空间站展览“星尘博物馆"孟思特个展正在进行中,展览将延至2017年11月12日。
Space Station is presenting “Meng Site Solo Exhibition: Stardust Museum” . The exhibition will last until November 12.2017.
星尘博物馆 — 孟思特个展
Stardust Museum — Meng Site Solo Exhibition
艺术家 | Artist:孟思特 | Meng Site
展览日期 | Exhibition Time:2017.9.23-11.12
地点 | Venue : 空间站 北京市朝阳区酒仙桥路4号798艺术区中一街 | Space Station, NO.4 Jiuxianqiao Rd, 798 Art District, Beijing

星尘博物馆/布面油画/230X450cm/2015-2017
Stardust Museum/Oil on Canvas/230X450cm/2015-2017
星尘博物馆/布面油画/230X450cm/2015-2017/细节
Stardust Museum/Oil on Canvas/230X450cm/2015-2017/Detail

星尘博物馆/布面油画/230X450cm/2015-2017/细节
Stardust Museum/Oil on Canvas/230X450cm/2015-2017/Detail

星尘博物馆/布面油画/230X450cm/2015-2017/细节
Stardust Museum/Oil on Canvas/230X450cm/2015-2017/Detail
星尘博物馆
文:付晓东
2017年9月23日空间站将隆重推出“星尘博物馆”——孟思特个展,88年新锐艺术家孟思特在空间站举办的第二次个展。孟思特不厌其烦的用极尽详细的方式描绘了一个想象中的林林总总的博物馆,这个博物馆将超验与自然主义相结合,无论是神、物理元素、内驱力,混杂在一个不分过去与未来,虚拟与现实的时空之中,试图建立一个更深的物质基础,一种非唯物主义的实在论的可能性世界。他用具体的易于感知的拟像的方法,展现一种理性研究式的纯粹自然和无机知识生产的魔幻力量,物的搜集与组合在博物馆内部并置,将目光指向了这样一个特殊的具有荒诞性和戏剧感的陈列空间,对参观者的观看又使一种置身其中的博物馆参观逻辑将自我主体和观看客体互相叠荡。科学实验室和自然历史博物馆是知识确立和保管的权威机构空间,其所建立起来的巨大的话语权力和文明体系,成为这个时代最具权威的依赖性的力量,一整套由技术哲学和社会结构所建立起来的不可撼动的权力的话语,以图的形式成为时代真理的新式图腾。一个个看似逻辑的数学、几何、物理、天文、神学,是如何在他所建立的博物馆中,在一种绝对的时间之中的虚拟的存在。作品中博物馆的参观者以一种超然的方式踯躅在博物馆的存在物之外,而同样作为对观者的观者的我们,如何识别客体与概念与超越概念之外的差异,成为一个反复循环的递进。
博物馆的告别/布面油画/210X260cm/2016
Farewell to the Museum/Oil on Canvas/210X260cm/2016

博物馆的告别/布面油画/210X260cm/2016/细节
Farewell to the Museum/Oil on Canvas/210X260cm/2016/Detail

木偶星球/布面油画/180X200cm/2017
Puppet Planet/Oil on Canvas/180X200cm/2017

木偶星球/布面油画/180X200cm/2017/细节
Puppet Planet/O il on Canvas/180X200cm/2017/Detail
博物馆是人类文明历史上每一个时代多种层面价值观和知识体系保存的物证,不同的知识体系压缩在扁平图像和碎片之物中。平常之物由于有了背后的曾经发生的事件和文献的佐证,提示了那个年代的被遗忘了的集体共识。博物馆则如同一个超越时空的百家争鸣的议会。如果宇宙是一个常量,文明是一个偶然,那么自然历史博物馆则是将宇宙做为一个整体,秉持一种非人类主义立场。参观者也如同万物运行的规律一样,对文明的阐释也成为展品中的一部分,在恐怖谷里探索原初的新奇事物。科学的认识论成为一种知识的泛化,泛化是一种没有真理的真理,被假定为无主体性的人没有真实的内在。星尘博物馆提示了从宇宙尺度去看待文化与自然的鸿沟,自然主义/唯物主义的倾向与人类主义阐释学之间的典型争论。将宇宙放在美学角度上来看待现代哲学的四个层面:绝对、系统、现象学和知识。


银河尘/布面油画/115X150cm/2017
Galactic Dust/Oil on canvas/115X150cm/2017
迷宫/布面油画/170X210cm/2015-2016
Maze/Oil on Canvas/170X210cm/2015-2016
节日盛装/布面油画/40X50cm/2016
Memory of Holiday/Oil on canvas/40X50cm/2016
孟思特作为“第八日——艺术家访问科学家实验室”项目的积极参与者,携带了“第八日”所秉持的“好奇”的精神特质,好奇不是神秘主义,而是真正的科学精神,拒绝权力系统的秩序化和还原论的趋势,转而拥护一种开放性的态度,将引导认知远离原有既定的知识,从政治经济利益所形成的僵化的秩序中打开,关注突破压制性结构的小概率事件。他作品中熟悉的80年代的乡愁气质和意识形态痕迹,又使一切的信息量变得亲切可感。他用老式的建筑,朴素的服饰,集体主义的生活经验,搭建出关于群体和机构的身体政治。通过社会关系,各种主体性和经验形式与科学和神经性情感结合之后,用油画形象和色彩的方式使对文明和知识体系的反思得以塑形。

漫长的五点一/ 布面油画/20X35cm/2014
The Everlasting Five o'clock No.1/Oil on Canvas/20X35cm/2014

漫长的五点二/布面油画/20X30cm/2014
The Eve rlasting Five o'clock No.2/Oil on Canvas/20X30cm/2014
漫长的五点三/木板油画/20X30cm/2014
The Eve rlasting Five o'clock No.3/Oil on Wood/20X30cm/2014
Stardust Museum
By Fu Xiaodong
On September 23, 2017, Space Station willlaunch the Stardust Museum, which is the second exhibition of Meng Site who isa spirited artist born in 1988. In exhaustive details Meng depicted animaginary museum that came in all shapes and sizes: with the combination of thetranscendental and naturalism, it attempted to make possible a non-materialistand realist world based on a deeper material basis in the way in which God, physicalelements, and libidinal drive mixed in a temporal and spatial context, in whichthere is no distinction between the past and the future as well as the virtualand the reality. He presented the pure nature of rational project and themagical strength from inorganic knowledge-generation as specific and perceivablesimulacra, as well as the juxtaposition of the collection and combination ofthings within the museum; and focused on such an absurd and dramatic displayspace, so that watching the visitors made the self-subject and watched objectof the self-included visit logic overlapped and wobbled each other. The museumof natural history and science laboratory are the authority on the establishmentand storage of knowledge, and theirs established might discourse power andcivilization system has become the most authoritative force; accordingly, animpregnable set of discourse of power established by the philosophy oftechnology and social structure has become the totem of the truth in the formof picture. Mathematics, geometry, physics, astronomy, and theology, all ofwhich seems to be logical, but how they exist virtually in a museum Mengcreated in an absolute time? In the work, the visitor who attends to the museumwould be hesitant without the beings in the museum in a detached way, thus how we,as the viewer’s viewer, identify the recurring progress caused by thedifferences between the object and the concept and the differences beyondconcept?
等待/木板油画/ 20X30cm/2014
Waiting/Oil on Wood/ 20X30cm/2014
热爱/木板油画/20X30cm/2017
Ardently Love/ Oil on Wood/20X30cm/2017

热爱/木板油画/20X30cm/2017/细节
Ardently Love/ Oil on Wood/20X30cm/2017/Detail
The museum is the evidence of the system ofvalue and knowledge of various layers of each stage in human civilization, anddifferent knowledge systems are compressed into flat images and fragments.Common things suggested the forgotten collective consensus of the past becauseof the events behind them and the literature as evidence. The museum likes a forumwhere various schools of thought competed with each other. If the universe is aconstant and civilization is a coincidence, then the natural history museum isthe universe as a whole, taking up a position of non-humanitarian. Visitorsexplored the original novelty in the valley of terror, as the interpretation ofcivilization has become a part of the exhibits. Scientific epistemology hasbecome a generalization of knowledge, and the generalization is the truthwithout truth, under which human assumed to be without subjectivity have no theintrinsic. The Stardust Museum revealed the gap between culture and nature interms of the universe -- a classic debate between naturalistic/materialistictendency and anthropocentrism hermeneutics – and treated the four aspects of modernphilosophy in terms of aesthetics: absolute, system, phenomenology, and knowledge.
监控室的春天/木板油画/20X30cm/2017
Spring Happens in the Monitoring Room/Oil on Wood/
20X30cm/2017
碎片监控室二/ 油画综合材料/25X30cm/2014
Fragm ents of the Mornitoring Room No.2/
Composite materials of oil painting/25X30cm/2014
碎片监控室一/油画综合材料/25X30cm/2014
Fragm ents of the Mornitoring Room No.1/
Composite materials of oil painting/25X30cm/2014
As an active participant in The Eighth Day:Artist Visiting Scientific Laboratory Project, Meng Site took the curiousspirit of The Eighth Day, which is not some mysticism but the real spirit ofscience, and which, refusing the intuitional power as well as the trend ofreductionism, embraced an attitude of openness, an attitude that leads thecognition away from the existing knowledge, and raises the small probabilityevents broken through the oppressive structures from the rigid pattern of thepolitical/economic interests. The familiar nostalgia and ideological traces ofthe 1980s in his works also made all the information intimate and sensitive. Hebuilt body politics about community and institution by old-fashionedarchitecture, simple clothes, and collectivist life experiences. Combining social relations, various subjectivities andexperience forms with science and neurogenic emotions, the reflection oncivilization and knowledge system was shaped in the form of oil painting imagesand colors.

故乡二/油画综合材料/22X30cm/2014
Forgotten Hometown No.2/Composite materials of oil painting/
22X30cm/2014

故乡一/ 油画综合材料/17X25cm/2014
Forgotten Hometown No.1 /Composite materials of oil painting/
17X25cm/2014
碎片之屋No.3/ 油画综合材料/15x20cm/2013
Fragments of the House No.3/Composite materials of oil painting/
15x20cm/2013
碎片之屋No.10/油画综合材料/15x20cm/2013
Fragments of the House No.10/Composite materials of oil painting/
15x20cm/2013

孟思特
1988 生于中国湖南
2011 毕业于中央美术学院油画系第三工作室,获学士学位
2014 毕业于中央美术学院油画系第三工作室,获硕士学位
现任教于首都师范大学美术学院油画系
个展
2017 “星尘博物馆”,空间站画廊,北京
2013 “样板间:黑色房间和苍白世界”,ChART Contemporary, 北京
“孟思特”,空间站画廊,北京
群展
2017 “描写真实”,不同艺见,北京
“多重光晕”,XI 当代艺术中心,广东
2016 “A SUSTAINING LIFE”,Waterfall Gallery, 纽约
“台北国际艺术博览会2016”,台北世界贸易中心,台北
“Paris Asian Art Fair”, 巴黎,法国
“2016 青年艺术100 北京启动展”,全国农业展览馆,北京
“循循展,第二回:从感知到介入”,芳草地画廊,北京
2015 “中国重点美术院校油画系素描联展”,西安美术学院美术馆,西安
“伙伴”第一季,桥舍画廊,北京
“表象的歧途II”,O’Born Contemporary, 加拿大
2014 “折桂枝-2014 年中国新锐绘画奖”,Hi 艺术中心,北京
“台北国际艺术博览会2014”,台北世界贸易中心,台北
“首都师范大学美术学院教师作品展”, 中国美术馆,北京
“研展2014- 中央美术学院研究生毕业展”,中央美术学院美术馆,北京
“艺术北京2014”,全国农业展览馆,北京
“超级景观- 图像世界的多重逻辑”,石家庄美术馆,河北
“中央美院青年艺术家作品群展”,艺术8,北京
2013 “放大”第55 届威尼斯双年展平行展,莫拉宫殿,威尼斯
“我的心略大于整个宇宙”,北京银河SOHO,北京
“艺想”,观想艺术中心,北京,台北
2012 “对位”中央美术学院研究生新锐作品展,中央美院多功能展厅,北京
“多重世界”,梯级艺术中心,北京
英国约翰莫尔新绘画大奖赛作品展,上海油画雕塑院,上海
“引爆”青年艺术家扶持推广计划汇报展,国际会展中心,北京
“青年艺术100 全国巡展项目”,北京,上海,鄂尔多斯,深圳,成都等
2011 “造型十年展”,中央美术学院美术馆,北京
“千里之行”优秀作品展,中央美术学院美术馆,天津美术学院美术馆,北京,天津
罗中立奖学金获奖入围作品展,重庆美术馆,重庆
“斑点”,空间站画廊,北京
中央美术学院优秀毕业作品展,中央美术学院美术馆,北京
2010 中央美术学院优秀作品展,中央美术学院美术馆,北京
获奖
2011 获中央美术学院毕业作品一等奖
2010 获国家奖学金
获中央美术学院优秀学生奖学金一等奖
获中央美术学院三好学生
获中央美术学院优秀作品展三等奖
2009 获北京市三好学生
获中央美术学院优秀学生奖学金三等奖
获中央美术学院优秀作品展三等奖
2008 获中央美术学院优秀作品展二等奖
获中央美术学院学生创作二等奖
Meng Site
1988 Born in Shaoyang city, Hunan Provinece, China
2011 BFA Department of oil painting , Central Academy of Fine Arts, China.
2014 MFA Department of oil painting , Central Academy of Fine Arts, China.
Currently works in Capital Normal University
Solo Exhibitions
2017 Stardust Museum,Space Station Gallery, Beijing, China.
2013 Open House: Black Space / White World, ChART Contemporary, Beijing,China.
Meng Site, Space Station Gallery, Beijing, China.
Group Exhibitions
2017 Deacription of Reality,Another Art,Beijing
Multiple Halo,XI OCAT,Guangdong
2016 Xun-xun-group show 2:from perception to involvement ,Parkview green art, Beijing,China.
Art Nova 100, Beijing,China.
2015 Key China Art College Department of oil painting sketch Exhibition , Art Museum of Xi'an Academy of Fine Arts,
Xi'an, China.
Partner(in the first quarter), Bridge Gallery, Beijing, China.
Strayed Representation, O 'Born by, Contemporary, Canada
2014 Pluck the Laurel-China New painting Award, Hi Art Center, Beijing, China
Taipei Art International Fair 2014, Taipei World Trade Center, Taipei
Academy of Fine Arts teachers work exhibition, China Art Museum, Beijing,
Cafa Postgraduates Graduate Exhibition, China Central Academy of Fine Arts Art Museum, Beijing, China.
Art Beijing 2014, the National Agricultural Exhibition Center, Beijing
Meta-Spectacle:Multi-Logic of The Pictorial World, Shijiazhuang Art Museum, Hebei, China.
The Central Academy of fine arts young artists group exhibition, art 8, Beijing, China.
2013 Enlargement,Collateral Event at the 55th Venice Biennale, Palazzo Mora,Venice,Italy
My Heart’s a Little Larger Than the Whole Universe,Galaxy SOHO,Beijing,China
Thoughts about Art,Guan Xiang Art Gallery,Beijing &Taipei
2012 Counterpoint,Exhibition of the Emerging Talents from the Central Academy of Fine Arts Graduate Students,Beijing,China
Also World,T Art Center,Beijing,China
John Moores Painting Prize Exhibition(China),Shanghai Oil Painting & Sculpture Institute,Shanghai,China
Tipping,CYAP(China Young Artists Project),China International Exhibition Center,Beijing,China
Young Art 100 Traveling Exhibition,Beijing,Chengdu,Ordos,Shanghai,and Shenzhen,China
2011 Decades,Foundation Year Programme of the School of Fine Art,Central Academy of Fine Arts Museum,Beijing,China
A Thousand Miles-2011 Outstanding Graduate Exhibition,Central Academy of Fine Art Museum,Beijing and Tianjin
Academy of Fine Art Museum,Tianjin,China
Graduate Exhibition, Central Academy of Fine Arts Museum, Beijing,China
2010 Exhibition of Outstanding Student Works, Central Academy of Fine Arts Museum, Beijing,China
Awards
2011 CAFA Graduate Works Award,First Prize
2010 Winner of the National Scholarship Program
CAFA Excellent Student Scholarship, First Prize
Triple-Virtues Student of CAFA
CAFA Excellent Works Exhibition, Third Prize
2009 Triple-Virtues Student of Beijing City
CAFA Excellent Student Scholarship, Third Prize
2008 CAFA Excellent Works Exhibition, Second Prize
CAFA Student Works, Second Prize

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T: +86 10 59789671
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地址:空间站 北京市朝阳区酒仙桥路4号798艺术区中一街
Venue: Space Station,NO.4 Jiuxianqiao Rd,798 Art District,Beijing 100015
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