺术家的个展之外，画廊还邀请策展人或艺术家进行展览策划，定期举办放映、艺术家论坛等活动。为促进和深化艺术表现的批判性对话交流，画廊与艺术家们紧密合作，积极记录艺术家的项目和新作品，并发行独立出版物与书籍。

Viktoria Binschtok，1972年出生于俄罗斯莫斯科，现生活工作于德国柏林，师从蒂姆·劳特教授（Timm Rautert）。Binschtok 曾在柏林、芝加哥、吉隆坡、慕尼黑、曼彻斯特、巴塞罗那、苏黎世的多个国家的地区举办过展览。

? VIKTORIA BINSCHTOK, Metoo_Bloody Hands, 2018. Courtesy of KLEMM'S Gallery (Berlin)

Binschtok 曾着迷于谷歌街景这类新技术形式对摄影的潜在影响，在纽约市街道开发的早期就开始关注此项目。她通过收集谷歌街景仪器拍摄的截图，捕捉到普通民众毫无防备地盯着相机的画面。

? VIKTORIA BINSCHTOK, Golden Horn and Golden Case, 2017. Courtesy of KLEMM'S Gallery (Berlin)

Adrian Sauer，以人们对于摄影的理解作为概念构成作品的组成部分。在他的作品中，他通过将现实性和即时性的普遍概念引入荒谬，来挑战当代摄影艺术。摄影似乎是为他提供了一个素描板，通过适当的数字化生成以及分类和有序的颜色最终制造虚拟图像。

? ADRIAN SAUER, Lichterkette, 2009. Courtesy of KLEMM'S Gallery (Berlin)

“它有属于照片的特定特征”，他们声称这些特征是为我们提供了一种无中介的现实观。但在透明度的背后，它们的物质性在很大程度上仍然是无形的。就像语言一样，照片也在改变着我们完全熟悉的沟通方式。我们“阅读”照片并使用它们——从新闻页面上到自己 Facebook 页面上的图片。同样，学者文人们以相似的逐字逐句的方式结构语言，这些图像探寻了通过媒介作为介质的照片在准科学领域的地位。这不仅吸引了理论家，也吸引了艺术家。

Adrian Sauer 的创作并没有涉及语言行为，但是在新的图像数字世界中，他确实致力于我们交流中另一个更重要的领域，而且他的创作方式可以与语言学的方法相比较。虽然他确实把一些作品深入到图像使用的语义和语用层面——图像在特定的语境中是如何使用和阅读的，但他主要的兴趣在于数字图像的“形态”及其“形式理论”：图像是如何以其最小的部分组装起来的？如何将可见的物理现实转换为可保存的计算图像？新光学仪器可以提供什么？

? ADRIAN SAUER, Glossary, 2017. Courtesy of KLEMM'S Gallery (Berlin)

KLEMM’S Gallery was founded in 2007 by Sebastian Klemm and Silvia Bonsiepe as a gallery for conceptual contemporary art. Our roster of artists are linked by their shared interests in the transformation of experienced reality and distinctive critique of contemporary social currents. We support positions and artists who work to overcome limitations in content and form bringing new approaches to the interrogation of their medium. It is important for us to support and accompany the artists through all stages of their development and steadily build their careers in a progressive international context. In conceiving our program, it is essential for us to offer the artists a platform that allows their conceptual approaches to unfold individually and also to reflect upon and enhance each other.

Alongside our solo exhibitions of represented artists, we host carte-blanche projects by invited curators, artist-curated exhibitions and regular film screenings or artist talks. In an effort to promote and deepen the critical dialogue about the development of artistic expression, we work closely with the artists to actively document their projects and new work with unique publications and artists’ books.

KLEMM’S Gallery will present works from artists Adrian Sauer, Viktoria Binschtok at 2019 PHOTOFAIRS | Shanghai.

Viktoria Binschtok was born in 1972 in Moscow. Now she lives and works in Berlin. She graduated as Meister student of Prof. Timm Rautert’s class. Viktoria has participated in diverse exhibitions held in Berlin, Chicago, Kuala Lumpur, Munich, Manchester, Barcelona, Zurich and so on.

Fascinated by the potential impact that new technological formats like Google Street View would have on a photographic understanding of the visual landscape, Binschtok began following the program in the early days of its development on the streets of New York City. She began collecting screenshots of moments when the roaming, voyeuristic GSV apparatus captured images of the general public who were caught off-guard, staring back into the camera.

? VIKTORIA BINSCHTOK, Plants and Fabrics, 2018. Courtesy of KLEMM'S Gallery (Berlin)

Adrian Sauer uses the conception of photography as constituent. In his works he reacts to current adjustments in dealing with photography by leading common conceptions of reality and immediacy into the absurd. Photography serves him as a sketch-board for eventually finding a virtual imagery by means of adequate but digitally generated, classified and ordered colors.

? ADRIAN SAUER, Roma 1 (part 1), 2018. Courtesy of KLEMM'S Gallery (Berlin)

“It belongs to the specific character of photographs” that they claim to provide us with an unmediated view of reality. Their materiality for the most part remains invisible behind this transparency. Like language, photographs are changing yet completely familiar instruments of our communication. We “read” photos and use them — from journalistic images to one’s own page on Facebook. Yet in the same way scholars (and literati) dismember language in order to infer how it works based on the smallest elements, the technical image time and again challenges us to sound out the quasi natural representation of the photograph for its media-related content — and this appeals not only to theorists, but to artists as well.

Adrian Sauer does not address verbal language, yet with the new digital world of images he does devote himself to another ever more important field of our communication — and he does it in a way that can be compared to the different methods of linguistics. While he did devote some of his works to the semantic and pragmatic dimension of the use of images — how are images used and read in a specific context — his main interest lies in the “morphology” of the digital image, its “theory of form”: How is it assembled within its smallest parts? How does it work to transfer visible, physical reality into a saved, calculated image? What do the Raster of the new optical instruments provide?

? ADRIAN SAUER, Schuh, 2013. Courtesy of KLEMM'S Gallery (Berlin)

联系方式 / Contact

Prinzessinnenstrasse 29, 10969 Berlin, Germany

T：+49 (0) 30 40 50 49 53
F：+49 (0) 30 40 50 49 54

E: info@klemms-berlin.com

W：www.klemms-berlin.com

Ins：galerieklemms

关于影像上海艺术博览会

PHOTOFAIRS | Shanghai

作为亚太地区最具影响力的影像艺术平台、中国大陆最为国际化的艺博会，影像上海艺术博览会在过去几年中，对亚洲艺术影像市场起到了至关重要的推动作用，亦建立起关于艺术影像媒介最为权威和活跃的交流平台。影像上海保持开拓精神，聚焦国际前沿，以博物馆品质提供诸多版块的全新内容，为亚太藏家、观众和专业人士提供欣赏和发现影像艺术的最佳体验。影像上海艺术博览会的参展画廊均通过严格甄选和精心策展，分布在核心 ( Main ) 和平台 ( Platform ) 两大版块,前者汇集了专注于现当代摄影的国际顶尖画廊，后者则是新兴艺术家和国际画廊的重要平台。从教科书级别的艺术大师，到活跃在国际摄影和移动影像前沿的艺术新星，逾百位各个年龄层次的优秀艺术家的力作将济济一堂。博览会亦推出『在场』( Staged )、『洞见』( Insights )、『焦点』( Spotlight )、『对话』( Conversations )等精彩特展和公共项目版块。

??左右滑动了解更多??

2019 影像上海艺术博览会

第六届影像上海艺术博览会将由世界摄影组织和保时捷联合呈现。

关于世界摄影组织

World Photography Organization

世界摄影组织是摄影活动的国际性平台，覆盖180多个国家。我们的目标是通过赞颂世界上最佳作品与摄影师，提升摄影相关话题的关注度。我们与全球的个人摄影师和行业领先的合作伙伴都建立了长久的纽带，为此我们引以为豪。世界摄影组织每年举办一系列丰富的活动，包括：2017年第十届的全球规模最大的摄影竞赛——索尼世界摄影奖，当地会面及讲座以及专注于摄影的国际艺术博览会——影像上海艺术博览会和影像旧金山艺术博览会。欲知更多详情，请访问 www.worldphoto.org

以上内容来自「PHOTOFAIRS影像艺术博览会」

微信：搜索公众号 “PHOTOFAIRS影像艺术博览会”

了解更多资讯，浏览官网 photofairs.org

欢迎分享，留言交流。转载请注明出处。