集美·阿尔勒国际摄影季｜亚洲影汇：後藤繁雄——东京女性/新现实、新虚构

距离2016集美·阿尔勒国际摄影季开幕式还有15天

??“2016 集美 · 阿尔勒国际摄影季”将于 11 月 20 日开幕，在为期一个月的展期之中，呈现共计30多个展览版块，涵盖近2000件艺术作品，覆盖摄影作为当代艺术一个重要组成部分的方方面面。“集美 · 阿尔勒国际摄影季”将陆续推出展览单元简介。

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亚洲影汇板块将邀请来自亚洲四个不同地区的策展人，分别带来各自国家和地区摄影人的图像集结，以四个城市为样本从不同的侧面展现亚洲影像风貌。

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亚洲影汇：东京女性?/?新现实、新虚构

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策展人：後藤繁雄?/?SHIGEO GOTO

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艺术家：

细仓真弓/ MAYUMI HOSOKURA

稻叶亚美/ AMI INABA

矶部昭子/ AKIKO ISOBE

宇津裕美子/ YUMIKO UTSU

平井真奈/ MANA HIRAI

头山夕纪/ YUHKI TOUYAMA

再没有比东京更像剧场的都市了。在那里，不同人扮演着不同的角色。即使面临生死诀别的瞬间，人们看上去也像是在玩儿一场游戏。这里曾经存在过的恋情、人性的真实、善恶伦理都早已今非昔比。莫非它们已在袭来的灾难中变的麻木？还是鲜有的、顽强的在逃避现实中得以进化？

特别是女性正前所未有的发生的质变。她们既能辨别现实中的虚假、又知晓虚幻中的真实。在都市的变化中，自身所扮演的角色被定格的时候便是突然“老去”的开始。摄影也将随之“老去”。

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本次参展的6位摄影家是正在与都市的变化持续抗争的女性们。她们不诉说人生、她们不随波“老去”，她们果敢的在名叫东京的剧场里将演出进行下去，尽管这并非易事。她们并非志向成为角色扮演者，但却可以通过摄影实现变装。

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细仓真弓惯以青春、情色为拍摄主题。进来，她正在潜心拍摄东京郊外川崎地区的“现实”与“虚构”。现实被凝聚的瞬间变成了虚构，虚构被凝聚的瞬间则变为现实。如此这般循环往复。通过巨幅照片组合展出的方式，期待在展厅中呈现出2016年的“新现实”。本次展览将以细仓真弓为核心，通过从虚构向现实“抗争”这一主题延伸至其他女性艺术家的摄影表现。稻叶亚美和平井真奈希望通过手机和游戏等方式，从接近于虚构的真实感中孕育出“新现实”照片。终日奔波于育儿和摄影之间的宇津裕美子以人偶为主题拍摄其新作。另外，活跃于时尚摄影界的矶部昭子的作品将虚拟的人工毒药转换为能量使用的都市通过摄影作品真实再现。头山夕纪将目光聚焦于日常，从再普通不过的日常生活中找寻并展现时空和存在的更迭。中国观众会以哪种视角看待这6位年轻摄影家的作品？着实意味深长。共通与差异，交流从此展开。

细仓真弓作品

稻叶亚美作品

矶部昭子作品

宇津裕美子作品

平井真奈作品

头山夕纪作品

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关于策展人：

後藤繁雄

1954年生。编辑、策展人、G/P gallery总监、京都造型艺术大学教授。

曾编辑过音乐家坂本龙一、摄影家荒木经惟、蜷川实花、筱山纪信等人的艺术书籍及摄影集等。

90年代开始致力于推动日本现代摄影的发展。曾策划过Miwa yanagi、泽田知子等人的展览（麒麟KPO大厦、大阪），也曾企划过荒木经惟和南·戈尔丁的联展《TOKYO LOVE》。另编著了包括Honma takashi(ホンマタカシ)等90年代东京摄影家的摄影集。

2008年以后，以G/P gallery总监的身份开始企划“新东京摄影”项目。并将横田大輔、細倉真弓、小山泰介、川島崇志等人通过Paris Photo（2008, 2009）、Useen Photo Fair （2012-2016）、Photo London（2015）等活动推向世界舞台。

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主要策划过的展览有「anima on photo ― hidden sense of Japanse photography」（Amsterdam、2014）、「hyper materiality on photo」（东京、伦敦、2015）、“爱知三年展2016”的“trancedimension-图像的未来形”专题展（愛知、2016）等。

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TOKYO WOMEN / NEW REAL, NEW FICTION

Curated by SHIGEO GOTO

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Artists:

MAYUMI HOSOKURA

AMI INABA

AKIKO ISOBE

YUMIKO UTSU

MANA HIRAI

YUHKI TOUYAMA

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There is no other city as theatrical as Tokyo, filled with people who play their own certain roles. Even the moments separating life from death, people seem to treat these as a game. The city has changed. So also have the people’s love, truth and moral conscious. Have we become numb from catastrophe or have we evolved into detached escapists?

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Women especially have undergone a metamorphosis. They can see through the lies in reality and understand the realities in myth. Within the ever-changing cityscape, ‘aging’ begins when one fixes their role. The photographs ‘age’ as well. The six female photographers being curated are those who continuously transform themselves amidst the fluctuating cityscape.

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These women do not tell their life story; these women have not ‘aged.’ They have stood on the stage called Tokyo and continuously and daringly acted as various characters, even when they face difficulties. These women are not striving to become cosplayers but they do “play” through their photography.

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Mayumi Hosokura continues to take photos under the theme of youth and Eros. In recent times she has focused on shooting the ‘real’ and ‘fiction’ in the Kawasaki area, which lies on the outskirts of Tokyo. The real can turn into fiction instantly, just as the fictional can become realistic – this is what Hosokura chases. By putting together large-scale prints, she hopes to create 2016’s ‘New Real’ for the exhibition. Hosokura will be at the center of the exhibition, and through their own approaches other female photographers will express the irresistible movement from the fiction to the real.

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Ami Inaba and Mana Hirai strive to create their ‘new real’ from mobile phones and games that provide fictions in reality. Yumiko Utsu, who is busy raising her child while taking photography, will create a new work with dolls as a motif. Akiko Isobe, an acclaimed fashion photographer, will show how an artificial poison transforms into an energy that creates urban reality. Yuhki Touyama will bring to surface the transition from time and space to the presence by gazing into the daily life.

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How will the worlds of these six young photographers be perceived by the people of China? Commonalities and differences – from there, the dialogue begins.

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About Curator:

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Born in 1954. Editor, Curator, Director in G/P Gallery, Professor in Kyoto University of Art and Design.

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As an editor, he has been involved in the publications of various kind of artbooks and photobooks by an internationally acclaimed musician Ryuichi Sakamoto,and world-leading photographers like Nobuyoshi Araki, Mika Ninagawa, Kishin Shinoyama.

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Ever since 1990s, ha has been extraordinarily active as a leader of Japanse contemporary photography. In 90s, he curated an exhibition of works by award-wining photographers Miwa Yanagi and Tomoko Sawada (Kirin KPO Plaza, Osaka) and produced a collaborative exhibition “TOKYO LOVE” by Nobuyoshi Araki and Nan Goldin, as well as publishing many books by a variety of Tokyo based photographers including Takashi Homma.

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In 2008, he founded G/P gallery and has produced many exhibitions and photobooks to introduce new type of photography sprung up in Tokyo in the digital age, in his word ‘New Tokyo Photography’. As a director of G/P gallery, he has joined the world famous art fairs including Paris Photo (2008,2009), Unseen Photo Fair (2012-2015), and Photo London (2015) to represemt and introduce young Japanese talents like Daisuke Yokota, Mayumi Hosokura, Koyama Taisuke, and Takashi Kawashima to the world. ?

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The great variety of exhibitions he curated include ‘anima on photo - hidden sense of Japanse photography’ (Amsterdam, 2014.), ‘hyper materiality on photo’(Tokyo, Lodnon, 2015.), AICHI TRIENNALE 2016The Column Project

Trans-dimensional Photos: Images in the Future Tense（Aichi,2016）.

展览地点

主场馆：集美新城市民广场展览馆、三影堂厦门摄影艺术中心、联动机构与空间

关于集美

集美，是中国福建东南沿海一颗璀璨的明珠，是一座生态宜居的人文之城。地处厦门几何中心、厦漳泉大都市区中心地带，与台湾金门仅一水之隔，辖区总面积276平方公里，常住人口80多万人，海岸线长约60公里。这里人文底蕴深厚，是被誉为“华侨旗帜、民族光辉”的陈嘉庚先生故里，是著名的侨乡、文教名城，旅游胜地，更是创新创业福地。集美正以创新、协调、绿色、开放、共享的发展理念深化实施“美丽厦门·人文集美”发展战略，依据“十三五”规划确定的发展定位，以“一精神三文化”（嘉庚精神、华侨文化、闽南文化、学村文化）为激发，加快“产城学人”深度融合，打造区域创新中心。厦门集美，正以跨越式发展的姿态，努力建设一个创新发展、生态优美、幸福和谐的厦门示范区，推动人文集美建设迈向新阶段。