影像上海艺术博览会参展画廊 | 希帕画廊

画廊

希帕画廊 (CIPA GALLERY) 于2014年正式入驻中国北京草场地艺术区红一号院，由摄影收藏家靳宏伟先生创办。 画廊占地面积600多平方米，致力于以影像为主，探索影像与其他媒介的转换，发掘、扶持和推动有创造力的新锐当代艺术家。同时画廊持续在收藏和关注世界重要摄影作品，构建与世界摄影艺术交流的国际平台。

本届影像上海艺术博览会，希帕画廊将呈现安塞尔·伊士顿·亚当斯（Ansel Adams），高岩，杉本博司（ Hiroshi Sugimoto），朱莉·布莱克蒙（Julie Blackmon），刘博大，沈凌昊和宗宁等多位艺术家的作品。

安塞尔·伊士顿·亚当斯（Ansel Adams），美国摄影师。1902年2月20日生于旧金山，1984年4月22日去世。亚当斯曾做过时代杂志（TIME）的封面人物，还出任主角演了五集的电视影集《摄影-锐不可当的艺术》，是美国生态环境保护的一个象征人物。他的摄影书印刷了上百万册，在美国的超级市场都可以买到。

亚当斯一生曾三度获凭古根海姆奖金。1966年，他获美国艺术与科学学会奖金。1980年，吉米卡特授予他总统自由勋章，这是国家给美国公民的最高褒奖。亚当斯还是一位摄影著作家和摄影教育家。从1960年到1979年的二十年里，他出版了十五部著作，比如技术革新三部曲《照相机》、《底片》和《冲印》。

? ANSEL ADAMS, Moonrise (New Mexico), 1941. Courtesy of Cipa Gallery (Beijing)

作品介绍：《月升》与《月亮和半圆山》是亚当斯最为满意的两张带有月亮的风景作品， 亚当斯对拍摄月亮很有经验，他能精确地测出月亮的亮度并通过区域曝光法原理预知拍 摄后的效果，因此他照片中的月亮总是细节丰富，而不像普通人拍得那样一个白色的剪 影而已。此外在黑、白、灰关系的处理方面形成明显的三个灰度关系即前景和中景的阴影、中景的山崖和灰色的天空，很明显前景阴影下的半边山壁几乎为死黑色调，这是亚当斯为了保留月亮的细节而不得不放弃该部位的层次关系，因为黑白胶片所能记录的有效影调范围是很有限的。

高岩，1980年出生于河北省，现任教于天津美术学院摄影艺术系。2008年毕业于法国里昂国立美术学院第三阶段后文凭 (Post-diplome)。摄影作品先后展览于巴黎大区摄影中心，里昂当代美术馆，上海当代艺术博物馆，南京艺术学院美术馆，重庆器空间，西安美术馆，广岛当代文化艺术中心等艺术机构。

? GAO YAN, Festival Hall No. 1 Limoges, 2007. Courtesy of Cipa Gallery (Beijing)

作品介绍：在艺术家高岩的摄影创作中，一直对空间秩序和物的观察有着浓厚的兴趣。他把空间看做“演员缺失后的舞台”，而物就好像是舞台上的道具。对空间的建筑特点、功能性、内部装饰风格的观察会让人不由自主地去想象与之相关联的群体特征和内部所容纳的意识形态。他的《夹层》系列拍摄了一些看上去很不舒适，却又刻意被安排或装饰过的私密和公共空间。这些空间大多是法国的民间组织为了接待非法移民所设立的临时接待处，室内日常物品的安放秩序无不透露出这种临时被接待、安居又随时准备离去的状态。对“夹层”（In Ttansit) 这一现象的提问同时也是高岩对全球化语境下族群跨界生活与身份认同问题的理解。就好比他所说:“一个在结束和开始之间的空间，一段悬浮的时间，一个非此处也非彼处、领土之上的，新旧更替的临界状态。”

杉本博司（Hiroshi Sugimoto），日本艺术家，出生在东京，从小接受西方油画的艺术教育，在美国留学毕业，经过学习研究，成为著名摄影师，艺术家，被誉为“最后的现代主义者”。

他的创作将东西方史学、哲学和美学带入摄影，极致了摄影意义，并将摄影作品提升至艺术品层次。除摄影创作，他还经手室内设计、能剧舞台、神社等建筑工作。

? HIROSHI SUGIMOTO, Lightning Fields, 2009. Courtesy of Cipa Gallery (Beijing)

作品介绍：《闪电领域》是由杉本博司将一块电极板放在充满药液的显影盆里，将不曾曝光的大底片与电极板接触，在通电的一瞬间产生的火花留存到了底片上。《电影院》系列是收藏家所热捧的收藏品。电影院系列是照相机在记录电影屏幕，在记录一部影片放映完后，底片在长时间的曝光中，使荧幕成一片白色，整部电影似乎就被压缩成一种符号、一种禅意，在“空与无”中成了艺术，人们热爱的是他的这种创作过程，而不是最终的作品。

朱莉·布莱克蒙（Julie Blackmon），美国摄影师，1966年出生于美国密苏里州，作为三个孩子的母亲，她自然而然的将镜头对准了她的家庭生活。她擅长运用数码技术来强调对色彩和拼贴手法的运用，使家庭日常生活的摄影变得更具舞台化和戏剧性的效果，她的儿童摄影，画面总能分割有秩，点与点对峙，线与线相交，面与面映衬的画面构成都很讲究。她的作品主要有三个系列： 分别是《Homegrown》、《Domestic  Vacations》、《Mind Game》。

? JULIE BLACKMON, Airstream, 2011. Courtesy of Cipa Gallery (Beijing)

作品介绍：本次将在博览会现场呈现的为朱莉·布莱克蒙的《Homegrown》系列。艺术家从真实生活中借鉴了一些片段，并将虚构的故事加入其中，创作了这组反应疯狂家庭日常生活的作品。作品中，我们看到房子里总是挤满了孩子，也总是会有一些新的发现，夹杂着一点点的感伤与阴暗。头发可能长长，标志会更新，家具变换，世事无常，然而即便如此，童年生活依旧充满快乐，感人，大同小异。

刘博大，1988年生于北京，2011 年本科毕业于四川美术学院油画系，2015 年研究生毕业于中央美术学院版画系，硕士导师徐冰。

? LIU BODA, TUTTI BUONI NO.4, 2015. Courtesy of Cipa Gallery (Beijing)

作品介绍：《一切都好》这组作品源于艺术家对“至清无鱼”的理解和一种不挑食的波普主义生存态度，它包含的是人和都市空间中的各种利害因素所不能回避的隐喻。清道夫作为主题的象征物，是作者最早对环境、秩序的喻说和想象。

沈凌昊，毕业于复旦大学上海视觉艺术学院绘画系获学士学位，研究生毕业于旧金山艺术学院艺术系。2011年至今沈凌昊在创作中一直试图去探讨时间、记忆与城市变迁之间的关系，并通过对于感光材料的运用来呈现时间的回溯感以及记忆的易逝性。

? SHEN LINGHAO, Spare Object Image 09, 2013. Courtesy of Cipa Gallery (Beijing)

作品介绍：《剩余物》这一系列抽象性的图像是艺术家在扫描过去所拍摄的底片过程中发现的一些冲印失误以及无法被归类的图像。这些无法被辨明的图像成为艺术家无法被追溯的记忆，并作为失效的图像被存留下来，成为时间的剩余物。

宗宁，出生于1984年，在草原和新兴的工业城市长大，他的父亲支边到乌拉盖，后又举家迁往乌海，这一代人的童年多数相像，虽然物质匮乏，但依然有着美好的回忆和简单的乐趣。2001年，宗宁从小县城来到北京，一直住在地下室，他读过美院，带过画班，做过家教、网站，接过行活，也给艺术家做过助手，生计成为他首要面对的问题。艺术创作在那时只是无意义的消耗，它的资源过剩而不愿死去，却又要用诸多方法苟且而活。跨过一扇现实的铁门，童年的美好不再如初。

? ZONG NING, Nanjing Road, 2009. Courtesy of Cipa Gallery (Beijing)

作品介绍：从方法上讲，艺术家是在现实空间内做着类似PS合成的工作：在工作室的墙壁上绘制背景，结合模特或实物进行拍摄，一件结束后将其涂抹掉进行下一件的创作，如此反复。如果说艺术家的作品和工作究竟代表着什么，可以说是世界观、生活现实、臆想，三者挤压在一起不明物。

Cipa Gallery was formally established in 2014 at the Caochangdi Art District, Beijing, China. It was founded by the collector Mr. Charles Jin. The gallery covers an area of more than 600m2. Cipa is committed to focusing on images, exploring the transformation between images and other media, and exploring, supporting and promoting creative and innovative contemporary artists. At the same time,  the gallery continues to collect and pay attention to the world's important photography works, and build an international platform for the exchange of photography.

2018 PHOTOFAIRS | Shanghai, Cipa Gallery will present artworks from artists Ansel Adams, Gao Yan, Hiroshi Sugimoto, Julie Blackmon, Liu Boda, Shen Linghao and Zong Ning.

Ansel Adams (born 1902 in San Francisco and died in 1984) is an American photographer. Adams has been a cover figure in TIME, and is the leading actor in five episodes of photography, "photography, a great art", a symbol of the environmental protection of the United States. His photo books have been printed in millions, and they can be bought in supermarkets in the US.

Adams's life was three degrees by the Guggenheim prize. In 1966, he won the prize of the American Academy of Arts and Sciences. In 1980, Jimmy and Carter awarded him the Presidential Medal of freedom, which is the highest praise given by the state to the citizens of the United States.Adams as a photographer, has published fifteen books in twenty years from 1960 to 1979, such as the technological innovation Trilogy "camera", "film" and "print". 

? ANSEL ADAMS, Moon and Half Dome, 1960. Courtesy of Cipa Gallery (Beijing)

Artwork Introduction: "Moon and Half Dome" and "Moon Rise" were Adams' favorite two moon-relating images. Adams is very experienced in shooting the moon. He can accurately measure the brightness of the moon and predict the shooting by the principle of regional exposure. The moon in his photo is always rich in details, unlike a white silhouette shot by an others. In addition, in the processing of black, white and gray relations, there are obvious three gray-scale relationships, namely the foreground and the shadow of the medium scene, the cliff of the medium scene and the gray sky. It is obvious that the half of the mountain wall in the foreground shadow is almost dead black. This is because Adams had to give up the hierarchical relationship of the part in order to preserve the details of the moon, the effective tone range that black and white film can record is very limited.

Gao Yan (born 1980 in Hebei Province) is a photographer currently teaches in the Department of Photography in Tianjin Academy of Fine Arts. In 2008, Gao finished the Postgraduate Programme of école nationale supérieure des beaux-arts de Lyon. Since 2008, his photographs have been exhibited in Centre Photographique d'Ile-de-France, Musée d'art contemporain de Lyon, Power Station of Art in Shanghai, Art Museum of Nanjing University of the Art, ORGANHAUS in Chongqing, Xi'an Art Museum, Creative Union Hiroshima, and etcetera.

? GAO YAN, Festival Hall No. 2 Limoges, 2007. Courtesy of Cipa Gallery (Beijing)

Artwork Introduction: In the photography of artists Gao Yan, he has always been interested in the observation of space order and objects. He regards space as "the stage after the actor is missing", and things are like props on the stage. The observation of the architectural features, functionality, and interior decoration style of space will be involuntary to imagine the group characteristics associated with it and the ideology contained within it. His "sandwich" series took some private and public spaces that looked uncomfortable but deliberately arranged or decorated. Most of these spaces are temporary reception offices established by French folk organizations for the reception of illegal immigrants. The order of indoor daily items reveals the state of temporary reception, residence and ready to leave. The question of In Ttansit is also an interpretation of Gao Yan's cross boundary life and identity in the context of globalization. It is like he said, "a space between the end and the beginning, a period of suspension, a critical state of the new and old replacement, not here, on the other, above the territory."

Hiroshi Sugimoto (born in Tokyo) received the art education of Western oil painting. He studied in the United States and later became a famous photographer and artist. He is known as "the last modernist".

His creation brought the eastern and western historiography, philosophy and aesthetics into photography, which greatly enhanced the significance of photography and promoted the photographic works to the level of art. In addition to photography, he also handled the interior design and construction work, Noh theater shrine.

? HIROSHI SUGIMOTO, Trylon, New York, 1977. Courtesy of Cipa Gallery (Beijing)

Artwork Introduction: "Lighting Fields" is the artwork Hiroshi Sugimoto created in darkroom. He placed an electrode in a display basin filled with liquid medicine, exposed the unexposed large negatives to the electrode plate, and kept the spark on the film in a flash of electricity. “Theaters" is a collector's favorite collection. "Theaters” is the theaters in the record movie screen series, in the record a film after the screening, negative in long exposure, make the screen into a piece of white, the whole movie seem to be compressed into a symbol, a kind of zen, in "empty with nothing" art, people, his love of the creative process, rather than the final work.

Julie Blackmon (born 1966 in Springfield, Missouri) is a photographer who lives and works in Missouri. Blackmon's photographs are inspired by her experience of growing up in a large family, her current role as both mother and photographer, and the timelessness of family dynamics. As the oldest of nine children and mother to three, Blackmon uses her own family members and household to move beyond the documentary to explore the fantastic elements of our everyday lives.

? JULIE BLACKMON, Loading Zone, 2009. Courtesy of Cipa Gallery (Beijing)

Artwork Introduction: "Homegrown" series will be presented at the Fair. The series was inspired by Dutch artist Jan Steen, audience could find the work full of rowdy children and boisterous family gatherings. These images are both fictional and auto-biographical, and reflect not only our lives today and as children growing up in a large family, but also move beyond the documentary to explore the fantastic elements of our everyday lives, both imagined and real.

Liu Boda (born 1988 in Beijing) is an artist from the Oil Painting Department of Sichuan Fine Arts Institute with a bachelor's degree in 2011.  He graduated from the Print Department of China Central Academy of Fine Arts with a master's degree in 2015.

? LIU BODA, TUTTI BUONI NO.3, 2015. Courtesy of Cipa Gallery (Beijing)

Artwork Introduction: The group of works TUTTI BUONI  based on the artist's understanding of the “crystal clear water feeds no fish” and a kind of unfussy pop-ism survival attitude. It contains a metaphor that describe the relationship between people and the urban space. As the symbol of the theme, the suckermouth catfishes is the author's first description and imagination of environment and order.

Shen Linghao graduated from the Oil painting department of Shanghai Institute of Visual Arts (BFA), Studio art department of San Francisco Art Institute (MFA). Since 2011, his artistic practice has been focused on exploring the relationships between time, memories and urban transformations. He used lots of luminescent materials to provoke the retrospection of time and the transience of memory.

? SHEN LINGHAO, Spare Object Image 02, 2013. Courtesy of Cipa Gallery (Beijing)

Zong Ning (born in 1984) grew up both on grassland and in new industry city. In the movement of the Support Border Areas, his father, together with the family, moved to Wulagai, and later to Wuhai. Like the most of kids that time, Zong Ning had a childhood life of austerity yet not lack of good moments and simple happiness. He went to Beijing from a small township in 2001, and lived in basement for a long time. He had been student of fine arts college, teacher of painting class, private tutor, creator of a website, hand of commercial painting, and assistant of artists - livelihood being his primary concern. In those days, artistic creation was for him a meaningless consumption: it was too abundant in resources to be resigned to its own dying; yet to live, it had to resort to a medley of irrelevant methods. At the back of that iron gate of reality, the happiness of childhood was no more.

? ZONG NING, Jie, 2009. Courtesy of Cipa Gallery (Beijing)

Artwork Introduction: The artist did the work like PS synthesis in the real space: draw the background on the wall of the studio, shoot with the model or the object, and apply it to the next creation after the end. Talking about what his works represent -- world view, life reality as well as imagination, the three are squeezed together unidentified.

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影像上海艺术博览会

日期与时间：

周四  

9月20日

周五 

9月21日

周六至周日

9月22-23日

藏家预展, 2 - 7pm 

(仅限受邀贵宾)

贵宾预展,  12 - 6pm 

(仅限受邀贵宾及限量购票观众) 

贵宾之夜, 6 - 9pm 

(仅限受邀贵宾及限量购票观众) 

公众开放日, 11am - 6pm

地址：

上海展览中心，延安中路1000号，近铜仁路。

*仅限凭邀请函及相关门票入场

第五届影像上海艺术博览会将由世界摄影组织和保时捷联合呈现。

关于世界摄影组织

World Photography Organization

世界摄影组织是摄影活动的国际性平台，覆盖180多个国家。我们的目标是通过赞颂世界上最佳作品与摄影师，提升摄影相关话题的关注度。我们与全球的个人摄影师和行业领先的合作伙伴都建立了长久的纽带，为此我们引以为豪。世界摄影组织每年举办一系列丰富的活动，包括：2017年第十届的全球规模最大的摄影竞赛——索尼世界摄影奖，当地会面及讲座以及专注于摄影的国际艺术博览会——影像上海艺术博览会和影像旧金山艺术博览会。欲知更多详情，请访问www.worldphoto.org

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