PAM Lecture | 12.23 “（重）塑世界”展览开幕策展人及艺术家对谈

2018年12月23日（周日）15:00-17:00

“（重）塑世界：法国国立当代艺术中心（Le Fresnoy）数字艺术创作二十年”

展览开幕策展人及艺术家代表对谈

明珠美术馆执行馆长、策展人李丹丹

法国国立当代艺术中心（Le Fresnoy）数字研究部负责人埃里克?普利让（Eric Prigent）

参展艺术家陈俊恺（Junkai Chen）、雨果?德维切尔（Hugo Deverchère）、伍韶劲（Kingsley Ng）

一场关于本次展览从策展理念到技术与艺术呈现的精彩对话

李丹丹

明珠美术馆执行馆长、策展人

Dandan Li

Executive Director, Curator

Pearl Art Museum

埃里克·普利让

数字艺术研究部负责人

法国国立当代艺术中心（Le Fresnoy）

Eric Prigent

Digital Studies Director

Le Fresnoy, National Studio for Contemporary Arts

参展艺术家： 陈俊恺 Junkai CHEN

1987年出生于上海，留法青年艺术家，毕业于法国尼斯国立艺术学校（阿尔松别墅）硕士阶段。2017年在法国国立当代艺术中心（Le Fresnoy）获得第三阶段“大师班后文凭”。

他一直在视听艺术和互动装置中寻找突破，他的作品指引着观众去尝试不同的互动体验，将其转化为一场行为表演，而每个观众不同的表演细节，体现了各自不同的风格。

他在科技艺术领域有着独特的研究和创作，他的作品有强烈的现场感，艺术家也是作品的一部分，行为的表现形式让作品更加耳目一新。

他开发了不同的表演工具与不同的艺术语言进行结合，并一直试图找到一种新的乐器和一种新的视听装置，把他自己的经历融入到不同的文化中，去讲述他的故事。

Born in Shanghai in 1987, Junkai Chen is a young artist living in France. He earned a master’s degree from Villa Arson’s National School of Fine Arts of Nice of in France. In 2017, he obtained the third-stage “Post Master-class Diploma” at Le Fresnoy National Studio of Contemporary Arts in France. He has been making breakthroughs in audio-visual art and interactive installations. His works guide the audience to try out different interactive experiences in the form of performances, and the different details of each performance reflect the different styles of the audience.

He has been conducting unique research and creation in the field of tech-based art. His works have a strong sense of on-site creation, with the artist also a part of the works. The unique performance forms make his works more refreshing.

He has developed different performing tools to be integrated with different artistic languages and has been trying to find a new musical instrument and a new audio-visual installation to tell his story by integrating his own experience into different cultures.

参展艺术家： 雨果?德维切尔 Hugo Deverchère

1988年出生于法国里昂，毕业于巴黎国立高等装饰艺术学院，他的作品近期在法国和欧洲的众多展览中展出和放映，例如巴黎东京宫、敦刻尔克的法国大区当代艺术基金会（Grand Large）、鹿特丹国际电影节、哥本哈根国际纪录片电影节和蒙特利尔新电影节。

在一种近乎科学研究的方法的驱动下，雨果的作品试图创造出一系列体验，这些体验也正是去质疑和评估我们与世界的关系的不同方式。无论是基于故事、采集的数据还是有意捕捉或偶然发现的图像，他的研究往往包含建模、转换和移置等过程。

最终的形式充当着现实与其表征之间的棱镜，折射出我们的世界观与我们对世界的了解和认知之间的差异。通过质疑空想和集体记忆在我们趋近现实时所扮演的角色，艺术家希望突出那些本质上无形的现象与事件，它们因无形而仍然是存疑的、不确定的对象。

Born in 1988 in Lyon, France, Hugo Deverchère graduated from ENSAD Paris (école Nationale Supérieure des Arts Décoratifs) and Le Fresnoy - National studio for contemporary arts. He now lives and works in Paris. His work has recently been exhibited and screened in Palais de Tokyo (Paris), FRAC Grand Large (Dunkerque), the International Film Festival Rotterdam, CPH : DOX (Copenhagen) and the Festival du nouveau cinéma (Montreal).

Driven by an almost scienti?c approach, his work attempts to set up a body of experiences which are just as many ways to question and evaluate our relationship with the world. Whether based on stories, collected data, captured or simply found images, his research often involves processes such as modelization, conversion, and transposition.

The resulting forms act as a prism between reality and its representations, revealing the interval which separates our perception of the world and the knowledge and awareness we have of it. By questioning the role of imagination and collective memory in our approach to reality, the artist wishes to highlight phenomena and events which by their very nature are intangible and therefore remain subject to doubt and uncertainty.

portrait ? Diane Arques / ADAGP, Paris, 2018

参展艺术家：伍韶劲 Kindsley Ng

1980年出生于香港，香港浸会大学视觉艺术学院助理教授。

伍韶劲的跨媒体概念艺术着重建构作品与场域之间的关系，把抽象意念和被遗忘了的事物呈现于互动装置、声音和空间设计等不同创作形式上。最近项目包括《二十五分钟后》把电车改造为“流动光影暗室”，和《大禹之后》将大型地下蓄洪池转化为艺术场域。

他曾参与多个大型展览，包括法国蓬皮杜艺术中心、国际音乐音响研究所、意大利罗马现代艺术美术馆和加拿大Inter Access电子媒体艺术中心、广州三年展、外蒙古地景艺术双年展、日本越后妻有“大地艺术祭”及上海世博会等。曾获奖项包括2003年多伦多Inter Access视觉艺术奖、2006年度加拿大文艺理事会奖助金、2007年香港独立短片及录像比赛互动媒体组金奖、2008年香港青年设计才俊大奖、2009年香港当代艺术双年奖，以及2013年香港艺术发展奖最佳艺术家奖（媒体艺术），并获亚洲文化协会奖助金支持负笈海外留驻考察。

2003年他毕业于加拿大怀雅逊大学新媒体艺术系，2005年以其最高荣誉取得于法国国立当代艺术中心（Le Fresnoy）研究生文凭，并于英国爱丁堡大学取得可持续设计专业硕士学位。现为香港浸会大学视觉艺术学院助理教授。

Born in 1980 in Hongkong. Assistant Professor, Academy of Visual Arts, Hong Kong Baptist University. Kingsley Ng is an inter-disciplinary artist and designer with a focus on conceptual and site-specific projects. He believes that art helps us to mediate our environment, whether as a viewer or participator. Recent projects include Twenty-Five Minutes Older, a commission by Art Basel last year which takes the audience on a moving tram, and After the Deluge, presented earlier this year in an underground storm-water tank the size of 40 Olympic-sized swimming pools.

His works have been featured in notable exhibitions and international venues. Examples include the Museum of Contemporary Arts in Rome Italy, Contemporary Art Centre of South Australia, Guangzhou Triennial in China, Land Art Biennial in Mongolia, Echigo Tsumari Art Triennial in Japan, IRCAM – Centre Pompidou in France, Lille Europe Pavilion in Shanghai Expo, InterAccess Electronic Media Arts Centre in Canada, the Hong Kong Museum of Art, and Art Basel Hong Kong.

Kingsley has received postgraduate training at Le Fresnoy – National Studio of Contemporary Arts in France under the tutelage of renowned artists including Alain Fleischer, Andrea Cera, Atau Tanaka and Gary Hill, graduated with the highest honours (Les felicitation du jury à l'unanimité). He continued his studies with an MSc Sustainable Design degree from the University of Edinburgh in the UK and a BFA New Media Art degree from the Ryerson University in Canada. He is currently Assistant Professor of the Hong Kong Baptist University Academy of Visual Arts.