潘律《瘴气, 植物, 外销画》放映&分享 | 三影堂厦门

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本周六，三影堂厦门将放映荣获第32届日本东京影像论坛电影节东亚实验电影竞赛单元优秀奖短片：《瘴气，植物，外销画》。影片主创之一、香港理工大学助理教授潘律博士，将到场与大家分享影片内容及创作背景。

瘴气, 植物, 外销画
双屏录像 | 28分钟 | 2017 王博、潘律作品

19世纪流行的瘴气理论将瘟疫和空气、环境与社会联系起来。同时期香港岛的绿化展开，香港植物园建立，并肩负为大英帝国博物学科收集整理植物和自然知识的任务。英国博物学家对于植物的档案需求，促进了当时外销画在欧洲的流行。本作品着眼于梳理粤港空间与自然形态受到瘴气理论与植物研究的影响，也试图探讨在这一框架下东西方文化抑或商贸交流的模式与今日的异同。

参考资料：《潘律：瘴气、植物、外销画》

放映与展出
2019 乌拉尔工业当代艺术双年展, 叶卡捷琳堡
2019 影像论坛电影节 in 福冈
2019 维多利亚画廊和博物馆, 利物浦大学, 利物浦
2019 散文电影节, 当代艺术中心, 伦敦
2019 亚洲酒店, Barrak, 冲绳
2018 OCAT深圳馆, 深圳
2018 影像论坛电影节, 日本
2017 深港建筑/城市双城双年展

★★★ 优秀奖, 第32届日本东京影像论坛电影节东亚实验电影竞赛单元 ★★★ 

主 讲 简 介

潘律， 香港理工大学中国文化学系助理教授。她曾在柏林科技大学（2008及2009）和哈佛燕京学社（2011-2012），和国立台北艺术大学(2018)担任访问学者，并在日本福冈亚洲美术馆担任驻场研究员（2016）以及德国柏林Center for Art and Urbanistics 的驻场艺术家。她是两本英语专着 In-Visible Palimpsest: Memory, Space and Modernity in Berlin and Shanghai(Bern: Peter Lang, 2016) 和 Aestheticizing Public Space: Street Visual Politics in East Asian Cities (Bristol and Chicago: Intellect/University of Chicago Press, 2015) 的作者，也是鲍里斯·格罗伊斯《论新》（2018,重庆大学出版社）一书的中文译者。她与王博共同执导的双屏录像《瘴气丶植物和外销画》获得2018年日本东京影像论坛电影节东亚实验电影竞赛单元的优胜奖。

Miasma, Plants, Export Paintings
Two Channel Video | 28min | 2017 A Film by Bo Wang & Pan Lu

The devastating tropical climate created strong fear and anxiety in the British troops who stationed at Hong Kong after the opium wars. The 19th Century myth of Miasma, the bad air, related epidemic diseases with air, environment and race, which later helped to consolidate the vertical segregation on Hong Kong island. Acclimatization efforts were made in pace with expansion of the British Botanic Empire, a global network of scentific researches of plants, which circulated not only botanic specimens but also images created for the purpose of study. In the particular case of Canton in South China, local commercial artists were commissioned to make plant paintings. This work examines the peculiar dynamics between imperialism, scientific research, race and the right to look in 19th Century Canton.

Reference：《潘律：瘴气、植物、外销画-粤港殖民史的空间与自然》

Screenings & Exhibitions
2019 Ural Industrial Biennale of Contemporary Art, Yekaterinburg, Russia
2019 Image Forum Festival in Fukuoka, Japan
2019 Victoria Gallery & Museum, University of Liverpool, Liverpool, UK
2019 Essay Film Festival, ICA, London, UK
2019 Unidentified Landscape, Hotel Asia Project 2019, Barrak, Okinawa, Japan
2018 OCAT Shenzhen
2018 Image Forum Festival, Japan
2017 Bi-city Biennale of Urbanism/Architecture, Shenzhen/Hong Kong

★★★ Award for Excellence, 32nd Image Forum Festival ★★★  

Dr. Lu PAN is Assistant Professor at Department of Chinese Culture, The Hong Kong Polytechnic University. She was visiting scholar and visiting fellow at the Technical University of Berlin (2008 and 2009), the Harvard-Yenching Institute (2011-2012), researcher in residence at Fukuoka Asian Art Museum (2016) and visiting scholar at Taipei National University of the Arts (2018). Pan is author of two monographs: In-Visible Palimpsest: Memory, Space and Modernity in Berlin and Shanghai (Bern: Peter Lang, 2016) and Aestheticizing Public Space: Street Visual Politics in East Asian Cities (Bristol: Intellect, 2015). She translated über das Neue by Boris Groys into Chinese (2018, Chongqing University Press). Her film Miasma, Plants and Export Paintings (co-directed with Bo Wang) received Award for Excellence, 32nd Image Forum Festival, Tokyo, Japan.

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