画廊展出 | 杨福东美术馆新电影计划第二章，玛丽安 · 古德曼伦敦画廊个展 - 玛丽安·古德曼画廊

杨福东 / “善恶的彼岸—序言”展览现场 / 玛丽安 · 古德曼伦敦画廊，2019

杨福东

善恶的彼岸—序言

2019.05.30-07.26

玛丽安 · 古德曼伦敦画廊

玛丽安 · 古德曼伦敦画廊非常荣幸举办杨福东最新作品展。作为艺术家在伦敦空间的首次个展，以及其《明日早朝—美术馆新电影计划》首次在海外呈现，这同时也是杨福东自2011年以来再次回到伦敦举办个展。

杨福东 / “善恶的彼岸—序言”展览现场 / 玛丽安 · 古德曼伦敦画廊，2019

展览“善恶的彼岸—序言”是《明日早朝—美术馆新电影计划》的第二章节。该计划的想法萌生于艺术家2005年在意大利都灵的里沃利城堡当代艺术博物馆的一次个展。《明日早朝—美术馆新电影计划》摄于上海龙美术馆，演绎呈现了在艺术、文化和科学上均达到高度繁荣的宋代。在连续36天的拍摄期间，艺术家引领一众演员和摄制组，在美术馆的两个主要拍摄场地不间断地进行了一场巨大的行为表演，并邀请观众在旁观看电影的拍摄过程。这一体验创造了艺术创作和观看的同时性，颠覆了展览体验的传统预期。

杨福东 / “善恶的彼岸—序言”展览现场 / 玛丽安 · 古德曼伦敦画廊，2019

每天的拍摄完成后，经过剪辑的拍摄记录以影像形式与尼采语录交织展出，形成共为36屏的“早朝日记”。在此次展览中，艺术家根据伦敦空间精选出23天的记录，以展厅中流光溢彩的投影，结合显示器与平面屏幕，共同构成了一个沉浸式影像装置。此外，画廊的一层空间还呈现了八件涂绘摄影作品，凸显新电影计划不同的内涵。

杨福东 / “善恶的彼岸—序言”展览现场 / 玛丽安 · 古德曼伦敦画廊，2019

从九十年代末起，杨福东就开始从事电影、影像装置和摄影的创作。其重要作品包括：首部电影《陌生天堂》（1997-2002），由5部35分钟的黑白短片构成的系列电影《竹林七贤》（2003-2007），八频影像装置《第五夜》。杨福东的作品往往为多屏放映，令观看者有身临其境之感，而观者也反之成为了第二位导演。杨福东的视觉语言中始终萦绕着梦境般的神秘感。他创造的人物角色，往往沉默且与现实脱离，其动作经过精心编排，将观者带入艺术完美之境。其作品刻意游戏、暂停和混淆时间。

杨福东 / 《善恶的彼岸-众神在5》，2019 / 喷墨打印及丙烯颜料 / 摄影：195 x 135cm，装框：202 x 143.2 x 6.5cm

杨福东 / 《明日早朝-美术馆新电影计划，30天》，2018 / 收藏级喷墨打印 / 摄影：120 x 180cm，装框：190 x 208 x 8cm

关于艺术家

杨福东

杨福东，1971年出生于北京，毕业于杭州中国美术学院油画系，被誉为目前中国最重要的当代艺术家之一。他现在于上海生活和创作。他的作品自上世纪90年代末起参加中国最重要的先锋艺术展览，并在国际上广泛展出，包括在下列大型艺术机构的个展：英国伦敦帕拉索尔当代艺术联合基金会（2011）；雅典国家当代艺术馆（2010）；纽约亚洲社会美术馆（2009）；维也纳Kunsthalle Wien美术馆（2005），都灵里沃利城堡当代艺术博物馆（2005），芝加哥文艺复兴协会（2004）。

杨福东 / 《国际酒店6》，2010 / 黑白摄影 / 120 x 180cm

艺术家还多次参加重大国际艺术活动，其中包括：沙迦双年展（2013），威尼斯双年展（2003，2007），澳大利亚亚太当代艺术三年展（2006），第十一届卡塞尔文献展（2002）。2013年，苏黎世美术馆和伯克利艺术博物馆及太平洋电影资料馆携手举办了艺术家回顾展《杨福东：陌生天堂，作品1993-2013》。2015年，墨尔本的澳大利亚移动影像中心举办艺术家个展《杨福东：电影中的风景》，并于2016年巡回到奥克兰美术馆进行展出。2017年，东京路易威登空间展出“彩色天空：新女性II”。2018年，杨福东大型美术馆新电影计划《明日早朝—美术馆新电影计划》在龙美术馆(西岸馆)摄制。2019年6月22日至8月18日，杨福东在上海复星艺术中心举办个展，首次在国内展出艺术家受沙迦艺术基金会委托，在海外创作完成的首件多屏影像装置《轻轻的推门而进，或站在原地》。

杨福东 / 《彩色的天空：新女性II，5》，2014 / 彩色喷墨打印 / 摄影：120 x 180cm，装框：155 x 215cm

相关链接
展览预告｜上海龙美术馆开启杨福东的美术馆新电影计划
杨福东：轻轻的推门而进, 或站在原地

* 玛丽安 · 古德曼画廊致谢香格纳画廊对此次展览的友情协助。

YANG FUDONG

Beyond GOD and Evil – Preface

30 May -26 July 2019

Marian Goodman Gallery London

Marian Goodman Gallery London is pleased to present an exhibition of new work by Yang Fudong, the first with the artist in the London gallery. This exhibition marks the international premiere of his epic project ‘Dawn Breaking - A Museum Film Project’. This is Yang Fudong’s first London exhibition since 2011.

‘Beyond GOD and Evil-Preface’ is the second chapter of Yang Fudong’s larger project ‘Dawn Breaking - A Museum Film Project’, originally conceived whilst working on his solo exhibition in Castello di Rivoli Museo d’Arte Contemporanea in 2005. Filmed live in Shanghai in the Long Museum, ‘Dawn Breaking - A Museum Film Project’ represents an interpretation of life lived during the Song Dynasty, which was prominent for achievements in art, culture and science. For several weeks, the artist led the crew of actors and production team to carry out epic durational performances across two main filming locations within the museum, inviting the general public to view and spontaneously witness the filming process. The experience created a simultaneity of art-making and art-viewing, subverting the traditional expectations of the exhibition experience.

For the Marian Goodman Gallery exhibition, the weeks-long filming process is presented into over 20 ‘dialies’, shown across monitors, flat screens and as projections flowing through the exhibition, creating an immersive video installation. Additionally, the exhibition will feature in the first floor gallery space a series of eight unique over-painted photographs, featuring different characters from the film project.

Since the late 1990s, Yang Fudong has developed a body of work of films, video installations and photographs. Among his most acclaimed works are An Estranged Paradise (1997-2002) his first film, the series of five black-and-white 35 mm films Seven Intellectuals in Bamboo Forest (2003-2007) and The Fifth Night, an eight-channel film installation. Yang Fudong favours multi-screen projections which allow him to create works that surround the viewer, who in turn becomes like a second film director. Yang’s visual language has always been enveloped in a dream-like mystery. His characters, often silent and disembodied, usually move according to choreographed gestures and manage to transport the viewer into an aesthetically perfect environment. His work deliberately plays, suspends and confuses time.

About the artist

Yang Fudong was born in Beijing in 1971. Considered one of China’s most important contemporary artists, Yang Fudong studied painting at the Academy of Fine Art in Hangzhou. He now lives and works in Shanghai. His work has been exhibited in China in the most important avant-garde exhibitions in the late 1990s and has exhibited widely internationally, including solo presentations in major institutions such as Parasol Unit, London (2011); National Museum of Contemporary Art, Athens (2010); Asia Society, New York (2009); Kunsthalle Wien, Vienna (2005); Castello di Rivoli, Torino (2005); Renaissance Society, Chicago (2004).

The artist has also participated in prestigious international art events including: Sharjah Biennial, UAE (2013); Venice Biennale, Italy (2003 and 2007); The Asia Pacific Triennial of Contemporary Art, Australia (2006); Documenta XI, Germany (2002). In 2013, Kunsthalle Zurich and Berkeley Art Museum & Pacific Film Archive co-organized his retrospective exhibition, Estranged Paradise. Filmscapes originated at ACMI, Melbourne (Australian Centre for the Moving Image) in 2015 and traveled to Auckland Art Gallery in 2016. In 2017, Espace Louis Vuitton, Tokyo, Japan exhibited The Coloured Sky: New Women II. The Long Museum West Bund, Shanghai, hosted Yang Fudong’s major film experience Dawn Breaking - A Museum Film Project, in 2018. Currently the Fosun Foundation in Shanghai presents his multi-channel film installation, entitled Push the Door Softly and Walk in, Or Stay Standing Where You Are.

* The gallery would like to extend its gratitude to ShanghART for their collaborative support.

正在展出 I CURRENT EXHIBITIONS

N E W Y O R K

ALLAN SEKULA

LABOR'S PERSISTENCE

JUNE 27 – AUGUST 23, 2019

P A R I S

ANNETTE MESSAGER

MAY 24 – JULY 19, 2019

L O N D O N

YANG FUDONG

BEYOND GOD AND EVIL - PREFACE