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闫欣悦:夏日迷雾

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简介
文/ 韩馨逸
Text/ Liya Han
scroll down for English

城市的声音微弱,风儿不敢紧绷它的琴弦,城市的面孔洋洋得意,如同儿童正在为夜晚准备梦想,要把椅子交给清晨。

——阿多尼斯,《沙漠》


胶囊画廊荣幸宣布于2020年8月12日举办闫欣悦在国内首次个展“夏日迷雾”,本次展览集中呈现了艺术家自2019年以来的绘画创作实践。

作为一名年轻的但有着持续创造力的艺术家,闫欣悦的绘画总是试图通过在不同主题的灵活切换与深刻把握之中,贯穿她对于绘画形式及其本质的探索。无论是西装笔挺的上班族、破败的摩托车还是游荡于街道的背影,闫欣悦将他们一一捕捉,同时将他们原本所处的或尴尬或焦虑的真实生存状态,转移至戏剧化的场景之中进行再造,并赋予他们一种带有着童真的浪漫想象。在这些看似梦境的诙谐画面之下,隐藏的是某种情绪反转的过程,艺术家通过在画面之中颜色、线条、光线及块面的特殊处理,带我们重访、体验并放大了她在生活之中所经历的奇异时刻。观者也借此脱身于单调而沉重的现实,在熟悉的城市生活所带来的亲切感中,与艺术家的视阈片刻交错,从而产生微妙的共情。

如果将绘画比拟于写作,闫欣悦的描摹方式更接近于萦绕着都市及个人日常生活经验的短篇小说。艺术家并不拘泥于系列性的创作所带来的束缚与牵制,转而全心拥抱生活之中为其提供灵感的直觉性的瞬间。在自由而无畏的探索之中,艺术家以自信而松弛的姿态试图找寻有关于绘画及其形式的更多可能性。在她的画面之中,我们经常能发现在艺术家精心安排之下,跳跃却又延续着惊喜感的细节。在《伤心摩托车》系列中,摩托车断裂后所裸露的复杂线路如同飞舞的血管,在明快颜色的对比之下,惊心动魄的车祸现场似乎变换成了摩托车被迫罢工获取片刻休息的欢愉时刻;在她的《依依不舍1#》与《“妈妈”(穿着科尔米奥的埃德蒙)》中,艺术家选用了豹纹与蟒皮两种猎奇的动物纹路图示,并以粉色块面提升画面的整体冲突性;而在2020年最新创作的绘画之中,艺术家开始尝试在画面的前景之中绘制散落的水珠,冲淡了画面本身的忧郁感,相反萌生出活泼而俏皮的气息。

但与短篇小说不同的是,闫欣悦的绘画并不具有明确的叙事性,而更多地是对于瞬时动作与情绪的拿捏。更确切地说,闫欣悦的绘画来源于她对于都市生活的想象与再现。这种想象与再现糅合了艺术家基于现实的细致观察、个人记忆与虚构,映射了现实与人类情绪的复杂性,同时也展现了艺术家普鲁斯特式的创作思绪。值得注意的是,艺术家对于边框与背景的处理一直有着强烈的个性,在饱和度极高的色彩流动下,画面被赋予了一种“迷幻”的动态效果,而画面的主体则晕染于背景之上,线条与边界的模糊形态被艺术家以涂刷、高光、叠加与自然流淌等方法轻盈地定格,画面的整体氛围变得氤氲莫测,画面中出现的各色形象也由此生成了电子时代之下无可复制的“灵光”。


The city’s voice was too tender, even the winds would not tune its strings. The city’s face beamed like a child arranging his dreams for nightfall, bidding the morning to sit beside him on his chair.

–– Adonis, Desert


Capsule Shanghai is delighted to host “Summer Mist”, the first solo exhibition of Yan Xinyue, featuring her paintings from the past two years. The exhibition will open on August 12, 2020. 


As a young artist, Yan Xinyue continuously dedicates her creativity to exploring painting through in-depth investigations of a scope of different themes. From office workers in suits and deformed motorbikes, to figures wandering the streets, Yan resituates moments of struggle and anxiety within a dramatized setting, infusing them with a dose of innocent playfulness and romantic imagination. Underlying the dream-like image is an orchestrated process of emotional reverse; through her treatment of colors, lines, light, and space, she invites viewers to revisit moments from her life. Released from the weight and tedium of everyday reality, the viewer empathizes with the artist by experiencing her visions in the familiar context of the city.


When comparing painting with literature, Yan’s works are like short stories that dichotomize the metropolis with personal everyday life experiences. Free of the restraint of serial works, she embraces intuitive moments of inspiration, exploring the possibilities of painting without constraint or fear. Surprises hide in the details that the artist carefully arranges: in the Heartbroken Motorbike series, cords exposed from the fractured motorbike resemble fluttering blood vessels. The vibrant colors transform a brutal car accident into a joyful moment of motorbike’s strike and rest. In Hold On #1 and “Mother” (Edmund in Cormio), the juxtaposition of a pink color block, exotic leopard print, and snakeskin creates a sense of conflict. In her recent works painted in 2020, Yan started to experiment with painting waterdrops scattered in the foreground, diluting the sense of melancholy with a playful and lively tinge. 


However, unlike short stories, Yan’s paintings do not formulate specific narratives, but rather depict fleeting gestures and emotions in the moment. More precisely, her paintings, rooted in her imagination and reproduction of urban life, blend observation with memory and fiction, and reflect the artist’s Proustian way of thinking and the complexity of reality and human emotions. Noteworthy is Yan’s highly stylized treatment of edges and background. Fluxes of saturated colors render the image with a psychedelic sense of motion; the subject shades onto the background – lines and edges are blurred using different techniques of brushing, highlighting, overlay and dripping – shrouding the canvas with an obscure and mysterious haze, and taking on an aura unreplicable in the electronic age. 




闫欣悦:夏日迷雾 展览 中国 上海市CapsuleShanghai 胶囊画廊  闫欣悦  崇真艺客

关于艺术家 ABOUT THE ARTIST


闫欣悦(1992年出生于黑龙江,成长在广东)目前工作生活于上海。她于2018年取得⽐利时安特卫普皇家美术学院(Royal Academy of Fine Art Antwerp)绘画专业的硕士学位。


闫欣悦的个人展览包括胶囊上海的“夏日迷雾”(2020,中国上海),群展包括在胶囊上海(2019,中国上海),荷兰Kunstpodium T画廊(2019,荷兰提尔堡),A+亚洲当代艺术空间(2019,中国上海),De Brakke Grond弗拉芒文化中⼼(2018,荷兰阿姆斯特丹),巴黎艺术城(2017,法国巴黎)等。


Yan Xinyue (b.1992) is a Chinese artist who currently lives and works in Shanghai. She graduated from Royal Academy of Fine Art Antwerp (Belgium) with a MFA in painting in 2018. 


Yan Xinyue’s exhibitions include solo exhibition "Summer Mist" at Capsule Shanghai (2020, Shanghai, China), group exhibitions at Kunstpodium T (2019, Tilburg, Netherland), Capsule Shanghai (2019, Shanghai, China), A+ Contemporary (2019, Shanghai, China ), De Brakke Grond - Flemish Cultural Center (2018, Amsterdam, Netherland) and Cité internationale des arts (2017, Paris, France).



重要通知

画廊观展需要至少提前一天通过下方的胶囊上海小程序预约👇,预约通道将在8月9日开放。如有造成不便,我们深表歉意。


IMPORTANT NOTICE:

The gallery is open by appointment only. Please make a reservation at least one day prior to your visit via the mini-program below👇. The booking system will open on August 9. Thank you for your support!






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