【OCAT上海馆｜作品介绍】 天路 Heavenly Road

潘律博士现任香港理工大学中国文化学系助理教授。她曾在柏林科技大学（2008及2009）和哈佛燕京学社（2011-2012），和国立台北艺术大学(2018)担任访问学者，并在日本福冈亚洲美术馆担任驻场研究员（2016）。她是两本英语专著 In-Visible Palimpsest: Memory, Space and Modernity in Berlin and Shanghai (Bern: Peter Lang, 2016) 和Aestheticizing Public Space: Street Visual Politics in East Asian Cities (Bristol and Chicago: Intellect/University of Chicago Press, 2015) 的作者。在学术研究之余，潘律也积极参与艺术和电影的创作。她参与创作的作品曾在第十届上海双年展『城市客厅』单元、韩国DMZ纪录片电影节和深港城市/建筑双年展（2017-18）等展出。电影与录像作品包括《港城三记》（2016）和《瘴气、植物、外销画》（2017）。2016年底，她受邀于德国柏林的Center for Art and Urbanistics 担任为期二个月的驻场艺术家。 

Dr. PAN Lu is Assistant Professor at Department of Chinese Culture, The Hong Kong Polytechnic University. She was visiting scholar and visiting fellow at the Technical University of Berlin (2008 and 2009), the Harvard-Yenching Institute (2011-2012), researcher in residence at Fukuoka Asian Art Museum (2016) and visiting scholar at Taipei National University of the Arts (2018). Pan is author of two monographs: In-Visible Palimpsest: Memory, Space and Modernity in Berlin and Shanghai, (Bern: Peter Lang, 2016) and Aestheticizing Public Space: Street Visual Politics in East Asian Cities, (Bristol and Chicago: Intellect/University of Chicago Press, 2015). Her artwork appeared in Urban Living Room, the 10th Shanghai Biennale, DMZ International Documentary Film Festival, South Korea and Shenzhen/Hong Kong Bi-City Biennale of Urbanism/Architecture. She was also selected artist-in-residence at Center for Art and Urbanistics, Berlin, Germany (Oct- Dec, 2016).

王博, 艺术家、导演，现居纽约。本科及硕士就读于清华大学物理系,获理论物理硕士,后于纽约视觉艺术学院获纯艺术硕士。他的作品在纽约古根海姆美术馆、纽约现代艺术博物馆、哥本哈根国际纪录片电影节、韩国非军事区纪录片电影节、上海双年展、深港城市建筑双城双年展、广州时代美术馆、亚洲协会德州中心等一系列机构或电影节展出放映。同时他也是 2017-18 年光州亚洲艺术中心-荷兰皇家艺术学院联合驻留项目(ACC-Rijksakademie)驻留艺术家,2016 年新加坡南洋理工当代艺术中心(NTU CCA)驻留艺术家,2016 年奥伯豪森电影节研讨会 (Oberhausen Seminar)成员,2014 年柏林电影节天才训练营 (Berlinale Talents)成员,以及 2013 年罗伯特·佛拉哈迪电影研讨会 (Robert Flaherty Film Seminar)成员 。作为策展人, 他策划的项目包括:“基建礼赞”(META 项目空间,上海,2016),落地/出生/经过(电影文集档案馆 Anthology Film Archives,纽约,2014)等。他目前任教于纽约视觉艺术学院视觉与批判研究系。

Bo WANG is an artist and filmmaker based in New York. He studied physics at Tsinghua University for his undergraduate and got his Master in Theoretical Physics, before moving to New York to pursuit his Master in Fine Arts at School of Visual Arts. His works have been exhibited internationally, including venues like MoMA & Guggenheim Museum in New York, CPH:DOX in Copenhagen, DMZ Docs in South Korea, Shanghai Biennial, UABB, Times Museum in Guangzhou, Asia Society Texas Center etc. He is an artist-in-residency at ACC-Rijksakademie 2017-2018 (Gwangju & Amsterdam), artist-in-residency at NTU CCA Singapore 2016, fellow of Oberhausen Seminar 2016 at Oberhausen Short Film Festival, member of Berlinale Talents 2014 at Berlin Film Festival and fellow at Robert Flaherty Film Seminar 2013. As a curator, he has curated exhibition/film programs including: Ode to Infrastructure (META Project Space, Shanghai, 2016), We Landed/I Was Born/Passing by (Anthology Film Archives, New York, 2014). He is a faculty member at Visual and Critical Studies Department, School of Visual Arts, New York.

周昕，纽约大学电影学系硕士，现居上海。日常工作包括有关广泛的影像研究和策划，其他关注包括亚洲范围内的基础设施、视觉文化和媒体理论研究。他曾在首尔国立现当代美术馆，波士顿当代艺术中心, 卡彭特视觉艺术中心 (麻省剑桥), 哈佛电影资料馆 (麻省剑桥), Anthology Film Archives (纽约), 表演车间 (纽约) 和 UnionDocs 纪录艺术中心 (布鲁克林) 策划过系列影像放映系列或公共项目。近期项目是作为联合策展人参与首尔国立现当代美术馆发生的《第二届亚洲电影和录像艺术论坛》。此前他的批评文章和艺术家访问发表于《社会工厂：第十届上海双年展》展览图册、Frieze、ArtReview Asia、《电影评论 Film Comment》、《布鲁克林评论 The Brooklyn Rail》以及《艺术论坛》中文网。他曾担任2014年度的第二届深圳独立动画双年展客习策展，并于2016至2017年度任香港理工大学中国文化学系副研究员。

Xin ZHOU is a researcher, writer and occasional curator based in Shanghai. He has curated public programs and film series at Anthology Film Archives (NYC), Carpenter Center for the Visual Arts (Boston), National Museum of Modern and Contemporary Art (Korea) in Seoul, Institute of Contemporary Art/Boston, UnionDocs Center for Documentary Art (Brooklyn), OCT Loft (Shenzhen), The Performing Garage (NYC), and elsewhere. Recent project include co-curating the 2nd Asian Film and Video Art Forum at the National Museum of Modern and Contemporary Art (Korea) in Seoul. His writing has appeared in Artforum (China), ArtReview Asia, The Brooklyn Rail, Film Comment, Frieze, Indiewire, Social Factory: 10th Shanghai Biennale exhibition catalogue, and elsewhere. He has a MA in Cinema Studies from New York University, and was a Research Associate in the Department of Chinese Culture at the Hong Kong Polytechnic University.