十月乌镇戏剧节，看“谎言”如何成为“传奇”

人生这幕大戏里

每个人都是导演

我们习惯规划未来

但总有些事情
我们不可控制

即使我们按照过去的故事版本重新演绎

也难以重现曾经的回忆

英语演出，无字幕

制作：首次剪辑制作公司

导演：菲尔·海耶斯

此活动为2015年，乌镇戏剧节发起人、艺术总监孟京辉应瑞士文化基金会上海办公室之邀，去瑞士巴塞尔戏剧季甄选的剧目。

Legends & Rumours

Show Times: Oct.18, 7pm; Oct.19, 2:30pm / 7pm

Venue: Ancient Courtyard Theatre, Wuzhen

Duration: 90min

Performed in English, with NO subtitles

Produced by First Cut Productions

Directed by Phil Hayes

This event was chosen by Meng Jinghui, Co-founder and Artistic Director of Wuzhen Theatre Festival, during his trip to Kaserne Basel in Switzerland in 2015, invited by Pro Helvetia Shanghai.

以一个精妙绝伦的游戏作为起点，表演者菲尔·海耶斯，玛丽亚·赫雷斯和托马斯·凯斯巴塞出发去寻问自身。是什么让瞬息变幻为传奇，它又是否能创造往昔和现今？瞬息如何成为故事？故事如何成为传奇？平乏的瞬间如何成为伟大的时刻？累积的故事如何构建成鸿篇的传奇？毁灭和破坏需要多少和多深？倘若我们将现今当作往昔，我们能否对它另眼相待？当外界的事件开始与我们自己的真理发生碰撞，会发生什么？《谎言传奇》将三位禀赋各异的表演艺术家汇聚在一起，他们在每一次寻求传奇的过程中创造着崭新的夜晚。历史的维度决定了瞬息的定格，要铸就传奇的唯一办法，就是将这场表演变为传奇本身。

About Legends & Rumours

Using an elaborate game as a starting point, performers Phil Hayes, Maria Jerez and Thomas Kasebacher set out to ask themselves what turns a moment into a legend and whether it is possible to create a past out of the present. How do moments become stories and how do stories become legends? How do banal moments become great moments of history? How do stories consolidate into legends? How much destructiveness and destruction is necessary? If we treat the present as the past, can we talk about it differently, see things in a different light, and what happens when the events of the outside world start to collide with our own versions of the truth? Created a new each new evening, Legends & Rumours brings together three very different performing artists; Phil Hayes from Zurich, Maria Jerez from Madrid and Thomas Kasebacher from Vienna in an investigative collaborative process, on the hunt for some new legends. Everyday incidents are attributed historic dimensions, and finally, there is only one way out of these: the performance has to become a legend itself..

以一个精妙绝伦的游戏作为起点，将三位禀赋各异的表演艺术家汇聚在一起，他们探讨过去与现在之间的关联，想要追寻某种生活的真相，而躲在真相背后的，到底是什么呢？

导演将戏剧创作的过程搬到舞台上，每个演员都是这场戏的导演。场景不停的转换，情景不断重复，每个动作、每句台词都清清楚楚的告诉你，但是你却无法猜到他以什么样的方式呈现。因为他有很多即兴的，他们对时间，对真实的东西，对他们自己刚刚发生过去的东西，稍纵即逝的东西，开始产生很多怀疑，一直在找寻，在舞台上一直在找寻。

演员们肆意挥洒，即兴烂漫，让整部戏充满了各种可能性，失败的风险如影随形。但是我们看到的许多画面，下一场可能不会再出现，每一场都是独一无二的。

媒体评论 Media Review

三位一体情景喜剧，极富戏剧性地充满了诡计、欺骗与塞缪尔·贝克特式的绝望。

——《每日新闻报道》，苏黎世

A magni cent theatrical Trinity of situation comedy,deception andSamuel Beckett style hopelessness.

—Tages Anzeiger, Zurich

他们的演出利用英式幽默，揭露了许多梦幻剧场的机制的内幕，因此有时会戳痛人。看《谎言传奇》的时候，观众不会迷失于虚构场景的最微小的细节，而将见证舞台情节如何在一瞬间得到发展。失败的风险如影随形。

——莱娜·瑞特迈尔，《波恩评论杂志》

Their performance reveals many of illusion theater’s mechanisms with British humor, so that it hurts sometimes. The audience of Hayes’ Legends & Rumours won’t get lost in the smallest details ofarti cial staging, but will be witness to how the scenes develop inthe moment. The risk of failure always swings with it.

—Lena Rittmeyer, der Bund

非常精妙的构思，《谎言传奇》是一部“诡计多端”的情景喜剧。场景不停的重复、变换，背景音乐由德国乐队现场演奏。这部戏同时也是一个戏剧创作的缩影，演员将变身导演。经历和创作相互无限接近！

——卡蒂亚·拜格，《新苏黎世报》

Pretty amazing invention. Legends and Rumors is a sneaky situation comedy. The scenes repeat and change dozens of times and German Pop plays the live background music.The play is also a re ection on performance; the performers will become the director. How closeare memory and invention to each other!

—Katja Baigger, neue Zu?rcher Zeitung

导演介绍 About the Director

菲尔·海耶斯是一位表演创作者、演员、导演和音乐家，他出生在英格兰南部海岸，就读于泰恩河畔的纽卡斯特大学创意艺术专业。之后的1985至1995年期间，他在此创作和生活。1998年，他在苏黎世通过FCP发行公司制作了自己的排演作品《等待之路》（2005年）、《首次下调》（2007年）、《我们身处何方》（2008）、《笨拙的人》（2011年）、《谎言传奇》（2013年）、《爱与幸福》（2014年）。菲尔同时也作为独立艺术家在排演作品、戏剧和音乐等领域积极的与其他艺术家和团体展开合作。2013年，苏黎世市市政厅表彰了他杰出的工作。2016年夏季开始，菲尔在苏黎世艺术大学作为客座艺术家进行为期一年的相关工作。

菲尔·海耶斯还会自己演话剧和电视剧，每年都会和不同的剧团参加世界巡演，表演自己的作品，或者他人的作品。正是由于自己有演戏的经验，才懂得如何调动演员的积极性，让戏剧更加深入人心。

Phil Hayes is a performance-maker, performer, actor, director and musician. He was born on the south coast of England, he studied Creative Arts in Newcastle upon Tyne. Based in Zurich since 1998 he creates his own performance work mainly under the label First Cut Productions, including Waiting For Rod (2005), The First Cut (2007), Where Were We (2008), Awkward Human (2011), Legends & Rumours (2013) and Love & Happiness (2015) internationally both with his own work and with other projects. He has been a regular collaborator with British performance group Forced Entertainment and with choreographer Simone Aughterlony. In 2013, he was awarded a Wirkstipendium prize by the city of Zurich for his work to date. Phil is currently Artist-In-Residence at the Zurich University of the Arts.

“首次剪辑制作公司”介绍

About First Cut Productions

首次剪辑制作公司是自2005年以来，菲尔·海耶斯一直使用的排演项目发行方。2010年，它在瑞士苏黎世被注册为协会（社团组织）。首次剪辑制作公司目前从苏黎世市接受为期三年的项目资金。

First Cut Productions is the label we have used for various projects since 2005. In 2010, it was registered as an Association (Verein) in Zurich, Switzerland. First Cut Productions currently receives three-year project funding from the city of Zurich.

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