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McaM 展演 | 耳朵是用来行走的器官

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在皮埃罗·雷东（Pierre Redon）看来，耳朵是用来行走的器官。

作为《图律》展演的艺术指导，皮埃罗·雷东既是音乐家，又是人类学家。他带着耳朵穿行于原始土地、森林与河流。在聆听与再创作中，他带领观众不断寻回被城市生活钝化的身体感觉，重新审视人与自然、历史记忆与当下认知的关系。

《图律》的诞生是这种创作模式的进一步升华。观众不仅仅是声音作品的聆听者，也是作品的共同完成者——献出一绺头发，或是留下一笔绘画——将一部分自我和身体的记忆融入到作品之中，也让作品进化成为一个承载记忆和时间的有机生命体。

关于艺术家

自2007年起，皮埃罗·雷东创作了一系列场域特定实验作品《声音行走》（Sound Walks）：

从法国的孚日山脉、卢瓦尔河到上海的愚园路，行走的人群从某条河畔、某棵树下开始，打开手机软件上一张标有行走路线的地图，佩戴一个播放配套录音的耳机。除了需要沿指示路线抵达一个个地点，还需要完成游戏任务一般读塔罗牌、挖掘出某个隐藏在河畔的标记，偶遇一个戴着陶铃铛的少年，观看一场音乐仪式。

当耳机中的录音渗透进现实中的鸟鸣和风声，现实世界被叠加了一层梦幻的色彩。浸没于AR现实之中的参与者也与作者一起，走到被工业城市遗忘的角落，与祖先的记忆对话，与某条河流建立一段共情。

皮埃罗·雷东的作品囊括了声音、电影、摄影、制图与视觉艺术，曾任法国la Pommerie驻地艺术家，作品展出于法国Quai Branly博物馆、Aubusson国际编织艺术博物馆、Jean Lur?at国家剧院、哥伦比亚服装博物院等。

关于“图律”

日期：

5月31日周五20:00，

6月1日周六20:00，

6月2日周日14:30。

地点：上海明当代美术馆，永和东路436号

演出：Les S?urs Grées

主办: McaM上海明当代美术馆

支持: 法国驻沪总领事馆

该活动为2019年中法文化之春项目之一

关于“图律展演”更多信息：

McaM 展演 | 图律 Tülü ，请交出一绺头发

入场须知

1、图律Tülü展演属于McaM“夜场企划”活动之一，凭夜场展览入场券即可

2、每场限定人数100人

3、请在网上购票后，凭借信息（姓名，电话）到美术馆前台换取《感官边界》夜场入场券入场。

4、请按选择的日期按时入场。

5、演出开始前72小时，入场券不可退换。

6、咨询电话：021-56900005

长按二维码购买夜场展览票

*限量300张

McaM“夜场企划”

免费观演+夜场逛展

艺术指导、作曲

Pierre Redon (皮埃罗·雷东)

乐队成员

Pierre Redon (皮埃罗·雷东) | 电子乐，管风琴

Je?ro?me Ogier (热罗姆·奥吉尔) | 五弦小提琴

A?da Diop (艾达·迪奥普) | 鼓

Gae?l Ascal (盖尔·阿斯卡尔) | 低音提琴

Ingrid Obled (英格里德·奥布莱) | 低音提琴

华逸飞丨笙、笛

点 / 击 / 观 / 看 / 视 / 频

“界外之音”：海边仪式，2016

The Sounds from Beyond: Ceremony of the Sea，2016

Tülü

Time：

8pm, Fri, May 31st, 2019

8pm, Sat, June 1st

2:30pm, Sun, June 2nd

Venue: No. 436, East Yonghe Rd, Jing' an District, Shanghai

Performance ：Les S?urs Grées

Presented by : Ming Contemporary Art Museum

Support: Consulat général de France à Shanghai

Program of Festival Croisements 2019.

Pierre Redon always walks with his ears.

Since 2007, he started a series of site-specific projects known as Sound Walks (or 'Marches Sonores' in French) throughout the Vosges mountains, River Loire to YuyuanRoad in Shanghai. Listeners were given a route map marked with a dozen or more interactive or symbolic stops, each an invitation to stand still or carry-on walking whilst listening to recordings on a portable player that accompanies the map. As if to complete a game, participators had to read Tarot cards, dig out a mark hidden beside the river, or meet with a boy with ceramic bells. Eventually, the walking experience culminated with a music ritual.

Muffled sounds outside the headphones mingled with voices or noises coming from within, adding another layer to the physical sensations. Audience not only listened to interviews with local inhabitants as they recount stories, but also explored the relationship between individuals and their environment and culture.

For many years Pierre Redon travelled freely throughout land, forests and rivers, listening, walking and creating. As both a musician and anthropologist, he led audience to rediscover their bodily sensations, and re-examine the relationship between human and environment.

The creation of Tülü was the sublimation of his aesthetics. Audience was not just listeners but also co-creators of the artwork. They inject part of their bodily memory into the final production through a lock of hair, or a piece of drawing. The final production becomes an organic living object that carries memory and temporality.

His other projects included documentary, film music composition, photography and so on. He was once resident artist at La Pommerie; his works were on exhibit worldwidely in many institutions including Quai Branly Museum, Aubusson Tapestry andWeaving Art Museum, Jean Lur?at Theatre and The Costumes Museum and TheatreJorge Elierce Gaitan in Bogota, Columbia.

Art direction/Composer:

Pierre Redon

Musicians:

Pierre Redon

Je?ro?me Ogier

A?da Diop

Gae?l Ascal

Ingrid Obled

Hua Yifei

Admission

以上图片均由艺术家提供

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