≡ 马凌画廊｜2018都灵当代艺术博览会(Artissima) 展位Green 3

高倩彤 Ko Sin Tung

虚线1 Dash line 1

2017

油彩、不锈钢、收藏级喷墨布面打印

Oil paint, stainless steel, archival inkjet print on canvas

42 x 60.5 cm

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

 2018都灵当代艺术博览会 

 Artissima 2018 

开幕预览 Opening preview: 18.11.01

展期 Date: 18.11.02 - 11.04

展位 Booth Green 3

杰里米?埃弗雷特 Jeremy Everett

何意达 He Yida

高倩彤 Ko Sin Tung

周奥 Jo?o Vasco Paiva

(Scroll down for English version)

周奥 Jo?o Vasco Paiva

无题 - 星期日 VII Untitled - Sunday VII

2018

瓷釉丙烯,石粉树脂

Enamel Acrylic paint on Stone Resin

128.5 x 91 x 2 cm, 9.64 kg

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

马凌画廊很荣幸带来何意达（中国），杰里米·埃弗雷特（美国），高倩彤（香港），周奥（葡萄牙），四位来自不同国家和地区的艺术家的作品，从不同的创作观念和艺术实践来聚焦日常。

何意达（b.1980）对临时的，无序的状态，或无足轻重的存在的物体有兴趣，例如：街头堆放，装修时场景和材料本身等等。她在这些物体上研究材质，体量和相互关系等等的雕塑语言并将它们延伸到她的艺术实践中。她的作品通常包含从不同生产方式和来源的物品与材料：艺术家手制的部分或定制的部件，现成的普通物品和废弃材料等。这种整合有意无意的体现出了何意达对于所见的现实事物的模仿和再现。何意达的作品并不是关于崇高性，也并不是需要放大的日常细节。她的实践是通过在制造艺术这样一个过程和制造出艺术品这样一个最终的结果去挖掘关于一些艺术本身课题的思考。她曾在上海A+当代艺术中心，北京C-Space举办个展，作品曾香港、北京、上海等地的群展中展出。

何意达 He Yida

无题 Untitled

2018

铝板，纸黏土，石膏，黄铜，玻璃，不锈钢

Aluminium, paper clay, plaster, copper, glass, stainless steel

尺寸可变 Dimensions variable

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

杰里米·埃弗雷特（b.1979）的作品正体现了他对这个世界的神秘的观察方式。埃弗雷特在“平凡”中寻找美感，时间的流逝总以不同的形式被反映在埃弗雷特的作品中。埃弗雷特熟知自然侵蚀力对物料的影响，因而将其收纳为创作的一种力量。埃弗雷特的作品探讨了空间的本体论，每一个空间都是独特的，每个空间中的时刻都不可重复。埃弗雷特对空间环境的干预以照片的形式收藏，或是以物件为载体吸纳，埃弗雷特并不企图占有这些空间和场域，他试图进行短暂性的实验。如同空间没有边界，埃弗雷特的实验将会永远进行下去。杰里米·埃弗雷特曾在洛杉矶、纽约、旧金山、巴黎和香港等地举办个展。埃弗雷特近期参与了在特内里费艺术空间举办的群展，其作品也曾在芝加哥现代艺术博物馆中展出。

杰里米·埃弗雷特 Jeremy Everett

无题 Untitled

2015

布上烟雾颜料 Smoke pigment on canvas

177.8 x 127 cm (每幅 each, 双联 Diptych)

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

高倩彤（b.1987）的作品涉及不同媒介，包括绘画、录像、数码打印等，以观察身边世界作为工作的出发点，她所动用的意像大多来于日常生活，而她讲述的重点恰恰是在种种日常面貌中发现的启示。她关注“物件”所带来的影响，透过各式不同媒材，探究私密物品在人们身上所投射的心理作用，以及个人赋予物品的特殊功能。透过创作来检视个人生活状态，借此疏理其与城市之间的关联。她关注和发掘不同图像和物件在居家和城市层面上所体现的特殊功能及衍生的心理影响，从而理解人们对生活和将来所投注的期望和当中的情感落差。高倩彤曾获颁香港艺术发展局所办法的艺术资助（新苗资助）（2014）、香港2013-2014 Pure Art Foundation奖金(2014)、以及华宇青年奖评委会特别奖（2016）。曾参加第八届海参崴视觉艺术双年展、亚洲协会香港中心、香港Para Site艺术空间等机构的展览。

高倩彤 Ko Sin Tung

虚线2 Dash line 2

2017

油彩、不锈钢、收藏级喷墨布面打印

Oil paint, stainless steel, archival inkjet print on canvas

52 x 48 cm

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

周奥（b.1979）是城市空间的“解码者”，他喜欢观察大都市中复杂而显著的混乱特质，繁华街道的声音与秩序，快速行驶的地铁，密集的空间都是其作品的核心主题。他系统地记录、分析、抽象与分解这些现象，创造出一种可编码的阐释，这过程本身也是一件艺术创作，他在寻找都市复杂本质中的秩序与内在逻辑。周奥艺术实践的目标超越了对城市观察之单纯简化，他实质是在寻找一种共同的语言，不仅适用于本土城市，也适用于国际性大都市。他尝试发掘一种多个国家可共享的语言系统，而这也正是我们这个“超级现代性”时代的本质。周奥展览遍及香港、葡萄牙、英国、澳洲、匈牙利与纽约。最近，周奥于葡萄牙里斯本希亚多国家当代美术馆举行个展。他曾驻留于德国柏林Lichtenberg Studios及于荷兰Witte de With、韩国首尔Artsonje。

周奥 Jo?o Vasco Paiva

无题 - 星期日 II Untitled - Sunday II

2016

瓷釉丙烯,石粉树脂

Enamel Acrylic paint on Stone Resin

103 x 80 x 2 cm

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

Edouard Malingue Gallery is pleased to present a booth bringing together the work of He Yida (b. 1980, China), Jeremy Everett (b. 1979, USA), Ko Sin Tung (b. 1987, Hong Kong) and Jo?o Vasco Paiva (b. 1979, Portugal) who across different geographical zones and disciplines explore variances of everyday life. 

He Yida mounts delicate sculptural compositions that challenge the aesthetics of the quotidian, the relationships between objects, their surroundings, and more broadly probe at the origins of art. Living in Shanghai, He’s approach to the readymade is one of integration rooted in material. She identifies curvatures, textures, weights, and thereby creates her own language of sculpture: one that acknowledges the utilitarian purpose of the original but uses it as a springboard to build a palpable yet ambitious multi-dexterous theatre of objects. On display is ‘Untitled’, a collection of floor-based sculptures composed of steel, paper clay and glass, the elements finely balancing off each other creating ranges of space. He’s solo exhibitions include A+ Contemporary, Shanghai; C-Space, Beijing. Her selected group exhibitions include Edouard Malingue Gallery, Hong Kong; Surplus Space, Wuhan; MOCA Shanghai, Shanghai. In 2018 she completed a residency at CFCCA, Manchester in conjunction with the Liverpool Biennial.  

高倩彤 Ko Sin Tung

虚线3 Dash line 3

2018

油彩、不锈钢、收藏级喷墨布面打印

Oil paint, stainless steel, archival inkjet print on canvas

52 x 46 cm

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

Jeremy Everett creates works that exist as the fragment of a sentence, a lyrical exposé, released into the world with precise abandon; the visual confrontation of a new world that exists within yet beyond our own. With an initial degree in Landscape Architecture, Everett traversed into the art of making. Citing inspirations such as Land Art masters Robert Smithson and Michael Heizer, Everett’s work stems from a centre of intuition and subtly evolves beyond process and creation; neither never fully created nor complete, its significance is in its evolving state between varying forms of beauty. Presented is the diptych ‘Untitled’ composed of smoke pigment on canvas, the fine application of ‘paint’ revealing the painting’s structure. Everett has held solo exhibitions in Los Angeles, New York, Shanghai, Paris and Hong Kong, amongst other locations. Everett recently participated in a group show at Espacio Tenerife de las Artes and has been exhibited at the Museum of Contemporary Art, Chicago. Everett’s practice has been extensively featured in publications and critical reviews including Phaidon, l’Officiel de l’Art, The New York Times, Modern Painters and ArtReview, amongst others.

Coloured-in wallpaper, patched walls, blurred images of domestic paraphernalia – these are but some of Ko Sin Tung’s visual dialogues with the intimate yet urban environments that persons individually create. Concerned with the impact of ‘things’, Ko Sin Tung investigates, through a myriad of mediums and materials, the psychological influences private objects project and the idiosyncratic functions they’ve been personally channeled to fulfill. A graduate from the Department of Fine Arts at The Chinese University of Hong Kong, Ko Sin Tung observes the city’s inhabitants, their close-quarters, and identifies with curiosity their values as dictated through the items they treasure and keep. Presented are works from her ‘Dash Line’ series in which she’s painted over images of a highway, hiding the roadside demaractors. Sin Tung has previously been exhibited at CFCCA, Manchester; Asia Society, Hong Kong; Para Site, Hong Kong, amongst other locations. Ko Sin Tung has also been awarded multiple awards including Project Grant (Emerging Artists Scheme) from the Hong Kong Arts Development Council (2014), the Pure Art Foundation Grant 2013-2014 (2014) and Jury’s Special Prize of Huayu Youth Award (2016).

周奥 Jo?o Vasco Paiva

无题 - 星期日 V Untitled - Sunday V

2017

瓷釉丙烯,石粉树脂

Enamel Acrylic paint on Stone Resin

134 x 93 x 15 cm

?图像由画廊和艺术家提供

Image courtesy of the gallery and the artist

Jo?o Vasco Paiva is a Hong Kong and Portugal-based artist who observes the complex and continuously shifting characteristics of objects and spaces. Interested in semantics – the visual language each structure, perimeter and component may possess – Paiva examines the particular lexicon of constructed, detruded or neglected units, systematically documenting, analysing and abstracting them to compose a process-driven composition that is simultaneously an artwork. ’Untitled - Sunday’ is a series of works composed of casts of cardboard sheddings primarily used by domestic workers on Sundays as temporary modes of abode. Rendered in resin, he awards a permanence to the impermanent. Paiva has been exhibited widely from Hong Kong and Portugal to the UK, Australia, Hungary and New York. Recently, Paiva presented a major installation at Bold Tendencies, London and held a solo exhibition at Museu Nacional de Arte Contemporanea do Chiado, Lisbon. Further exhibitions include Witte de With, Rotterdam; Artsonje, Seoul; OCT Contemporary Art Terminal, Shanghai. His work is held in the permanent collection of the Israel Museum, Jerusalem; Yorkshire Sculpture Park, UK; Sifang Art Museum, China. 

当前展览 CURRENT EXHIBITION：

马凌画廊 香港 'one, maybe two Parsecs' 18.10.24 - 18.12.24

即将开幕 UPCOMING EXHIBITION：

马凌画廊 上海 “马路如虎口” 'The highway is like a lion's mouth' 18.11.06 - 18.12.23