香格纳北京S空间｜“共享叙事” 终章将于6月23日开幕
“共享叙事”是由青年策展人缪子衿策展的展览项目，展览于2018年3月22日开始陆续完成了第一、第二、第三章节。香格纳S空间荣幸地宣布将于6月23日带来《共享叙事》的最后章节- "c + a + b"。
“Shared Narrative(s)” is a series of curatorial projects consists of multiple chapters curated by emerging curator Miao Zijin. The exhibition started on 22nd March 2018, and have completed the first, second, third chapters. ShanghART S-Space is pleased to present the final chapter of Shared Narrative(s) - "c + a + b" on 23rd June, 2018.
策展人 | Curator
缪子衿 | Miao Zijin
艺术家 | Artists
施昀佑 & 林奥劼 & 管钧 | Yunyu Ayo Shih & Lin Aojie & Richard Kuan
终章开幕 | Final Chapter Opening
2018/06/23 4pm
展期 | Duration
2018/03/23- 2018/07/24, 11am - 6pm (周一闭馆 | Mon. Closed)
地点 | Location
香格纳S空间，朝阳区机场辅路草场地261号, 北京, 中国
ShanghART S-Space, 261 Cao Chang Di, Airport Side Rd., Chaoyang District, Beijing, China
www.shanghartgallery.com
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终章：c + a + b
Finale: c + a + b
Opening - 6/23, 2018
在策展项目“共享叙事”的终章c + a + b 中，a、b、c分别代表施昀佑、林奥劼、管钧根据同一个艺术创作指令所实现的作品。在此省略了临时加入创作的策展人d. 每位艺术家会收到策展人与另外两名参展艺术家提供的一个关键词，并围绕给定的三个关键词进行创作。
In the final chapter of our curatorial project “Shared Narrative(s)”, c + a + b, "a", "b", "c" stands for works realized by Yunyu Ayo Shih, Lin Aojie, Richard Kuan respectively according to the same art making instruction. "d" as an abbreviation of the curator who takes part in the art making process temporarily is intentionally left out. Each artist will receive three keywords offered by the curator and the other two artists participating the project, while an artist will create artworks based on the given keywords.
施昀佑获得的关键词是：“专注”、“老公”、“透彻” ｜Keywords for Yunyu Ayo Shih: “concentrated”, “husband”, “think through”
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施昀佑给出的关键词是：
“电梯” (注: 升降梯，不是手扶) @林奥劼
“门锁” @管钧
“镜子” @缪子衿
The keywords given by Yunyu Ayo Shih are:
“elevator” (note: elevator not escalator) @ Lin Aojie
“lock” @ Richard Kuan
“mirror” @ Miao Zijin
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林奥劼给出的关键词是：
“专注” @施昀佑
“狡猾” @管钧
“深邃” @缪子衿
The keywords given by Lin Aojie are:
“concentrated” @ Yunyu Ayo Shih
“sly” @ Richard Kuan
“profound” @ Miao Zijin
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管钧给出的关键词是：
“老公” @施昀佑
“老板” @林奥劼
“老子” @缪子衿
The keywords given by Richard Kuan are:
“husband” @ Yunyu Ayo Shih
“boss” @ Lin Aojie
“Laozi” @ Miao Zijin
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缪子衿给出的关键词是：
“透彻” @施昀佑
“随机应变” 或 “执生”（粤语）@林奥劼
“笃定” @管钧
The keywords given by Miao Zijin are:
“think through” @ Yunyu Ayo Shih
“quick response” @ Lin Aojie
“determined” @ Richard Kuan
缪子衿获得的关键词是：“镜子”、“深邃”、“老子” ｜ Keywords for Miao Zijin: “mirror”, “profound”, “Laozi”
这些词大多数可以看作是我们对彼此的性格特征以及工作方式的评论，它们出自艺术家和策展人持续、密切、甚至强度高得有些出人意料的合作关系。事实上，不论是选择还是回应关键词对于我们每一个人来说都极其困难。施昀佑避开了形容词，而是挑选空间或物件类的名词描述人物状态；类似地，施昀佑拍摄的图像模糊地回应了他获得的关键词“专注”、“老公”、“透彻”。林奥劼选择了一个反义词给管钧，希望他创作的时候“狡猾”一些；林奥劼以文本作品解读自己获得的关键词“电梯”、“老板”、“随机应变”。管钧带着他获得的关键词“门锁”、“狡猾”、“笃定”再次访问他父亲以及他自己的视觉档案，选取图像。缪子衿对她获得的关键词“镜子”、“深邃”、“老子”不知所措，只能创作几张失败的图像。关键词与作品之间并不存在严格意义上的对应关系，而文字与图像作为两条线索再现了工作与相处中的我们如何看待对方。
林奥劼获得的关键词是：“电梯”、“老板”、“随机应变” ｜Keywords for Lin Aojie: “elevator”, “boss”, “quick response”
Most of the words could be regarded as the comments made about our characters and working methods. They come from our collaborative relationship which is continuous, close, and even unexpectedly intensive. Actually, both choosing and responding to the keywords are quite difficult for us. Yunyu Ayo Shih avoid using any adjective, but selects nouns related to a place or an object in order to describe the status of a person; similarly, Yunyu Ayo Shih takes photos which respond to the keywords he received (“concentrated”, “husband”, “think through”) in an ambiguous way. Lin Aojie picks antonym for Richard Kuan, and he hopes that one day Richard could become a “sly” artist; Lin Aojie interprets the keywords given to him (“elevator”, “boss”, “quick response”) via text-based work. Richard Kuan revisits the visual archives made by his father and himself according to the keywords he gained (“lock”, “sly”, “determined”), in order to select proper images. Miao Zijin finds she could do nothing with the given keywords (“mirror”, “profound”, “Laozi”), but create several images of failure. There is no strictly corresponding relationship between the keywords and the works, while the texts and the images function as two clues representing the way we look at each other when we work together and stay with each other.
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第三章节：b & C
The third chapter : b besides C
Exhibition Review
管钧 | Richard Kuan | 再一天 | Another Day | 视频装置, 双频同步录像, 汽车后座｜Video Installation, two-channel synchronization video, car back seats | 30' | 2018
再一天（2018）是一部电影式散文，探讨回忆、故事和历史如何支配、影响以及激发当下的体验。艺术家管钧对其父亲档案中各种影片片段的运用，包括家庭录像和摄影幻灯片，成为一个切入点而不是起点，旨在将人们、地点和时间作为不断传承下去的遗产进行接口并重新连接。
Another Day (2018) is filmic essay which explores how memories, stories, and histories dictate, inform, and inspire experiences in the present. Using various footage from his father’s archive, including home videos as well as photographic slides, these media recordings becomes an entry point, rather than an origin, to interface and reconnect with the people, place, and times as continuously lived legacies.
历史回顾：
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