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无际 | 林栋作品展

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简介



极简主义是上世纪60年代在西方发展起来的一种极致化的抽象艺术形式,以由几何形状的构成作为典型的作品面貌。除了放弃对现实视觉的描绘,极简主义艺术甚至没有像同时期出现的抽象表现那样强调情感。反之,它在简约、和谐、有序中给观者留下了巨大的心理空间来回应作品本身。有趣的是,这一概念特征与道教这一源自中国的传统哲学思想有着相似之处。“一生二,二生三,三生万物。”出自于《道德经》阐释宇宙万物存在的状态,大道至简,返本归真。

中国艺术家林栋便将这东方哲学作为自身艺术实践中的价值核心。艺术家一直关注如何以简单秩序的图像或形态来表现对复杂事物的认识。在极简的作品面貌下隐含着丰富的东方哲学逻辑,无论是媒介材料的应用中国大漆还是创作方法上的弹线和变涂。他的创作过程亦如同修行,在自我设定的秩序和持续的重复中呈现一种趋近于绝对理性,宗教感的力量。专注,呼吸,拉起,弹下,再拉起......画面上排列整齐的漆线内含着虔诚的气韵,犹如祈祷。他的作品让我们感受到无论东西方文化背景如何,人类和宇宙无异的归宿,都会消失进永恒,生命只是最深黑暗中一道微弱或绚丽的光。

林的作品常常以“边界”命名,而本次展览的主题叫“无际”。在中国人的哲学里,这不是一种矛盾,而代表着平衡,如同他的作品,在有限中感受无限。


丹尼尔·伍德

2021年9月26日



Minimalism is an extreme form of abstract art developed in the West in the 1960s and typified by artworks composed of simple geometric shapes. Except for abandoning how to depict realistic vision, it does not even show emotions like the abstract expressionism that emerged in the same period. On the contrary, In simplicity, harmony, and order leaves a huge psychological space for the viewer to respond to the work itself. Interestingly, this conceptual characteristic has similarities with Taoism, a philosophical and spiritual tradition of Chinese origin. “One produces two, two produce three, three produce all things.”(Tao Te Ching) explains the being of things in the universe, manifest truth in simplicity, and return to original nature. 
Chinese artist Lin Dong regards this Eastern philosophy as the core value of his artistic practice. The artist has always paid attention to how to express the understanding of complex things in simple and orderly images or forms. Under the minimalist appearance of the work, there is a wealth of Eastern philosophical logic, whether it is applying media materials such as Chinese lacquer or the method of creation, bouncing thread, and sanding multi-coating. Lin’s creative process is also like religious practice, presenting a kind of power that approaches absolute rationality in self-set order and continuous repetition. Focus, breathe, pull up, bounce down, and then pull up... The neatly arranged paint lines on the work contain a devotional charm, like praying. His works make us feel that regardless of the cultural background of the East and the West, the same destination of human beings and the universe is to disappear into eternity. Life is just a faint or brilliant light in the deepest darkness.
Lin's works are often named after "Margin Line", and the theme of this exhibition is "Boundless". In Chinese philosophy, this is not a contradiction but represents balance, just like his works, feeling the infinite in the finite.

Daniel Wood

2021.09.26

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