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Michael Lin 林明弘 | 24/7 空間計畫@台北市立美术馆 Taipei Fine Art Museum

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Michael Lin 林明弘 | 24/7 空間計畫

时间/Date: 6月15日,2019-3月29日,2020

地点/Location: 台北市立美术馆3F, 3C艺想回廊

Taipei Fine Art Museum 3F，Space C

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BANK is happy to announce that artist Michael Lin's new solo project '24/7' in Taipei Fine Art Museum. Project 24/7 seeks to bring everyday life into the framework of the Museum. The audience is invited to explore and make use of the space. By their physical actions and postures the audience actively participates in giving meaning to the project.

BANK 荣兴宣布艺术家林明弘于台北市立美术馆的新项目将于6月15日开幕。24/7空间计划在寻找一种靠近日常生活的情境，提供观众练习成为使用空间的各种角色的机会；观众于此空间内从美术馆的参观者反转成为美术馆的行动／表演者，在这样的情境之下，观众的身体行动及姿态将赋予这个空间意义。

In an open space without a clearly defined function, platforms of varying sizes and heights provide a pedestal or a stage where the audience is able to act freely, taking on the role of the artwork or performer. The walls and cushions are covered with the pattern of various grids of tatami mats alluding to the planning and construction of spaces. With a palette of colors appropriated directly from convenience stores around Taipei, the wall paintings lead us out of the museum and into the urban landscape of our daily lives.

这是一个没有入口及出口、开始或结束的开放性空间。在原本只有裸墙与线性的空间中，稍微抬升的榻榻米木作平台、与墙面图案相互延伸呼应的抱枕、提供光源的野口勇（Isamu Noguchi）纸灯，均在给予观众可自由行动的暗示。

In contrast to the exhibition spaces in the museum which demand the audience to be attentive and focused, 24/7 is a casual space where visitors are encouraged to interact physically with the installation. Illuminated by paper lanterns the space also provides an environment that encourages informal exchanges. Just as Isamu Noguchi viewed his paper lanterns as “Restless wonders between the realm of art and design,” 24/7 proposes a space between an art exhibition and everyday life.

相对于美术馆的正式展间，此空间尝试成为一个实验性“场所”；正如野口勇认为自己的纸灯作品，像是漫游于艺术和设计之中，24/7空间计划也是如此，在美术馆这个公共场域中，一个可供观众自由占领的空间，它的存在意义将漫游于何处？

关于艺术家 /About the artist

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Michael Lin is an artist living and working in Taipei and Brussels. Lin turns away from painting as an object of contemplation toward painting as a bounded, physical space, that one can settle into and inhabit. Lin orchestrates monumental painting installations that re-conceptualize and reconfigure public spaces. Using patterns and designs appropriated from local textiles his works have been exhibited in major institutions and Biennials around the world. He has also had solo presenatations at PS1, NY 2005; The Vancouver Art Gallery, 2010, Towada Art Center, 2011, Rockbund Art Museum 2012, The High Museum 2015, Museum Contemporary Art and Design, Manila 2016. He will also have an upcoming solo show at Museo Jumex, Mexico City, 2020. Transforming the institutional architecture of the public museum, his unconventional paintings invite visitors to reconsider their usual perception of those spaces, and to become an integral part of the work, giving meaning to its potential as an area for interaction, encounter, and re-creation.

林明弘是一位生活和工作在台北和布鲁塞尔的艺术家。他不再将绘画作为一种沉思的对象，而是将绘画作为一个有界的、可以居住的物理空间。他精心策划了不朽的绘画装置，以便重新构思和配置公共空间。他的使用当地纺织品的图案和设计的作品在世界各地的主要机构和双年展上展出。2005年，他还在纽约PS1举办过个人作品展; 温哥华美术馆，2010年，和田艺术中心，2011年，外滩美术馆2012年，上海美术馆2015年，马尼拉当代艺术与设计博物馆，2016年。他还将于2020年在墨西哥的 Jumex 美术馆举办个展。他的非传统绘画改变了公共博物馆的制度架构，邀请观者重新思考他们对这些空间的惯常看法，并成为作品的一个组成部分，赋予其作为互动、相遇和再创造区域的潜力以意义。

过去展览 / Past Shows

Installation view of Michael Lin: Locomtion, MCAD, Manila, 2016