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展讯｜和光同尘——邵文欢SMArt瑞士驻地作品展

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主办：三影堂摄影艺术中心

协办:瑞士山地区域可持续发展基金会

瑞士发展与合作署

艺术家：邵文欢

展览协调：齐燕

开幕：2019年6月29日 16:45

艺术对谈：2019年6月29日 14:30

展期：2019年6月29日 – 2019年7月28日

（周一闭馆）

地点：三影堂摄影艺术中心

(北京市朝阳区草场地155A）

支持：瑞士驻华大使馆

三影堂即将荣幸呈现“和光同尘”——邵文欢SMArt瑞士驻地作品展。

延续自然世界中“山水”地貌的这一创作线索，艺术家邵文欢在瑞士山地可持续发展基金会发起的SMArt项目的邀请下，前往瑞士瓦莱州蒙泰地区进行为期三个月的驻地创作，踏入壮丽的瑞士山脉，将目光聚焦在马特洪峰和阿莱奇冰川等阿尔卑斯标志性的自然景观，以摄影为主要媒介的综合艺术手段来体现深层的“自然危机”——这一世界意义的母题。

对邵文欢而言，拍摄仅是综合创作过程中的一个步骤，通过大量不同焦点拼合成一个完整的看上去是符合透视（现实）的图像，将几百个瞬间潜藏至一张画面中，如同19世纪浪漫主义绘画中对宏大场景的神性描绘。除了拼贴，他还以多种艺术手段来干扰图像：绘画，刻划，撕裂，摩擦、渍痕等，在创作中呈现出——叠加了极丰富的自然与人为的细节。他还在图像中预留静谧的白，甚至用墨色，给雕塑般的冰川，填上更有厚度的黑。这些出现在“画面”或“自然”上的“伤痕”，似乎喻示了隐藏在风景中的“痛”。而在艺术家延续创作的“星宿盒子”系列中，邵文欢将编程灯箱构造成矩形空间架构在遥远的瑞士，去装载阿尔卑斯山地的夜空。人为干预的光——明灭闪烁刺破着山川之宁静，而风景在人眼形成视觉暂留的残像中不断地幻灭和重生。不论是山林间影亦或是星空辽恒中的光耀与尘埃，这些邵文欢错造的“经验”之外的视觉奇观，令人时而焦虑，时而着迷。机械暴力的划痕在“和光同尘”展览主题下恰恰形成了一种诗意的反讽，就如同人改变自我生存而加速自然资源索取，所造成对山川直接与间接破坏的落差。

《辉光》，110x300cm，摄影及综合艺术手段

The Glow, 110x300cm, photography, Mixed media

《辉光》局部，摄影及综合艺术手段

Part,The Glow, photography, Mixed media

《群峰》，110x250cm，摄影及综合艺术手段

Peaks, 110x250cm, photography, Mixed media

《群峰》局部，摄影及综合艺术手段

Part, Peaks, photography, Mixed media

《群峰》局部，摄影及综合艺术手段

Part, Peaks, photography, Mixed media

《星宿盒子》 No.06

综合艺术手段

(摄影，编程led) 33x30cm，2019

Galaxy Box, No.06 Mixed media

(photography programmed LED lightbox) 24x22cm, 2019

《星宿盒子》 No.08，画芯

摄影及综合艺术手段，2019

Image,Galaxy Box, No.08, Mixed media

17x29cm, 2019

《阿莱奇冰川》局部，摄影及综合艺术手段

Part, The Aletsch Glacier

Photography, Mixed media

★

2019年4月瑞士蒙泰La Fabrik个展开幕现场

关于艺术家

邵文欢，艺术家，中国美术学院副教授。2002年就读于中国美院综合绘画系研究生，期间赴法国Dijon国立美院研修。

近期展览

2019：瑞士蒙泰个展《SOFTEN THE GLOW》，纽约HANFENG艺术空间《无山》个展，中国美院美术馆《碧水·丘壑》风景展，2018：杭州大屋顶美术馆个展《鸾镜》，上海HANFENG艺术空间个展《无山》，北京三影堂+3画廊个展《遐迩之现》，南京南艺美术馆《刷屏/劳作》，苏州寒山美术馆《扫描·山水》。苏州金鸡湖美术馆《交叉城》中日当代艺术展，温州年代美术馆《超越物像》。

2017：上海HANFENG艺术空间个展《界破》，集美·阿尔勒个人项目《与时间先生的一次合作》，中国美院美术馆首届影像西湖《非常·西湖》展。

2016：瑞士伯尔尼美术馆《中国私语》希克收藏展，上海1933艺术空间个展《再造“真的非真实”》，第三届上海影像艺术《洞见》版块，香港汉雅轩《浮岛志》联展。

2015：德国埃森佛克旺美术馆《CHINA8中国当代艺术展》，M97上海当代摄影空间个展《万籁俱寂》，上海明圆当代美术馆《虚薄之境》。第二届photo shanghai影像艺术展《洞见》板块

2014：上海民生现代美术馆《中国当代摄影：2009-2014》，东京画廊+BTAP《新朦胧主义》艺术展，第十届连州国际摄影年展《中国当代摄影十年》。第一届photoshanghai影像艺术展。

关于SMArt项目

SMArt（Sustainable Mountain Art）山地可持续发展艺术项目由瑞士山地区域可持续发展基金会（FDDM）、瑞士发展与合作署、瓦莱州文化部于2014年共同发起，由瑞士以及多个国际文化机构共同支持。三影堂摄影艺术中心作为SMArt项目的中国合作单位，每年以公开征集并投票评选的方式，向瑞士蒙泰地区推荐中国影像创作艺术家，在“山地地区面临的挑战”主题范围内，就“气候变化”、“水域管理”、“山地开发”等问题进行驻地研究和创作。

The Soften, The Glow

Organizer: Three Shadows Photography Art Centre

Co-organizer: Foundation for Sustainable Development in Mountain Regions (FDDM), Swiss Agency for Development and Cooperation (SDC)

Artist: Shao Wenhuan

Exhibition Coordinator: Yan Qi

Opening: 29th June 2019, 16:45

Artist Talk: 29th June 2019, 14:30

Duration: 29th June 2019 - 28th July 2019 (Closed on Mondays)

Location: 155A Caochangdi, Chaoyang District, Beijing

Support: Embassy of Switzerland in China

Three Shadows is delighted to present “The Soften, The Glow” an exhibition created by the artist Shao Wenhuan in the SMArt residency program in Switzerland.

To continue his explorations of the landscapes of the natural world, Shao Wenhuan was invited to participate in the SMArt program, initiated by Switzerland’s Foundation for Sustainable Development in Mountain Regions. He traveled to Monthey in the canton of Valais for a three-month residency. He engaged with the majestic Swiss mountain ranges and trained his lens on Swiss natural landmarks such as the Matterhorn and the Aletsch Glacier. He uses mixed media methods, primarily rooted in photography, to capture the deeper levels of this natural crisis, a motif with global significance.

Taking photographs is just one step in Shao Wenhuan’s creative process. By assembling numerous focal points into a complete image that seems to conform to perspective (reality), he hides hundreds of moments in one image, creating something like the spiritual depictions of grand landscapes in nineteenth-century Romantic painting. He intervenes in the images using multiple artistic methods in addition tocollage. Paint strokes, cuts, tears, abrasions, and stains all appear in the works, forming rich layers of natural and man made detail. He also leaves tranquil white spaces in the images and uses black ink to give the sculptural glaciersa deeper black. These “scars” that appear in the images or in nature seem to hint at the pain hiding within the landscape. In his ongoing series Galaxy Box, Shao constructed programmed lightboxes as rectangular spaces that frame images of the Alpine night sky indistant Switzerland. The twinkling lights from human presence pierce the silence of the mountains and rivers; landscapes constantly vanish and are reborn in the fragmented images that persist in our eyes. The points of light and specks of dust in the shadowy mountain forests or the vast starry sky are visual wonders outside of the “experience” that Shao Wenhuan has created, inspiring both anxiety and fascination. Set against the exhibition’s title, “The Soften, The Glow,” the scars of mechanical violence constitute a poetic satire, highlighting the direct and indirect damage to landscapes caused by changes to human life and the resulting acceleration in natural resource extraction.

About the artist:

Shao Wenhuan, Artist, Associate professor, Department of photography of China Academy of Art. Shao studied as a graduate student at Department of Integrated Painting of China Academy of Art in 2002, during which he went to the National School of Fine Art in Dijon for advanced studies.

Resume

2018 “Whine Within Mirror”- solo exhibition, The RoofArt Museum, Hangzhou, China.

2018 “Perspectives in theDistance”- solo exhibition, ThreeShadows +3 Gallery, Beijing, China.

2018 “Screen Refreshing/Labor:AMNUA Photography Exhibition 2018”, Art Museum of Nanjing University of the Arts,Nanjing, China.

2018 “The Folded Mountain II:Scanning Shanshui”, Han Shan Art Museum,Suzhou, China.

2018 “Transcendence of ObjectiveImage”, Epoch Art Museum,Wenzhou, China.

2017 “Breakthrough”- solo exhibition, ShanghaiHanfeng Art space, Shanghai, China.

2017 “A Cooperation with Mr. Time”, Jimei x ArlesInternational Photo Festival, Xiamen, China.

2017 “The Unusual West Lake- TheFirst Art Scene of West Lake Photo Exhibition”, China Academy of Art Museum, Hangzhou, China.

2016 “Chinese Whispers- Worksfrom Sigg’s Collections”, Kunstmuseum Bern, Bern,Swiss.

2016 “Film: Recreation a RealUnreality”, 1933 Contemporary,Shanghai, China.

2016 “Insights”， the 3rd PHOTOFAIRS |Shanghai, Shanghai, China.

2016 “Annals of Floating Island”, Hanart TZ Gallery, HongKong, China.

2015 “CHINA8- ChineseContemporary Art Exhibition”, Museum Folkwang, Essen, German.

2015 “Silence”, M97 Gallery, Shanghai,China.

2015 “New Haziness”, Ming Yuan Art Museum,Shanghai, China.

2015 the 2nd PHOTOFAIRS |Shanghai, Shanghai, China.

2014 “Chinese ContemporaryPhotography: 2009-2014”, Shanghai Minsheng Art Museum, Shanghai, China.

2014 “Neo-Moroism”, Tokyo Gallery + BTAP,Beijing, China.

2014 “Ten Years of Contemporary Photographyin China”, the 10th Lianzhou FotoFestival, Lianzhou, China

2014 the 1st PHOTOFAIRS |Shanghai, Shanghai, China.

2013 “Pure View of Streams andMountains- Transformation of Chinese Contemporary Art”, Arts Santa Monica,Barcelona, Spain.

2013 “Aura & Post aura”, the 1st Beijing PhotoBiennial, Beijing, China.

2013 “Farewell to Experience”, the 9th Lianzhou FotoFestival, Lianzhou, China

2012 “Natural Mind”, the 1st BiennialItaly-China, Milan，Italy.

2011 “Shanshui: Poetry without Words? Landscape in Chinese Contemporary Art-Works from Sigg’s Collection”, Kunstmuseum Luzern, Lucerne, Swiss.

About SMArt

SMArt was launched in 2014 by the Foundation for the Sustainable Development of Mountain Regions(FDDM) inclose cooperation with the Swiss Agency for Development and Cooperation (SDC) and the Culture Service of Canton Valais. It relies on an extensive network of institutional and cultural partners in Switzerland and around the world. As the Chinese partner of the SMArt project, Three Shadows Photography Art Centre recommends photographers to live and work in Monthey during an open call. Artists ultimately research and create around topics such as “climate change,” "water management" and "mountain development” in the context of challenges facing mountain regions around the globe.