中间美术馆在abC书展上带了哪些好书？

《我在哪儿错过了你》

洪子诚、刘鼎、卢迎华 编著

Where Have I Missed You

Edited by Hong Zicheng, Liu Ding, Carol Yinghua Lu

本书由北京大学中文系教授洪子诚，艺术家、策展人刘鼎与中间美术馆馆长卢迎华共同主编，邀请了钱理群、翟永明、西川、孙郁、格非、娄烨、王璜生、丁乙、丘挺、徐坚等29位作家、诗人、学者、导演、艺术家，撰文评述自己曾经错过或差点错过，但对自己的思考与创作产生了重要影响的“文本”。作者们各自关注的话题、提出的问题、表现出的价值观和审美趣味为不同领域的从业者共同分享，重新建立起曾经错过的交会点，重拾互相激发的美好时光。

Conceived and edited by Hong Zicheng, Professor of Chinese Literature at Peking University, Liu Ding, artist, curator and Carol Yinghua Lu, director of Beijing Inside-Out Art Museum, this book is a rich collection of essays by 29 distinguished writers, poets, film and theatre directors, scholars and artists, including the likes of Qian Liqun, Zhai Yongming, Xi Chuan, Sun Yu, Ge Fei, Lou Ye, Wang Huangsheng, Ding Yi, Qiu Ting, Xu Jian. They were invited to elaborate on specific texts that had made a significant impact on their ways of thinking and practice, yet they had missed before or nearly missed. Contributors to this publication shared their passions, insights, perspectives, and values rooted in their individual experiences and fields of practice and formed new alliances of opinions and interests.

《沙龙沙龙：1972-1982年以北京为视角的现代美术实践侧影》

刘鼎 卢迎华 编著

Salon Salon: A Profile of Modern Art Practices from a Beijing Perspective, 1972–1982.

Written and edited by Liu Ding and Carol Yinghua Lu

本书的编著是基于2017年初在中间美术馆进行的“沙龙沙龙：1972－1982年以北京为视角的现代美术实践侧影”展。不同于艺术史叙述中常见的断裂式叙述，即将1976年文化大革命的结束视为艺术的全新开端，在“沙龙沙龙”展中，我们主要以始于1972年、截至1982年之间的十年作为研究与讨论的时间段和一个历史想象的空间。在广阔的政治背景下和具体的艺术事件中，生动呈现了不同阶层、不同世代、不同背景的人物之间的互动、参与和矛盾。

Salon Salon, based on the exhibition of the same title held at IOAM in 2017, proposes a new periodization of modern Chinese art and establishes a transitional period from 1972 to 1982 which breaks the mold of before and after 1966-1976. It also presents a new series of close readings of documents of the period and places these against actual works. This overthrows non-Chinese academic research which has not had access to these documents, and also disturbs the glib, post 1989 commercial categorizations which still create a fissure between the official and the avant-garde when both were intrinsically twisted together. Some of this material is known about but has never been so clearly presented and illustrated together with its underpinning documents, neither have the intellectual implications of such a fresh periodization been so eloquently discussed by a group of writers and theorists.

《普遍与特殊：何为亚洲性？》

酒井直树 孙歌 著

Universality and Particularity: What is Asianness?

Naoki Sakai, Sun Ge

本书记录了美国康奈尔大学酒井直树教授与中国社会科学院孙歌教授在2018年年初进行的以“普遍与特殊：何为亚洲性？”为题的两场讲座与对话。在欧洲中心论的框架下我们该如何理解亚洲？以种族和地域划分的“亚洲”“欧洲”“非洲”等有何普遍性与特殊性？这本书会帮助你了解两位学者对亚洲问题的思考。2019年，Archive Books 出版了本书全新的中英文版本，将在本次abC书展首次亮相。

This book is published on the occasion of the exhibition Discordant Harmony: Observations of Artistic Practices in East Asia at the Transition between the 1980s and 1990s (2017.11.4-2018.2.4) at IOAM. The book helps us to understand the thoughts and research on the notion of Asianness in today’s global context by the two prominent scholars, Naoki Sakai from the Cornell University and Sun Ge from Chinese Academy of Social Sciences. Archive Books, the collaborator with IOAM at abC book fair this year, has just published this new bilingual version, which will be launched in the abC book fair 2019.

想象?主流价值

戴锦华 苏伟 编著

The Lonely Spirit

Edited by Dai Jinhua and Su Wei

《厐壔：跃动的音符》

卢迎华 编著

Pang Tao: Dancing Notes

Chief Editor: Carol Yinghua Lu

自2017年1月以来，中间美术馆开启了重访中国现当代艺术历史现场的系列展览与活动。“跃动的音符:厐壔新作展”是该系列展的第三展。本画册结合了展览中对于作品的编排方式，参照厐先生各个阶段的创作重心，自成一体地呈现厐先生的作品与相关文献。该书由微设计协作体设计，两种封面都取材于厐先生在2018年的最新画作系列“色阶的变化”。

Since January 2017，IOAM has initiated a series of exhibitions and events to revisit the historical scenes of the Chinese contemporary art. Dancing Notes: New Works by Pang Tao (2018.7.14-2018.11.11) is the third of this series. Based on the narrative of the exhibition, this catalogue presents Pang Tao’s artistic career and related historical archives in a unique way. The catalogue is designed by TINYworkshop, who is inspired by the Change of Colour Gradation Series by Pang Tao.

《新月：赵文量、杨雨澍回顾展》

苏伟、杨天歌、冯兮 编著

Crescent: Retrospectives of Zhao Wenliang and Yang Yushu

Editors: Su Wei, Yang Tiange, Feng Xi

这本出版物是中间美术馆2018年举办的一个重要的研究性展览“新月：赵文量、杨雨澍回顾展”的同名画册。赵文量、杨雨澍均出生于新中国建国前，他们曾是60年代松散的绘画团体“玉渊潭画派“和70年代“无名画会”的核心人物。画册完整呈现了展厅三层的叙事、两位老先生的绘画作品、历史文献和多篇研究文章，对两位艺术家的个体创作、其创作与不同历史时期艺术史线索的微妙关联，做了详细的解读。

Crescent: Retrospectives of Zhao Wenliang and Yang Yushu is the catalogue of a significant exhibition (2018.3.10-2018.7.1) under the same title held at IOAM in 2018. Zhao Wenliang and Yang Yushu were the key figures of the Yuyuantan School of Painting, a group of painters loosely assembled together in the late 1960s, and of the No Name Group, which was founded in the 1970s. The catalogue presents the research conducted for the exhibition, which focuses on the complicated dialogue between art practice and its art historical context in different eras (1950-2010). Several research texts, historical archives and images of the paintings are included in the catalogue.

《失调的和谐: 二十世纪八、九十年代之交东亚艺术观察》

黄建宏、金宣廷、神谷幸江、卢迎华 著

Discordant Harmony: Observations of Artistic Practices in East Asia at the Transition Between the 1980s and the 1990s

Written and Edited by Chien-Hung Huang, Sunjung Kim, Yukie Kamiya and Carol Yinghua Lu

本书以中国、韩国、日本、台湾地区的八、九十年代艺术为切入点，展示了各地的艺术如何相互关联或可能具有何种联系。“失调的和谐”展是巡回展，从韩国启程，途径东京、台湾，最后在2017年11月到达中国大陆，来到北京中间美术馆。

Discordant Harmony is a project in which we intend to see ourselves in the light of Asia, or to be more specific, in the light of the relationships among different regions in East Asia. In its forth stop in Beijing, we are focusing on the practices, phenomena and events of the art world at the end of the 1980s and the beginning of the 1990s in China, South Korea, Japan and Taiwan.

《自我批评讲义》

卢迎华、罗小茗、苏伟 编

Self-Criticism Readings

Edited by Carol Yinghua Lu, Luo Xiaoming and Su Wei

“自我批评”这个词时常带有消极指向。在当今频繁发生恐怖袭击、战争的状态下，我们时常处于警戒状态，而仅仅拥有批判性的视角已不足以与实际行动的力量抗衡，自我批评作为实践的过程，需要我们培养和训练。在此理念下，本书选入五篇各领域的文章，讨论这个时代中“自我批评”的必要性。本书也是2017年同名展览的出版物。

This is a readings of the exhibition Self-Criticism (2017.5.27-2017.9.17) held at IOAM. The exhibition brings together artists, curators, and cultural critics, acting concurrently as team, and concerning themselves with the implications of the proposed question, rather than merely explaining around the topic of self-criticism. 5 texts from different historical periods are selected in the book, enlightening the necessity of self-criticism in our time.

《对奇迹的更好感知》

A Greater Miracle of Perception 

奇迹工作者集体著

By Miracle Workers Collective

本书探究了关于创造奇迹——让不可能成为可能——如何反映在当今的艺术实践中。该出版物围绕奇迹工作者集体在第58届威尼斯国际双年展芬兰阿尔瓦·阿尔托展馆举办的展览展开。

——威尼斯双年展

The book explores how miracle making – making the impossible possible – is reflected in artistic practices today. The publication accompanies the exhibition by The Miracle Workers Collective at the Finnish Alvar Aalto Pavilion in the framework of the 58th International Art Exhibition 

– La Biennale di Venezia

《AB 册1  那些死去的人从未离开》

AB Pamphlet 1  Those who are dead are not ever gone

波拿文土拉·苏·贝金·恩迪昆著

By Bonaventure Soh Bejeng Ndikung

  民俗博物馆或世界博物馆这些机构似乎正处于窒息的危急关头。大多数这些博物馆所获得的“山珍佳肴”，即摄入，好像都没能正常进入食道，反而是都被卡在了呼吸道里。本书包含了一篇十二章节的研究民俗博物馆的论文，还涉及柏林洪堡论坛中提到的一些其他错综复杂的议题。

  The institution of the ethnological museum or world museum seems to be in the midst of a serious crisis of choking. The delicacies that most of these museums have acquired, which is to say co-opted, which is to say ingested, seem to have collectively missed the track to the oesophagus and got stuck in the respiratory tract. A twelve-act essay on the ethnological Museum and the intricacies of the Humboldt Forum in Berlin.

《语言即皮肤  表演手稿》

Language is Skin  Scripts for Performances 

罗宓·吕埃格尔著

By Romy Rüegger   

  罗宓·吕埃格尔是一位艺术家，作家。她的工作基于声音实践以及共享聆听。她所写的关于表演、音频作品、舞蹈练习室空间的文章吸收了反种族主义和语言与记忆的交叉政治学思想。

  Romy Rüegger is an artist and writer working with sound based practices and shared listening. Her writings for performances, audio works and choreographed spaces draw on anti-racist and intersectional politics of language and memory.

《成为两个 女性主义集体实践的命题》

To Become Two  Propositions for Feminist Collective Practice

亚历克斯·马丁尼斯·洛伊著

By Alex Martinis Roe 

  《成为两个: 女权主义集体实践的命题》呈现了艺术家亚历克斯·马丁尼斯·洛伊对欧洲和澳大利亚70年代至今的女权主义政治的谱系研究。

  To Become Two: Propositions for Feminist Collective Practice offers a narrative of artist Alex Martinis Roe’s research into a genealogy of feminist political practices in Europe and Australia from the seventies until today. 

《电影进行时 为什么我们不能停止谈论模拟电影？》

Film in the Present Tense  

Why can’t we stop talking about analogue film?

拉伯·波林编著

Edited by Labor Berlin

  本书从艺术家、电影导演、学者、档案管理者、策展人、技术专家以及电影产商的不同角度展示了当下围绕模拟电影用途、价值、目的的讨论。

  This book reflects a contemporary discussion around the use, value and purpose of analogue film from a multiplicity of perspectives: artists, filmmakers, scholars, archivists, curators, technicians and manufacturers. 

《当态度成为规范  当代策展人与机构中的艺术》

When Attitudes Become the Norm 

The Contemporary Curator and Institutional Art 

贝迪·扎罗夫茨著

By Beti ?erovc

  本书收录了艺术史学家、理论家贝迪·扎罗夫茨关于当代艺术中的策展主题的一些论文和采访。扎罗夫茨从更广泛的社会、政治和经济背景以及过去100年中艺术领域所发生的深刻变化中审视策展人的身份。

  A collection of essays and interviews by art historian and theorist Beti ?erovc on the topic of curatorship in contemporary art. ?erovc examines curatorship in its broader social, political and economic contexts, as well as in relation to the profound changes that have taken place in the art field over the last century.

《艺术与生活的（不）可测量性》

Towards (Im)Measurability of Art and Life

宫吉田编著

Edited by Miya Yoshida

  《艺术和生活的（不）可测量性》汇集了关于测量的各种叙述、实践和论文，其中包含了悖论、矛盾和幽默。这本书建立并提出了观念、概念方法、行为和测量过程中的现象，这些现象存在于科学 (技术) 和日常生活之间的概念转换中。

  Towards (Im)Measurability of Art and Life gathers together various stories, practices, and essays about measurement that embrace paradox, contradiction, and humour. The book creates and introduces incidents of ideas, conceptual methods, acts, and processes of measurement that dwell in a conceptual transition between science (technology) and everyday life.