6月15日活动预告丨特邀导览和策展人讲座

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6月15日（周六），中间美术馆继续迎来活动日，当天两场公共教育活动，分别为特邀导览第四期和策展人讲座。

“快乐的人们……”展特邀导览陆续邀请艺术家、策展人、写作者与媒体人等朋友为观众导览，从他们各自的理解出发为观众解读展览的不同层面，丰富我们对展览的认识。本周特邀导览活动是第四期，我们请来年轻策展人印帅与观众分享他对展览的解读。导览结束之后，独立策展人比利安娜·思瑞克将为大家作一场题为“路在脚下，通向新的未来（要旅行，先修路）”的讲座，分享她在中亚研究考察见闻及所思所想。

讲座：路在脚下，通向新的未来（要旅行，先修路）

演讲者：比利安娜?思瑞克

这个项目始于几次由FfAI艺术基金会（Foundation for Art Initiatives）支持的研究旅行，我去了中亚的几个区域包括巴尔干半岛和东非，想要试着去理解“一带一路”基础建设投资对当地的影响。这些区域通常不在当代艺术版图上，其中大多数因为不是西方、不够西方或不够文明而被排斥在主流视野之外。它们属于那种始终都处于过渡阶段的社会。

这个项目的历史性研究注重这些地区特定的复杂性以及它们所产生的不同影响，还有我们如何从当下的视角做进一步的解读，同时要与“一带一路”联系起来。其中还有一个重要的研究轨迹涉及上世纪60年代试图连接起所谓“第三世界”国家的不结盟运动，我想要研究的是，这种连接如何影响了不同国家地区的现代化发展道路，产生了怎样不同的地缘政治想象。

这次讲座讨论的新项目将于2020年启动，我们可以想象在这些区域之间产生的新连接，这些连接可能是持久的，可以作为进一步思考共有价值的工具，不断地在更自主的新情境下帮助人们寻找思考与行动的方式。

国际化一直以来都是很复杂的议程，我们可能不能仅仅通过当代艺术的棱镜得出最终逻辑，而应该更多地思考要如何创造更可持续的连接、如何创造社区。

Lecture: As you go . . . the roads under your feet, towards a new future

(If you want to travel, build roads first)

Lecturer: Biljana Ciric

The project started as research trips supported by Foundation for Art Initiatives to specific regions in Central Asia, the Balkans, and East Africa, part of an effort to tryand understand the impact of the OBOR infrastructural investments in local terms.

Many of these localities are not usually on the contemporary art map, most of which are dismissed for being non-western, or not western enough or not civilized. Society of constant transitions.

The more historical research related to this project looks at specific complexities within these regions—and the different influences these have produced—and how we might be able to further unpack them today from our present perspective, while also connecting such concerns to the OBOR. One important research trajectory addresses the Non-Aligned Movement that previously attempted to connect so-called “third world” countries in the 1960s, and how such connections influence the development of different modernities, producing different geo-political imaginations.

The presentation will discuss new project launch in 2020 that will imagine new connections within and between these localities that could be lasting and function as vehicles for further thinking about the commons, searching for ways to think and act in new, more self-determined situations.

While internazionalization has been complicated project so far this initiative temps to think about modes of connecting, creating community and more sustainableconnection and process opening rather then logic of final presentation throughprism of contemporary art.

简介 / Bios

印帅（中国，1991）是一位策展人，工作生活于米兰与上海。意大利米兰新美术学院（NABA）视觉艺术与策展学研究生，意大利米兰理工大学（Politecnico di Milano）建筑学学士。2015至今担任米兰新美术学院视觉艺术与策展专业系主任、FM当代艺术中心（FM Centro per l’Arte Contemporanea）艺术总监马可·斯科蒂尼（Marco Scotini）策展助理，2018年起留校任教。最近德国Archive Books出版社合作，计划出版当代艺术思潮系列图书。

Yin Shuai (China, 1991) is the curator who lives and works in Milan, graduated in curatorship and architecture, mostly does projects in the way to commemorate the history and make the harmoniousness with the context. In 2019, he founded Hangge Culture Agency inChina, started the collaboration with Archive Books. From 2015 till now, he collaborates with Italian curator Marco Scotini (artistic director of FM Centrofor art contemporary), the exhibitional spaces with architects and artists in Milan. His articles and exhibition reviews are published on Segno, Mousse Magazine, Loft and other art magazines.

比利安娜·思瑞克是一名独立策展人。她曾任第三届乌拉尔当代艺术工业双年展联合策展人（叶卡婕林堡，2015），卡蒂斯特艺术基金会驻地策展人（巴黎，2015），海涅·斯塔艺术中心研究员（赫维科登, 2016）。2013年，思瑞克发起了以中国和东南亚为关注重心的研讨会平台“从展览的历史到展览制造的未来”。第一个集会由新西兰奥克兰圣保罗路美术馆主办，第二个集会以20世纪90年代为关注点，由上海外滩美术馆于2018年11月举办。目前，她正致力于筹备关于2000年后展览制造实践的标准化（将于2019年于时代美术馆举办）的最后一个集会，以及与此长期项目相关的出版工作。2018年，她创立了教育平台“策展能／该做什么”。她曾获ICI独立视野策展奖提名（2012）。

BILJANA CIRIC is an independent curator. She was the co-curator of the 3rd Ural Industrial Biennale for Contemporary Art (Yekaterinburg, 2015), curator in residency at Kadist Art Foundation (Paris, 2015) and a research fellow at Henie Onstad Kunstsenter (H?vikodden, 2016). In 2013, Ciric initiated the seminar platform From a History of Exhibitions Towards a Future of Exhibition Making with focus of China and Southeast Asia. The first assembly platform was hosted by St Paul St Gallery, AUT, New Zealand and the second assembly with focus on the 90s was hosted by RAM in November 2018. She is currently working on the final assembly related to standardizations of exhibition making practice after 2000 ( to be held at Times Museum in 2019) as well as the publication related to this long term project that will be published by Sternberg Press. In 2018 she established the educational platform What Could/Should Curating Do. She was nominated for ICI Independent Vision Curatorial Award (2012).

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