JINGART 2019 | 童昆鸟×Tong Gallery+Projects | 展位B11

JINGART 2019  |  B11

艺览北京  |  展位 B11

贵宾预展  VIP Preview

2019.05.30 14:00-20:00

2019.05.31 13:00-20:00

公众开放 Public Days

2019.06.01 11:00-17:00 

2019.06.02 11:00-17:00

地址 |  北京展览馆西直门外大街135号

Venue |  Beijing Exhibition Center No.135 XiZhiMen Outer Street

童昆鸟 Tong Kunniao (b. 1990, 中国)

“装置?景图” 系列作品

"Installation and Landscape" series of paintings:

这组作品描绘了了中国古画和装置作品的不对等但和谐的情景，童昆鸟把装置作品看作是?个?色推进古代画??，它像是?个顽固的结构机体，作为画?里的绝对中?主角，像是?个闯入者打破了本该属于画面的均衡，构建了明显的主次关系，形成二元对立的情景。画?的空缺和失衡可能恰恰是他对当下和谐的理解和表达。童昆鸟试图传递?个平衡和谐的画面，在创作过程中发现空缺和“移花接木”似的错位混合才是填补画?的最佳“良药”。但和谐的画面也随时面临空洞无主，装置作为?个临时和组建的?色也随时可能会被再装置，也随时面临解体和离场。

This group of paintings depicts the unequal but harmonious scenes between Chinese ancient paintings and installations. Tong Kunniao see the installation as a role in the ancient paintings. It is like a stubborn structural body, as a central protagonist in the painting. And it is like an intruder breaks the balance that should belong to the picture. However, the paintings construct an obvious primary and secondary relationship, and form a binary opposition. The vacancies and imbalances in the painting may be precisely his understanding and expression of the present harmony in daily life.Tong Kunniao tried to convey a picture of balance and harmony. In the process of creation, it was found that the gap between the vacancy and the replacing was the “best medicine" to fill the picture. But the harmonious picture is also faced with empty and lack of power. Because, I consider the installation as a temporary and formed role may be reinstalled at any time, and it is also facing disintegration and departure at any time.

失落的瞌睡龙  | A Disappointed Sleepy Dragon

木板丙烯 | Acrylic on wood

80x50cm

2018

掉队的亭? | A Lost Pavilion

木板丙烯 | Acrylic on wood

90x50cm

2018

愿者永远不会上钩 | Those Who are Voluntary Will Never Take the Bait

木版丙烯 | Acrylic on wood

90x50cm

2018

黄瓜水的春天 | 失落的瞌睡龙 | 安全出口

Spring of Cucumber Water | A Disappointed Sleepy Dragon | EXIT

绢本设色，丝袜 ，木头， 金属 | Silk color setting, Silk stockings, wood, metal

36.5x51.5cm / 件

2018

有只红眼小狗在后面 | There is a little red-eyed dog behind

木板丙烯，丝袜 | Acrylic on wood, Silk stockings

40x50cm

2018

“平衡鸟”系列作品

Balance Birds Series of Works

这些平衡鸟雕塑被搁置在一个?高的支点，它们似乎有着?己的身份属性，?畏却又?丝?奈的平衡着自己身体。它们在?盾和?由?寻找存在的理由，在迷离和缺失的线索?导航方向，定位?系列不确定的答案。又似乎什么都没找到，只是静静地待着，想着，漂浮着.....“不鸟”系列作品通过利用物理平衡原理在空间中建立危险与滞留的鸟体雕塑，作品失衡却合理的结构带来?理上的?盾和稳定。?切的看似平衡其实是?个危险成?过程，在追寻平衡的过程中，我们必须任由?个屁在空??玩耍。

These balanced bird sculptures are placed on a high fulcrum. They seem to have their own identity, and they are fearless but helplessly balance their bodies. They are looking for reasons for existence in contradictions and freedoms, navigating the directions in the clues of confusion and lack, and locating a series of uncertain answers. It seems that nothing has been found, they are just waiting quietly, thinking and floating.The “Bird indefinite" series works by using the principle of physical balance to create dangerous and stagnant bird sculptures in space, and the works are unbalanced but reasonable. The structure brings psychological contradictions and stability. The seemingly balance of everything is actually a dangerous establishment process. In the process of pursuing balance, we must let a fart play in the air.

木月弯兄 | A Wooden Curved Moon

木头，铝皮 | Wood, aluminium skin

130x120x178cm

2018

?理学家海德(F.Heider)认为:“?类普遍地有?种平衡、和谐的需要。?旦?们在认识上有了不平衡和不和谐性，就会在?理上产?紧张的焦虑，从?促使他们的认知结构向平衡和和谐的方向转化”。

Psychologist F. Heider believes: "Humans generally have a need for balance and harmony. Once people have an imbalance and disharmony in their understanding, there will be psychological anxiety and tension, which will transform their cognitive structure into a balanced and harmonious direction."

石头男孩 | Stone Boy

金属，树脂 | Metal, Resin

120×120x32cm

2019

每?只不鸟在名称和外形上体现着它们的身份:邋遢贵妇，魔抓脊椎男，半?半?兄···依旧是废弃现成品与?金属架构的结合，但少了童昆鸟惯性使用的?工机械装置，不再叮当作响浩浩荡荡，?仅利?了物理平衡原理:建??种危险与稳定之间?盾的平衡关系。不鸟们漂浮在空中，展示着?己沉重但灵活的身躯，宣扬着?自由;他们停留在原地，定位?系列不确定的答案，在迷离和缺失的线索里导航方向，虽然原地打转，却依然努?飞?........

Each of the birds reflect their identity in their names and shapes: A Dingy Lady, A Brother with Half Feather and Half Hair, etc are still a combination of abandoned ready-made products and metal structures, but it lacks the artificial mechanical devices used by Tong Kunniao. It no longer slams into a mighty sound, but only uses the principle of physical balance: establishing a contradiction between danger and stability. The birds float in the air, showing their heavy but flexible body, presenting their freedom. They stay in place, positioning a series of uncertain answers, navigating in the clues of confusion and lack, although still in place, still strive to fly........

我这边的?景更好 | I have a better view here

木板丙烯，电机，金属，防水涂料 | Acrylic on wood, Motor, Metal, Waterproof Coatings

尺?可变

2019

童昆?

1990年出生于中国湖南长沙，2015年毕业于中央美术学院雕塑系第三工作室，现?作生活于北京。

近期的展览和项目包括:

2018

“不了鸟知”个展 上海船厂1862，上海

“出厂设置” 上海宝龙美术馆，上海

“中国当代艺术年鉴展” 北京民?美术馆，北京

“ART TRASH” 草莓?乐节， 北京

2017

“今?-墙势?” 今?美术馆， 北京

“WAVELENGTH 异线狂想” 北京时代美术馆，北京 

“动漫美学” 澳门当代博物馆，澳门

“?常持续” 银川当代美术馆，北京

“出类” ?盒?艺术馆，北京

“当狗嘴?吐象牙” Setareh Gallery，杜塞尔多夫，德国

“鸽?肚?里不只有屎，还有面包” Liusa Wang Gallery，巴黎，法国

2016

“艺术呕吐” 站台中国，北京

“全球中国-艺术郑州” ，郑州

“仪式逆转” 德萨画廊， ?港

“梦地球” 站台中国，北京

2015

“迁禧” 站台中国，北京

“射手座” 站台中国，北京

Tong Kunniao 

Born in Changsha, Hunan, China in 1990 and graduated from Central Academy of Fine Arts, Beijing, China in 2015. He currently lives in Beijing.

2018

Birdindefinite MIFA 1862,Shanghai

Re-Set,PowerLong Museum，Shanghai

The Exhibition of Annual of Contemporary Art of China, Beijing Minsheng Art Museum, Beijing

ART TRASH，Music Festival 2018，Beijing

2017

TODAY WALL POWER，Today Art Museum Beijing

RHAPSODY IN LINES，Beijing Times Art Museum, China

ANIMANIX Macau Museum of Art, Macau, China

VERY SUSTAINABLE —ENVIRONMENTAL REVELATION，MOCA YinChuan, China

Outliers，White Box Art Center，Beijing

When Dog Mouth Spits Ivory, SETAREH GALLERY，Dusseldorf ,Germany

 DANS LE VENTRE DU PIGENON, IL Y A NON SEULEMENT DU CACA,MAIS DU PAIN AUSSI，Liusa Wang -Gallery ,Paris ,France

OVERPOP，Yuz Museum, Shanghai

Reversal Ritual，DE SARTHE GALLERY, Hong Kong, China

2016

Art Auto Sale，Platform China Contemporary Art Institute

Global China，Art ZhengZhou Exhibition，ZhengZhou，Beijing

TONG KUNNIAO: WHY DON'T YOU EAT STINKY TOFU, Nicodim Gallery, Los Angeles, USA

DREAMING A BATON THE FLOOR , Platform China Contemporary Art Institute, Beijing

2015

Relocation Jubilee，Platform China Contemporary Art Institute, Beijing

TONG KUNNIAO, Platform China Contemporary Art Institute, Beijing

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