HOW讲座 | 金小璱《社区艺术在釜山：美术馆、街坊和社群参与》

釜山的社区艺术实践如何与城市的发展与衰落相联结？美术馆如何在新旧交替过程中以去猎奇化的视角观察并回应社群变迁？美术馆是否能够构建自主而自觉的社区文化对话平台？

“Tobias REHBERGER: Yourself is sometime a place to call your own”展览现场，2018，致谢艺术家、釜山当代艺术博物馆及柏林纽格赫姆施耐德画廊

金小璱的策展实践聚焦于当下社会问题、社会介入及人际关系，并深受法国哲学家、评论家、策展人尼古拉斯·博瑞奥德“关系美学”理论的影响。这是一种参与、社会互动和际遇的艺术创作方式——“其理论和实践观念的出发点是整个人际关系及社会语境，而非独立、私人的空间”。

Mixrice, “混合水果”，社区艺术场景，2019，致谢艺术家

此次讲座将谈及2017年金小璱为大浦地区当地人策划的社区项目，旨在记录“彩虹产业园区”的发展过程和“Hongti村”的消失。策展人及艺术家群体“落区”街坊，与当地居民共同收集图像和声音，使用居民自制的暗盒相机绘制地图，交织着日常经验与私人记忆的“档案”借由一场松散而即兴的集体现场行为得以留存。

“艺术家计划I”展览现场，全浚皓，《绽放在花园中的镜子》，2018，致谢艺术家

作为韩国釜山当代艺术博物馆策展人，金小璱将介绍釜山当代艺术博物馆自2018年夏季开馆以来的展览项目。此外，她也将首次向观众介绍即将于今年9月开幕的新展“可善的外邦人：即将来临的共同体”（Gentil gentile: La comunita che viene）。本次展览将展出艺术家杨正旭（Yang Jung Uk）和艺术组合 Mixrice（Cho Ji Eun 和 Yang Chul Mo）的作品，旨在向当地社区传播特殊性和普遍性的议题。其中，Mixrice的艺术实践关注现代社会中移民社群的移动轨迹、过程，路线及结果，并以多层次方法进行记忆挖掘。在本次展览中，他们将与本地的外国人社区一起举办工作坊活动，并将工作坊的成果在展厅内呈现。

杨正旭，《站立的工人》, 木头、马达、线，180 x 150 x 100 cm, 2016，致谢艺术家

金小璱（Kim Sosul）是韩国釜山当代艺术博物馆（Museum of Contemporary Art Busan）的策展人。在韩国昌原国立大学（Changwon National University）获得艺术硕士学位后，金小璱进入庆南道立美术馆（Gyeongnam Art Museum）策展部工作。之后，她作为Hongti艺术中心（Hongti Art Center）的项目协调员组织了许多本土艺术项目，专注于文化交流项目和艺术教育项目方向的公共艺术。

受到乔治·阿甘本（Giorgio Agamben）和齐格蒙·鲍曼（Zygmunt Bauman）的两位哲学家理念的启发，金小璱计划从社会学的角度对共同体（社区）进行研究。这项研究涵盖艺术领域的许多主题，包括策展研究、当代艺术家、艺术项目、展览以及发生在中国的特定叙事。

How do community art practices in Busan connect with the development and decline of the city? How does the museum observe and respond to changes in the community between the old and the new without departing from seeking novelty? Can museum construct an independent and conscious platform for cultural exchanges within the community?

Installation view of <Tobias REHBERGER: Yourself is sometime a place to call your own>, 2018, Courtesy of the artist, MoCA Busan & neugerriemschneider, Berlin

Kim Sosul’s curatorial practice focuses on social issues, social involvement and interpersonal relationships, and is hugely influenced by the notion of “Relational Aesthetics” developed by French philosopher, critic and curator Nicholas Bourriaud. The term refers to the art practice of participation, social interaction and encounters – “a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."

Mixrice, Mixfruit, a scene of community art, 2019, Courtesy of the artist

This talk will bring up the community project curated by Kim Sosul for local residents in Dadaepo Area, aiming to document the process of developing of the “Rainbow Industrial Complex” and the disappearing of “Hongti Village”. The curators and artist groups blend into the neighborhood, collecting images and sounds with local residents, using their self-made Obscura Camera to map the district. "Archives" interweaved by daily experiences and private memories were retained by this loose and impromptu collective behavior.

Installation view of <Artist Project I>, Jeon Joonho, Mirror that blossom in a flower garden, 2018, Courtesy of the artist

As the curator of the Busan Museum of Contemporary Art in Korea, Kim will introduce the exhibition projects of the museum since its inauguration in the summer of 2018. In addition, she will, for the first time, introduce to the audience the upcoming exhibition Gentil gentile: La comunita che viene, which will take place this September. This exhibition will feature artist Yang Jung Uk and art collective Mixrice (Cho Ji Eun and Yang Chul Mo), aiming to disseminate the issues of specificity and universality to the local community. Among them, Mixrice focus on the traces and process of ‘immigration’, the route and result, and exploration of memories in multi-layered approach method. For this exhibition, they will conduct a workshop with the local foreign community and the outcome of this workshop will be presented in the exhibition space.

Installation View: Jung Uk Yang, Standing Workers, Wood, motor, thread, 180 x 150 x 100 cm, 2016，Courtesy of the artist

Kim Sosul is a curator at the Museum of Contemporary Art Busan (MoCA Busan) in Korea. After graduating with a Master of Fine Arts (M.F.A.) from Changwon National University, Kim worked for the Curatorial Department at Gyeongnam Art Museum. After that, she organized numerous local art programs as a Program Coordinator at the Hongti Art Center, focusing on public art for both the cultural exchange program and the art education program. 

Kim also possesses a strong interest concerning the ideologies of two philosophers, Giorgio Agamben and Zygmunt Bauman. Inspired by the concepts of these two philosophers, Kim plans to conduct a research on communities from the sociological point of view. In addition, this research will cover an abundance of topics in the realm of art, including curatorial research, contemporary artists, art projects, exhibitions and events in terms of specific narratives that took place in China.

昊美术馆（上海） 

HOW ART MUSEUM (SHANGHAI)

昊美术馆（上海），图片?昊美术馆

昊美术馆（上海）是具备当代艺术收藏、陈列、研究和教育功能的全新文化机构，坐落于上海浦东，共有三层展览和活动空间，总面积约7000平方米，于2017年9月正式对外开放。昊美术馆首创“夜间美术馆”的运营模式，常规对外开放时间为周二至周五下午1点至夜间10点，周末及节假日开放时间为上午10点至夜间10点。此举能让更多观众在工作之余前来美术馆观展，昊美术馆也举办“国际策展人驻留项目”、“户外电影节”、“雕塑公园”等国际交流项目和户外活动，以此建立全新的艺术综合体和浦东新地标。

昊美术馆（温州） 

HOW ART MUSEUM (WENZHOU)

昊美术馆（温州），图片?昊美术馆

昊美术馆（温州）延续昊美术馆（上海）的“夜间美术馆”运营模式，是浙江省首家"夜间美术馆"，常规对外开放时间为下午1点到夜间10点，周末及节假日开放时间将向前延长为上午10点至夜间10点。昊美术馆（温州）将持续为公众呈现丰富的公共教育及户外艺术项目，引领融合艺术、设计、科技的全新生活方式。

昊美术馆（温州）  

HOW ART MUSEUM (WENZHOU)

昊美术馆（上海）  

HOW ART MUSEUM (SHANGHAI)