影像上海艺术博览会参展画廊 | BROWNIE Project

? GUO YINGGUANG, Untitiled 1, 2016. Courtesy of BROWNIE Project (Shanghai)

《顺从的幸福》以一场发生在人民公园相亲角的行为表演和对其中环境肖像的纪录，探索知识女性在中国现实情境中的婚姻、生存及自我价值状况。郭盈光凭借该系列作品获得2017年集美·阿尔勒Madame Figaro女性摄影师奖，受到法国阿尔勒国际摄影节官方展览邀请及Sophie Calle（苏菲·卡尔）、Paul Graham（保罗·格雷厄姆）等知名艺术家的推荐。最新个展“郭盈光：顺从的幸福”于2019年4月在巴黎欧洲摄影馆（Maison Européenne de la Photographie）开幕，郭盈光也是首位在该机构举办个展的中国女性艺术家。

? GUO YINGGUANG, Untitiled 9, 2016. Courtesy of BROWNIE Project (Shanghai)

? JULIE FAVREAU, Veeeeerrrrrmmmmmeeeeerrrrr, 2018. Courtesy of BROWNIE Project (Shanghai)

法夫罗今年即将在Casino du Luxembourg当代艺术论坛（卢森堡），圣安东尼奥美术馆Blue Star Contemporary（美国德克萨斯），Galerie im Marstall（德国阿伦斯堡）举办展览。近期个展包括：Will Deliquesce, House of Egorn (柏林，2018); From HerCharacter, BF15 (里昂，2018); Holding Rays, 贝塔宁艺术之家 (柏林，2017); She Century,蒙特利尔美术馆（2016）; Délicat Pulse,Darling Foundry (蒙特利尔，2016); She Century, 爱丁堡艺术节-苏格兰国家现代艺术廊（2015）。她曾于2012年获得Stephen Bronfman当代艺术奖，于2014年获得Pierre-Ayot奖，于2018年获得Sobey艺术奖提名。

? JULIE FAVREAU, Foot Dust, 2017. Courtesy of BROWNIE Project (Shanghai)

? PATRICIA WALLER, Banana Peel, 2019. Courtesy of BROWNIE Project (Shanghai)

沃勒曾在欧洲和美洲各重要艺术机构举办个展及群展，其中包括施佩耶尔艺术协会，德国施佩耶尔（2016，个展），Alte Mühle美术馆，施马伦贝格（2016，个展），Museum Junge Kunst，法兰克福（2011，个展），苏黎世设计博物馆（2011，群展），三年展设计美术馆，米兰（2009，群展），汉堡艺术设计博物馆（2004，群展），Atelier 340 / Museum，布鲁塞尔（2004，群展），耶拿市立博物馆(2002，群展），海尔布隆市立博物馆（1997，群展）等。她曾在包括科隆大学艺术及艺术史学院在内的众多高等艺术教育机构任教。

? PATRICIA WALLER, No, 2017. Courtesy of BROWNIE Project (Shanghai)

Founded in 2015 under the label of BROWNIE Art Photography, BROWNIE Project aims to focus, explore and promote global photography artists who has extremely ground-breaking and experimental art concept. In the context of worldwide contemporary art, BROWNIE Project is to build up a new art platform with diversified exhibitions and projects.

BROWNIE Project has established cooperation with worldwide artists, art institutions, art fairs, curators and scholars to present professional art exhibitions, public education projects, independent photography magazines and artist photo books. BROWNIE Project collaborated with domestic as well as international artists from Asia, Europe and North America, whose works have been exhibited or included as permanent collection in Art Museum Stuttgart (DER), Musee du Quebec (CA), Maison Européenne de la Photographie, Les Rencontres d’Arles (FR) and etc. The special cooperated project Go East Project has been presented the 5th edition which is introducing contemporary Chinese photography to the West, supporting young talents to establish a local photography platform of an international scope, and exploring the infinite possibilities of photography.

BROWNIE Project will present works from artist Guo Yingguang, Julie Favreau, Patricia Waller, Fan Haoran at 2019 PHOTOFAIRS | Shanghai.

Guo Yingguang's work revolves around social issues in contemporary China, using image creation to deconstruct /construct relationships and express emotions linked to her past. Her multi-media combination of photography, printmaking, video, performance and artist book aims for melancholia, delicacy, and abstraction related to women on the shelf, arranged marriages, and pseudo-intimacy between the husbands and wives who are the victims of such marriages.

The Bliss of Conformity to be shown at this year's PHOTOFAIRS is a project based on Guo’s performance and documentary photography at the matchmaking corner of People’s Park, Shanghai. Exploring the marriage, living and self-value reality faced by educated women in today’s Chinese society, the series won Guo the Jimei ARLES 2017 Madame Figaro Women Photographer Award and was officially invited to exhibit at Rencontres d'Arles International Photography Festival in France in 2018. During the exhibition, her works were highly recommended by the well-known artists Sophie Calle and Paul Graham. Guo’s most recent solo exhibition Yingguang Guo: The Bliss of Conformity opened at Maison Européenne de la Photographie (Paris, France) this April (2019), marking her the first Chinese female artist to hold a solo exhibition at the MEP.

? GUO YINGGUNAG, Untitiled 5, 2016. Courtesy of BROWNIEProject (Shanghai)

Julie Favreau’s works are open stories meant to induce a state of heightened sensory awareness in the viewer —statements for a return to concentration, focus, intuition and tactility. In her videos, choreographies, sculptures and photography, eroticism and female gaze are approached as a form of power. She is interested in exploring the erotic texture of the world, the way animate and inanimate things touch and affect one another. Next projects will look at how spiritual and sexual power have a role to play as vital forces in the imminent encounter between the bodies of late capitalism and the augmented human. 

Favreau’s upcoming shows will take place at the Casino du Luxembourg Forum d'art contemporain (Luxembourg), Blue Star Contemporary of San Antonio Art Museum (Texas) and Galerie imMarstall (Ahrensburg). Her recent solo shows include Will Deliquesce, House ofEgorn (Berlin, 2018); From Her Character, BF15 (Lyon, 2018); Holding Rays,Künstlerhaus Bethanien (Berlin, 2017); She Century, Montreal Museum of FineArts (2016); Déli-cat Pulse, Darling Foundry (Montreal, 2016); She Century,Edinburgh Art Festival - Scottish National Gallery of Modern Art (2015). She was the recipient of the Claudine and Stephen Bronfman Fellowship in Contemporary Art（2012) and Pierre-Ayot Award (2014), and was listed for the SobeyArt Award (2018).

Patricia Waller has been working with crochet since the early 1990s and is the first-ever European artist to use needled sculpture as a tool for satire. With a German-style reflective mind, her seemingly - works put forward a question: Canart slip the leash of conventional or mechanic means of production and return to handicraft? While the art world has been going through a drastic formation towards the digital and the virtual, how do we deal with rediscovering the value of manual work? Her way to find the answer was and always has been needling. Instead of domestic objects, Waller’s crochet practice targets the abyss of man heart. Cartoon and fairy tale personas, animals, superheroes... the figures sculptured with yarn, cotton wool and fabrics filling unexpected mishaps, amusing at first sight and cruel at a second glance. Unveiling the dark through the innocent, the harsh through the soft, Waller’s ambivalent aesthetics roots in our turbulent modern existence and its art, commerce, technology, as well as pop culture. In a subversive tongue-in-cheek manner, Waller’s irony and humour are most definitely intentional as a result of careful observations of everyday life and an interest in humanity.

? PATRICIA WALLER, Observer, 2017. Courtesy of BROWNIE Project (Shanghai)

Wallers works have exhibited in major art institutions throughout Europe and America, including At the Circus, Kunstverein Speyer, Germany (2016, solo), The Show Must Go on, Kunsthaus Alte Mühle, Schmallenberg, Germany (2016, solo), Follow the Thread, Museum junge Kunst, Frankfurt Oder, Germany (2011, solo), Neue Masche, Museum Bellerive, Museum für Gestaltung, Zurich, Switzerland (2011, group), Dritto Rovescio, Triannale Design Museum, Milan, Italy (2009, group), Nature All Art, Museum for Arts and Crafts, Hamburg, Germany (2004, group), Atelier 340 / Museum, Brussels, Belgium (2004, group), Skin, Municipal Museum, Jena, Germany (2002, group), Needleworks, Studio exhibition, Municipal Museum Heilbronn, Germany (1997, group), etc. Now she has been a lecturer at art institutions as the University of Cologne.

? PATRICIA WALLER, Sheep, 2007. Courtesy of BROWNIE Project (Shanghai)

Fan Haoran (b.1991) was born in Yunnan, China, lives and works in Shanghai. He owns a bachelor degree in Sociology from Wuhan University and a master degree in Photography from the School of Visual Arts in New York. Focusing on the coexistence of natural landscapes and human behaviors, Fanuses landscape photography as the entry point to the exploration of self-identity within one’s surroundings. Through reconstructing reality and fiction, he creates a new space which peacefully and poetically states the interaction between objects, human beings and emotions.

? FAN HAORAN, Forest and Lines, Gardiner, New York. Courtesy of BROWNIE Project (Shanghai)

Fan has been nominated for the Tokyo InternationalPoto Awards and Fine Art Photography Awards, shortlisted for New York Portfolio Review. His works have been selected and exhibited in PULSE Miami Contemporary Art Fair, Dali International Photography Festival, Angkor PhotoFestival, Helac Fine Art (NYC), Robin Rice Gallery (NYC), etc.

关于影像上海艺术博览会

PHOTOFAIRS | Shanghai

作为亚太地区最具影响力的影像艺术平台、中国大陆最为国际化的艺博会，影像上海艺术博览会在过去几年中，对亚洲艺术影像市场起到了至关重要的推动作用，亦建立起关于艺术影像媒介最为权威和活跃的交流平台。影像上海保持开拓精神，聚焦国际前沿，以博物馆品质提供诸多版块的全新内容，为亚太藏家、观众和专业人士提供欣赏和发现影像艺术的最佳体验。影像上海艺术博览会的参展画廊均通过严格甄选和精心策展，分布在核心 ( Main ) 和平台 ( Platform ) 两大版块,前者汇集了专注于现当代摄影的国际顶尖画廊，后者则是新兴艺术家和国际画廊的重要平台 。从教科书级别的艺术大师，到活跃在国际摄影和移动影像前沿的艺术新星，逾百位各个年龄层次的优秀艺术家的力作将济济一堂。博览会亦推出『在场』( Staged )、『洞见』( Insights )、『焦点』( Spotlight )、『对话』( Conversations )等精彩特展和公共项目版块。

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  2019 影像上海艺术博览会 

第六届影像上海艺术博览会将由世界摄影组织和保时捷联合呈现。

关于世界摄影组织

World Photography Organization

世界摄影组织是摄影活动的国际性平台，覆盖180多个国家。我们的目标是通过赞颂世界上最佳作品与摄影师，提升摄影相关话题的关注度。我们与全球的个人摄影师和行业领先的合作伙伴都建立了长久的纽带，为此我们引以为豪。世界摄影组织每年举办一系列丰富的活动，包括：2017年第十届的全球规模最大的摄影竞赛——索尼世界摄影奖，当地会面及讲座以及专注于摄影的国际艺术博览会——影像上海艺术博览会和影像旧金山艺术博览会。欲知更多详情，请访问 www.worldphoto.org

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