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杨嘉辉 x 王卫 x 陶辉 | 百物曲 | 上海外滩美术馆

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来源 | {{newsData.source}}   作者 | {{newsData.author}}




≡马牛乐 Horse Togaku, 2019

杨嘉辉 Samson Young

双频高清立体声录像

Two channel video installation

(“马牛乐”为古键琴, 人声,自动打击乐器、电子乐器、旅游纪念品乐器与马而作)

(Horse Togaku for harpsichord, voices, automated-percussions, 

electronics, a tourist wind instrument and a horse)

3D聚乳酸打印、绢花,仿造水果及蔬菜

3D Poly Lactic Acid print, silk flower, fake fruits and vegetables

尺寸可变 Dimensions variable

录像25分钟 25 min video

? 由艺术家及马凌画廊提供

Courtesy of artist and Edouard Malingue Gallery

图片由上海外滩美术馆提供 

Image provided by Rockbund Art Museum



百物曲

An Opera for Animals

展期 Duration: 19.6.22-8.25



(Scroll down for English version)


马凌画廊很高兴向大家分享艺术家杨嘉辉、王卫和陶辉当前参加的“百物曲”群展。

≡全景3 Panorama 3, 2019

王卫 Wang Wei

水泥轻体砖上丙烯绘画 Acrylic on CMU bricks

? 由艺术家及马凌画廊提供

Courtesy of artist and Edouard Malingue Gallery

图片由上海外滩美术馆提供 

Image provided by Rockbund Art Museum


群展“百物曲”(An Opera for Animals)于2019年6月22日在上海外滩美术馆(RAM)开幕。本次展览呈现了53位挑战艺术与其他领域间明确边界的创作者,包括手艺人、治疗师、教师、研究者、电影制作人、舞蹈编导、活动家以及诗人。展览将持续至2019年8月25日。


≡跳动的原子 Pulsating Atom, 2019

陶辉 Tao Hui

单频录像装置 Single channel video

14分12秒 14 min 12 sec

? 由艺术家及马凌画廊提供

Courtesy of artist and Edouard Malingue Gallery

图片由上海外滩美术馆提供 

Image provided by Rockbund Art Museum


“百物曲”以“歌剧”的不同形式与发展兴衰作为楔子,展开探讨表演和想象在不同时期及语境中的意义。作为一种艺术形式,歌剧尝试融合多种美学,不论神话的创造,事件的撰写,或乐曲的编排,新技术的发明,皆与其密不可分。如同博物馆和展览的发展经历了漫长而错综的历史,歌剧亦逐步发展成为另一种集体仪式。其通过控制每个细节和桥段来主导观众体验的形式,正如我们当代制度化社会的隐喻。展览以剧场表演为入口重新审视人类的行为,透过观察世界舞台上不同的文化和知识系统,讨论殖民时代早已消亡的当下,一幕幕保护文化异质性的抗争如何仍在上演。

文字来源: 上海外滩美术馆
由马凌画廊编辑整理



≡马牛乐 Horse Togaku, 2019

杨嘉辉 Samson Young

双频高清立体声录像

Two channel video installation

(“马牛乐”为古键琴, 人声,自动打击乐器、电子乐器、旅游纪念品乐器与马而作)

(Horse Togaku for harpsichord, voices, automated-percussions, 

electronics, a tourist wind instrument and a horse)

3D聚乳酸打印、绢花,仿造水果及蔬菜

3D Poly Lactic Acid print, silk flower, fake fruits and vegetables

尺寸可变 Dimensions variable

录像25分钟 25 min video

? 由艺术家及马凌画廊提供

Courtesy of artist and Edouard Malingue Gallery

图片由上海外滩美术馆提供 

Image provided by Rockbund Art Museum



Edouard Malingue Gallery is delighted to share that Samson Young, Wang Wei and Tao Hui are presenting at An Opera for Animals.


≡马牛乐 Horse Togaku, 2019

杨嘉辉 Samson Young

双频高清立体声录像

Two channel video installation

(“马牛乐”为古键琴, 人声,自动打击乐器、电子乐器、旅游纪念品乐器与马而作)

(Horse Togaku for harpsichord, voices, automated-percussions, 

electronics, a tourist wind instrument and a horse)

3D聚乳酸打印、绢花,仿造水果及蔬菜

3D Poly Lactic Acid print, silk flower, fake fruits and vegetables

尺寸可变 Dimensions variable

录像25分钟 25 min video

? 由艺术家及马凌画廊提供

Courtesy of artist and Edouard Malingue Gallery

图片由上海外滩美术馆提供 

Image provided by Rockbund Art Museum

Group exhibition entitled “An Opera for Animals” (百物曲) opened as scheduled on 22 June at Rockbund Art Museum. The exhibition runs through to 25 August 2019 and features 53 artists who challenge existing boundaries between art and other disciplines, including artisans, healers, teachers, researchers, filmmakers, choreographers, activists and poets.


≡全景3 Panorama 3, 2019

王卫 Wang Wei

水泥轻体砖上丙烯绘画 Acrylic on CMU bricks

? 图片由艺术家及马凌画廊提供

Image courtesy of artist and Edouard Malingue Gallery


"An Opera for Animals" takes the history of different versions of opera as a departure point to explore both contemporary and traditional uses of performance, fantasy, and group spectacles in relationship to the environments that they inhabit. Intimately connected to the making of myths, the fabrication of events, orchestration, and invention of new technologies, opera emerged seeking to synthesize different aesthetic forms into a unified experience audiences could immerse themselves within. Like the complex history of the museum or exhibition, it has gradually developed into another collective kind of ritual. At the height of its development in the West, opera increasingly became conjoined to the vision and forceful influence of colonization, and we re-contemplate the medium as a compromised interface that precipitated struggles with indigenous worlds and other knowledge systems.

≡跳动的原子 Pulsating Atom, 2019

陶辉 Tao Hui

单频录像装置 Single channel video

14分12秒 14 min 12 sec

? 由艺术家及马凌画廊提供

Courtesy of artist and Edouard Malingue Gallery

图片由上海外滩美术馆提供 

Image provided by Rockbund Art Museum


Text from Rockbund Art Museum
and edited by Edouard Malingue Gallery



艺术家简介 About the artist


 杨嘉辉 Samson Young 

杨嘉辉是广受认可的作曲家、声音艺术和媒体艺术家。他拥有普林斯顿大学音乐博士(作曲)学位(2013),并代表香港参加2017年第57届威尼斯双年展。此外,他曾在世界各地举办个展,包括德国杜塞尔多夫美术馆、曼彻斯特华人当代艺术中心(CFCCA)、香港M+展亭和广岛市现代美术馆等。群展包括纽约古根海姆美术馆、悉尼双年展、大阪国立国际美术馆、首尔MMCA国立现代美术馆和卡塞尔文献展之卡塞尔电台广播等等。杨嘉辉是多个乐队的成员,并和世界各地乐团合作。他也参加多个艺术节,并获得多个奖项,包括2015年宝马艺术之旅奖项和2018年香港艺术中心艺术荣誉奖。其他奖项包括香港艺术发展局的年度最佳艺术家奖(2013)、奥地利媒体艺术节电子艺术大奖(2012)、彭博新一代艺术奖(2007)。


? 图片由马凌画廊和艺术家提供

Image courtesy of Edouard Malingue Gallery

and the artist


Multi-disciplinary artist Samson Young was trained as a composer, and graduated with a Ph.D. in Music Composition from Princeton University in 2013. Young has had solo exhibitions at the Kunsthalle Düsseldorf, Centre for Contemporary Chinese Art in Manchester, M+ Pavilion in Hong Kong, and Hiroshima City Museum of Contemporary Art, among others. In 2017, he represented Hong Kong at the 57th Venice Biennale. Group exhibitions include Solomon R. Guggenheim Museum, New York; Biennale of Sydney; National Museum of Art, Osaka; National Museum of Modern and Contemporary Art, Seoul; and documenta 14: documenta radio; amongst others. Furthermore, he has participated in multiple festivals, as well as been the recipient of several prizes, including the 2015 BMW Art Journey Award and 2018 Hong Kong Art Centre Honorary Fellowship. Further awards include Artist of the Year (Hong Kong Arts Development Council), Prix Ars Electronica, Bloomberg Emerging Artist Award.



 陶辉 Tao Hui 

陶辉1987年出生于重庆云阳,2010年以美术学士毕业于四川美术学院油画系,现工作生活于北京。他曾于2008年获得四川美术学院的“当代艺术档案特殊奖”,并在2015年荣获三亚艺术季华宇青年奖评委会大奖。2015年陶辉在SESC巴西录像艺术节“南部全景”单元上获得特奖,又于2017年先后入选HUGO BOSS亚洲新锐艺术家大奖和KINO DER KUNST电影节“国际竞赛”单元。他的个展包括:OCAT西安馆的“一点儿不多余”(2017)和北京尤伦斯当代艺术中心的“新倾向:陶辉”(2015)。参加的群展包括:上海当代艺术博物馆的第11届上海双年展“何不再问”(2016年);巴黎路易威登基金会的“本土:变革中的中国艺术家”(2016);上海K11基金会的“骇客空间”(2016);圣保罗SESC巴西录像艺术节“南部全景”单元(2013)。


? 图片由马凌画廊和艺术家提供

Image courtesy of Edouard Malingue Gallery

 and the artist


Tao Hui was born in Yunyang, Chongqing, China. He graduated from Sichuan Fine Arts Institute with a BFA in Oil Painting in 2010 and currently lives and works in Beijing, China. He won the special award of Contemporary Art Archive from Sichuan Fine Arts Institute in 2008 and ‘Art Sanya & Huayu Youth Award’ in Sanya in 2015. He also won the grand prize of 19th “Contemporary Art Festival Sesc Videobrasil”, and was shortlisted for “HUGO BOSS ASIA ART Award for Emerging Asian Artists” and International Competition sector of the KINO DER KUNST festival in 2017. His solo exhibitions include OCAT Xi’an, Xi’an, China, 2017; UCCA, Beijing, China, 2015. Group exhibitions include 11th Shanghai Biennale’, PSA, Shanghai, China, 2016; Fondation Louis Vuitton, Paris, France, 2016; chi K11 Art Space, Shanghai, China, 2016; ‘Contemporary Art Festival Sesc Videobrasil: Southern Panoramas’, S?o Paulo, Brazil, 2013, 2015. 



王卫 Wang Wei 

王卫1972年出生于北京,1996年毕业于中央美术学院壁画系,目前在北京生活与工作。 


王卫是一位多领域的装置艺术家,关注物理空间的引导性如何标示出人们自身的生活现实,通过使用细微和出人意料的补充物或借用不同来源的风格去改造现有建筑的结构,王卫发展出一套强有力的介入实践,旨在扰乱人们对于空间的普遍认知,同时开启关于建造,劳动和观看方法之间的对话。  


参加过的主要展览包括:泰国双年展(泰国甲米2018),银川双年展(银川当代美术馆2018),加利福尼亚太平洋三年展(美国橘郡美术馆2017),第十二届威尼斯建筑双年展中国馆(威尼斯2010),深圳香港双城双年展(深圳2009),真实事件(利物浦泰特美术馆2007),有异物(维也纳美术馆项目空间2007),第二届广州三年展(广东美术馆2005),布拉格双年展(捷克国家美术馆2005),在过去与未来之间-中国新影像(纽约国际摄影中心2004),首届广州三年展(广东美术馆2002),后感性-异形与妄想(北京 1999)  

? 图片由马凌画廊和艺术家提供

Image courtesy of Edouard Malingue Gallery

 and the artist


Wang Wei was born in Beijing, China 1972. In 1996, he was graduated from Central Academy of Fine Arts. Now he lives and works in Beijing.  


Wang Wei is a multidisciplinary installation artist who looks at how the navigation of physical spaces can inform us about our own lived reality. Through modifying existing  architectural structures with subtle , surprising additions or appropriating stylized features from disparate sources ,Wang Wei has developed a strong practice around interventions  that are aim to disrupt human perceptions of space while opening a dialogue about construction , labor and ways of seeing. 

Wang Wei’s work has been exhibited in series of important exhibitions including: Thailand Biennale (Krabi, Thailand 2018), The Second Yinchuan Biennale (MOCA Yinchuan, China 2018); 2017 California-Pacific Triennial (Orange County Museum of Art, USA 2017); Pavilion of China at 12th International Architecture Exhibition -La Biennale di Venazia (Venice, Italy, 2010); 2009 Shenzhen Hongkong Bi-City Biennale of Architecture and Urbanism(Shenzhen, China, 2009); The Real Thing : Contemporary Art From China (Tate Liverpool, 2007); Foreign Objects (Kunsthalle Wien Project Space ,Vienna 2007); Beyond: The Second Guangzhou Triennial (Guangdong Museum of Art, China 2005); A Second Sight: International Biennale of Contemporary Art (National Gallery in Prague, 2005); Between Past and Future: New Photography and Video from China (International Center of Photography, New York 2004); The First Guangzhou Triennial (Guangdong Museum of Art, China 2002); Post-sense Sensibility: Bodies and Delusion (Beijing, China 1999) 







当前展览 CURRENT EXHIBITION:


   上海 Shanghai

   “秩序的幽灵

   "The Spectre of Order"

   吉诺尼莫·埃莱斯佩 

   Jerónimo Elespe

   瑞吉娜·侯赛·加林多 

   Regina José Galindo

   周奥 Jo?o Vasco Paiva

   法蒂玛·罗德里哥 

   Fátima Rodrigo

   19.07.13 - 08.25



   香港 Hong Kong

   “适当反应”

   "Adaptation"   

   高倩彤 Ko Sin Tung

   19.05.31 - 08.17



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