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新时线媒体艺术中心(CAC)谨此欣告,艺术家二人组埃尔维&玛丽(Arvid&Marie)和他们的项目提案《我感受我》在众多优秀的国际申请方案中脱颖而出,获得第六届“研究与创作学术奖金”(10000美元)。埃尔维&玛丽于6月18日在上海开启为期三个月的驻留。
评委陈述
CAC“研究与创作学术学金”旨在支持和推进基于研究的艺术实践,尤其鼓励艺术家将科学方法论纳入实验研究从而导向艺术作品的构思及生产。此次评选以候选人的具体项目方案、与本期主题“观察者机制:连接真理”的相关性、过往创作实践所展示的能力与水平及其推动CAC研究/创作方向相关联的技术与艺术之探究的潜力为考量标准。
埃尔维&玛丽的项目《我感受我》旨在强调我们与科技的关系早已超越了界面这一层级,并让我们一窥日常设备和服务是如何感知和诠释它们所处的世界。一个同时具有提供舒适和入侵能力的自动按摩椅“身体”,外加一种让机器逻辑更接近我们人与人对话的文本交流功能,这一项目为探讨人机协作的未来愿景提供了一个互动平台。
除了概念的深度和埃尔维&玛丽展示的艺术潜力之外,《我感受我》这一项目直接指向全球范围内人机协作日益增长的现实。在“连接真理”的同时,该项目通过巧妙地使用特定文化背景下的家用设备,揭秘机器背后的算法视角和自动化代理。
关于作品
《我感受我》,埃尔维&玛丽
凭借仅仅超过70年的数字技术,人类已经开发出越来越多的方式与世界和他人进行互动。然而,随着智能与学习系统的出现,技术在社会中的作用正在迅速发生变化。可以满足我们需求的简单工具已经消失,我们的算法正在做出影响所有人的决策,机器正在感知它们的环境。技术正在成为世界的观察者。
虽然自动化机器、计算机、程序可以感知世界并与之互动,但它们使用的逻辑与我们自己的截然不同。什么是机器的可视宇宙?与我们的比之如何?
埃尔维&玛丽在不断研究的基础上,希望能努力实现人类和机器未来协作的愿景。在该项目中,他们希望创建一个装置,通过它可以体验到机器不仅仅是一个界面,同时通过机器的眼睛(传感器)来洞察世界的样子。
埃尔维&玛丽着迷于模仿人类互动的会话程序,借由一种完全有别于人类方式的机制实现。他们的目标是在聊天机器人的语境下揭开机器的真相。艺术家不仅对机器的思想感到好奇,也想对机器的身体有更多了解。他们想通过机器和人类之间的物理接触作为叙述媒介来挑战艺术作品到底能做什么。聚焦于按摩设备和音频叙事,埃尔维&玛丽将对交互体验进行深入研究,而这件作品将不仅作为一个主体,同时也是一个讨论的平台,以此来深入了解“机器真相”。
Arvid&Marie: The Bestiary of Autonomous Machines, 2018 ? Courtesy the artists
关于艺术家
埃尔维&玛丽(Arvid&Marie)是艺术家、体验设计师和技术探险者二人组,致力于探索延展世界的新方法。埃尔维·建司(Arvid Jense)(荷兰,埃因霍温技术大学,理学硕士)和玛丽·凯伊(Marie Caye)(法国,埃因霍温设计学院,本科)共同合作追求他们在艺术和技术上的热情。通过使用交互物体与表演性的叙事方式,埃尔维&玛丽致力于探索后人类理论,将他们的创造力集中在实用控制论和自动化机器上。他们相信研究人类如何在哲学和技术上表达自己可以引领长期持续的积极变化。
http://arvidandmarie.com/
Research/Creation Fellowship Winner Announcement
Chronus Art Center (CAC) and CAC-LAB are pleased to announce that the sixth Research/Creation Fellowship (USD$10,000) has been awarded to Arvid Jense & Marie Caye (Arvid&Marie) for their project proposal 'I Feel Me', interrogating the world through the eyes of machines. The duo will start the 3-month residency program beginning June 18th.
Jury Statement
Chronus Art Center’s fellowship program is conceived to support and advance research based artistic practice, in particular, assisting artists who employ scientific methodologies and technological development in experiments leading to the conception and production of artworks. The selection was based on the strength of the proposed project, its relevance to this year’s theme ‘Observer Mechanics: Interfacing Truth’, and evidence of the candidate’s past accomplishments that demonstrate the potential to advance technical and artistic investigation in relation to CAC’s research/creation lines of inquiry.
Arvid Jense’s and Marie Caye’s project ‘I Feel Me’ aims to bring our relationship with technology beyond that of an interface, providing a glimpse in how everyday devices and services perceive and interpret the world they operate in. A mundane body of an autonomous massage chair bearing the ability to both, comfort and invade, along with textual communication bringing machine logic abstractions closer to a conversation we are used to have with each other, will aim to set an interactive stage for a discussing collaborative future visions between humans and machines.
In addition to strong conceptual quality and artistic potential that Arvid&Marie demonstrate, ‘I Feel Me’ points straight at increasing global actuality of collaborative human-machine futures. Whilst ‘Interfacing Truth’, the project accessibly demystifies algorithmic vision and autonomous agency of machines through clever use of a culturally-specific domestic device.
About the Work
I Feel Me by Arvid&Marie
With just over 70 years of digital technology humanity has been finding more and more ways to interact with the world and other humans mediated. With the advent of smart, intelligent and learning systems, however, the role that technology plays in society is rapidly changing. No more simple tools to serve our needs, our algorithms are taking decisions affecting whole populations, machines are sensing their environment. Technology is becoming an observer of the world.
Although automated machines, computers, programs sense the world and interact with it, it is in a different logic than our own. What is a machine’s observable universe and how does it confront our own? Expanding upon our continued research, we strive towards a collaborative vision for the future of humans and machines.
In this project, we aim to create an installation through which it is possible to experience how the machine can be more than an interface alone, at the same time giving an insight into what the world is through the eyes (sensors) of a machine.
We are fascinated by conversational programs as imitation of human interaction, achieved with a complete different mechanic than the human processes. We aim at unveiling this machine truth in the context of chatbots. While we are transfixed and curious to research this machine mind, we also wonder about its body. We would like to challenge what an art piece can do by using touch and physical contact between machine and humans as our medium of narration. Looking at massage devices, audio storytelling, Arvid&Marie are ready to research an interactive experience where the piece is not only the subject but also the stage for discussion. A deep Dive into ‘Machine Truth’.
About the Artist
Arvid&Marie is a duo of artists, experience designers and technological adventurers always aiming to discover new ways to stretch our world. Together Arvid Jense (NL, MSc at TU/e) and Marie Caye (FR, BA Design Academy Eindhoven) collaborate on their shared passion for art and technology. Through the use of interactive objects and performative storytelling, Arvid&Marie use their collaborative effort to explore post-human theories, focusing their creative attention on practical cybernetics and autonomous machines. They believe that researching how humans express themselves, philosophically and technologically, can lead to long-lasting, positive change.
http://arvidandmarie.com/
生长
2019.03.21 – 06.30
新时线媒体艺术中心 (CAC)
上海市普陀区莫干山路50号18号楼
Growing
March 21 – June 30, 2019
Chronus Art Center (CAC)
BLDG.18, No.50 Moganshan RD., Shanghai
新时线媒体艺术中心(CAC)成立于2013年,系国内首家致力于媒体艺术之展示、研究/创作及学术交流的非营利性艺术机构。通过展览、驻留、奖学金、讲座、工作坊及相关文献的梳理与出版,CAC为媒体艺术在全球语境中的论述、生产及传播开拓了一个多样化且富有活力的平台。CAC以批判地介入不断改变进而重塑当代经验的媒体技术来推动艺术创新及文化认知。
Established in 2013, Chronus Art Center (CAC) is China’s first nonprofit art organization dedicated to the presentation, research / creation and scholarship of media art. CAC with its exhibitions, residency-oriented fellowships, lectures and workshop programs and through its archiving and publishing initiatives, creates a multifaceted and vibrant platform for the discourse, production and dissemination of media art in a global context. CAC is positioned to advance artistic innovation and cultural awareness by critically engaging with media technologies that are transforming and reshaping contemporary experiences.
www.chronusartcenter.org
更多展览以及艺术家信息请持续关注新时线媒体艺术中心微信公众号动态.
媒体垂询:haoyu@chronusartcenter.org






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