{{sindex}}/{{bigImglist.length}}
{{memberInfo.real_name}}
{{commentname}}
{{newsData.publisher_name}}
  • {{item.name}}

国际艺术家电影(AFI)系列放映4 | 金杜艺术中心 x 伦敦白教堂美术馆

{{newsData.publisher_name}} {{newsData.update_time}} 浏览:{{newsData.view_count}}
来源 | {{newsData.source}}   作者 | {{newsData.author}}

国际艺术家电影(AFI)系列放映4预告片


金杜艺术中心十分荣幸地宣布将于2019年9月5日至10月29日呈现与伦敦白教堂美术馆第四次合作的国际电影项目。2019年,金杜艺术中心将作为“国际艺术家电影”(AFI)项目的参与机构之一,放映一系列以“性别”为主题的影像作品。“国际艺术家电影”关注国际重要影像作品,作品包括金杜艺术中心在内的19家艺术机构作为全球合作伙伴共同推荐选择。每一个机构提名推荐所在地区优秀作品,在这一年中这些作品将会在全球所有合作艺术机构展映。

 

第四期系列放映的三部影片分别是由越南河内纪录研究室选送的越南艺术家阮海燕的作品《夏眠:从黎明倒数六小时》、由塞尔维亚贝尔格莱德艺术中心选送的塞尔维亚艺术家马尔科·蒂尔纳尼奇的作品《厌恶活动/三月八号》,和由洛杉矶哈默博物馆选送的美国艺术家德特·诺格勒的《文化教育(教我如何跳道基舞)》。

 

阮海燕 Nguy?n H?i Y?n

夏眠:从黎明倒数六小时

Summer siesta: 6th hour counting from dawn(2017)

13′15″

由越南河内DOCLAB选送

Selected by Hanoi DOCLAB, Hanoi, Vietnam


阮海燕(生于1994年,河内)在《夏眠:从黎明倒数六小时》中营造出了梦幻般的电影艺术。一位年轻的女人被电视上的越南电影所吸引,与此同时在森林中一群以镜形遮面的女人不断反射她们所看到的东西。

 

马尔科·蒂尔纳尼奇(生于1985年,贝尔格莱德)对力量动力学感兴趣。在他的作品《厌恶活动/三月八号》中,我们跟随一群在派对上远离男人的女人,在没有任何压迫控制机制的情况下,她们能够畅饮,并体验自由的欢愉。即便在那样的孤立空间,父权制结构仍然会对她们产生影响。他着重阐释了惯常性别角色对划分抗争的重要性。


马尔科·蒂尔纳尼奇 Marko Tirnani?

厌恶活动/三月八号

Aversion to Activity/Eight of March (2019)

4′50″

由贝尔格莱德文化中心选送

Selected by the Cultural Centre of Belgrade (Kulturni centar Beograda)


德特·诺格勒(生于1974年,拉米拉达,加利福利亚)将注意力放在探究文化是如何产生,一种想法或一种定式是如何从一个人或一种论述转移到另一方:从男人到女人,从学生到老师;以此贯穿整个社会。这位艺术家出现在视频中,与两名男学生一起在她授课的费尔法克斯高中的一间教室里跳舞。他们拍手,双手高举,开始了双腿交叉跳跃。


特别鸣谢:KEF提供独家音响设备赞助



KWM artcenter is pleased to present its fourth collaboration with the Whitechapel Gallery, London from 5th September to 29th October. Throughout 2019/20, KWM artcenter will be screening a series of moving image works as part of the Artists’ Film International (AFI) project based on the theme of gender. AFl celebrates moving image work and is selected by a global partnership of arts organisations including KWM artcenter. Each nominates an outstanding work from their region which is screened across each venue during the year. 


The fourth 3 selected films are Vietnamese artist Nguyen Hai Yen’s Summer siesta 6th hour counting from dawn (2017) selected by Hanoi DOCLAB, Hanoi, Vietnam; Serbian artist Marko Tirnanic’s  Aversion to Activity/ Eight of March (2019) selected by the Cultural Centre of Belgrade, Serbia and; American artist D’Ette Nogle’s film Culturally Relevant Pedagogy (Teach Me How to Dougie) (2009) selected by the Hammer Museum, Los Angeles. 


Nguyen Hai Yen (b. 1994, Hanoi) uses dreamlike cinematography in Summer siesta 6th hour counting from dawn. A young woman is absorbed by a Vietnamese film on TV while female figures in a forest with mirrored cutouts over their faces reflect back what they see.


Marko Tirnani? (b. 1985, Belgrade) is interested in power dynamics. In his work Aversion to Activity/ Eight of March, we follow a group of women who find themselves at a party devoid of men. The women are able to drink and experience a sense of freedom, without the presence of any oppressive control mechanisms in place. Even in that isolated space, patriarchal structures still appear to have an impact on them. He sets out to highlight the importance of fighting against habitual gender roles.


德特·诺格勒 D’Ette Nogle

文化相关教育(教我如何跳道基舞)

Culturally Relevant Pedagogy (Teach Me How to Dougie)(2009)

1′06″

由美国哈默美术馆选送

Selected by Hammer Museum, Los Angeles, USA

D’Ette Nogle (b. 1974, La Mirada, CA) is interested in how culture happens, how an idea or a form moves from one person and one discourse to another—a man to a woman, a student to a teacher—on its way through a society. The artist appears in the video dancing alongside two male students in a classroom at Fairfax High School, where she teaches. They clap, hands high, and start bouncing in place, hopping from one leg to another.


Special Thanks: Exclusive audio equipment sponsor is KEF.




阮海燕穿梭于(标志)语言,水,镜和空洞感之间,并且将她自己视为博格斯·富内斯,那位曾被一只半驯服的马甩下后瘫痪,决定将他最后时光记录为70000份记忆的人。她从2015年始在河内纪录研究室开始学习动态影像,并制作了一些短电影,包括:“无家可归” (2106), “水梦”(2106)和她的最新作品“夏眠:从黎明倒数6小时”(2017)。她的作品曾在以下项目中展映:奎斯特艺术节,河内纪录艺术节2017,冰冷的呼叫电影艺术节(2018年2月)。“水梦”获得了由奎斯特和纪录研究室联合举办的微电影比赛一等奖。2019年6月她刚刚完成在A空间的驻留项目。

 

Nguyen Hai Yen plays with (sign) language(s), water, mirror and emptiness and sees herself as Borges' Funes the memories after being thrown by a half-tamed horse and becoming physically paralysed decided to reduce each of his past days to some seventy thousand memories. She started practising moving image at Hanoi Doclab since 2015 and has made few short films including Homeless (2016), Water dreams (2016) and her latest one Summer siesta: 6th hour counting from dawn (2017). Her films were screened at such programs as Quest Festival, Hanoi Docfest 2017, Cold Call Film Festival (February 2018). “Water Dreams" has won first prize for Quest x Doclab Short Film Competition. She just finished her residency at á Space in June 2019.


马尔科·蒂尔纳尼奇(1985年,塞尔维亚)在贝尔格莱德美术学院学习绘画,并取得硕士学位。他的作品经常在塞尔维亚及海外,包括泰国、克罗地亚、奥地利和荷兰等地展出。马尔科曾获得奥地利文化部和屈尔蒂尔康塔克论坛邀请,参与艺术家驻地项目,期间分别举办了一场群展和个展。

 

他的作品主要是影像以及在公共空间的大型装置(例如在塞尔维亚议会厅前,同时也有一些在受众更小、私密性更强的空间)。马尔科在作品中探索了权力、个人和政府、统治阶级与被统治阶级的关系并延伸到对受监控的行为、控制和自由的研究。他一直致力于让观众参与到他的作品中,并建立一种观察者和作品间的关系。


Marko Tirnani? (1985. Serbia) graduated from the Academy of Fine Arts in Belgrade, where he earned his master’s degree in painting. He actively exhibits his work in Serbia and abroad – Thailand, Croatia, Austria and Netherlands. He was invited by the Austrian Ministry of Culture and KulturKontakt to participate in a residential program for artists, where he realized one collective and one solo exhibition. 


His works are mainly in domain of video and installations in the public spaces (for example in front of the Serbian parliament building but also in more intimate spaces for a smaller group of people). In his work Marko explores the relations of power, the relationship between individual and state, between the dominating and the dominated. His interest goes deep into research of monitored movements, control and freedom. He always seeks to include the audience in his work and develop a relation between the observer and the piece.


德特·诺格勒(1974年,拉米拉达,加利福利亚)在加州大学洛杉矶分校获得艺术硕士学位。2019年她将在纽约博德加画廊举办个展。她曾经举办过的个展包括:“蛋”,芝加哥,伊利诺伊(2015);“芬利”,洛杉矶(2015);“克利夫顿·贝内文托”纽约(2014);和“L.A.C.E”洛杉矶,加利福利亚(2001)。近期参与的群展有由汉娜·奥夫曼主办的“共享画廊”,克里斯蒂娜·凯特画廊,以及“公园视野”,洛杉矶,加利福尼亚(2017);“蛋”,埃塞克斯街,纽约(2015)等等。她的作品在哈默博物馆和荷兰第九届森斯贝克艺博会上被冠以洛杉矶制造的名号。她生活并工作于洛杉矶。


D’Ette Nogle(b. 1974, La Mirada, CA) received her MFA from the University of California, Los Angeles. She has a forthcoming solo exhibition at Bodega, New York, NY (2019). Previous solo exhibitions include Egg, Chicago, IL (2015); The Finley, Los Angeles (2015); Clifton Benevento, New York, NY (2014); and L.A.C.E, Los Angeles, CA (2001). Recent group shows include Gallery Share hosted by Hannah Hoffman, Kristina Kite Gallery, and Park View, Los Angeles, CA; Hurts to Laugh, Various Small Fires, Los Angeles, CA (2018); A Change of Heart, Hannah Hoffman, Los Angeles, CA (2017); EGG, Essex Street, New York, NY (2015) amongst many others. Her work has been featured in Made in L.A. at The Hammer Museum and Sonsbeek 9 in the Netherlands. She lives and works in Los Angeles.





当前

展览


????

扫描二维码加入金杜艺术中心分享群

{{flexible[0].text}}
{{newsData.good_count}}
{{newsData.transfer_count}}
Find Your Art
{{pingfen1}}.{{pingfen2}}
吧唧吧唧
  • 加载更多

    已展示全部

    • 点赞
    • 评论
    • 分享
    • 客服
    • 顶部
    {{layerTitle}}
    使用微信扫一扫进入手机版留言分享朋友圈或朋友
    长按识别二维码分享朋友圈或朋友
    {{item}}
    {{btntext}}
    艺客分享
    {{mydata.real_name}} 成功分享了 文章
    您还可以分享到
    加载下一篇
    继续上滑切换下一篇文章
    提示
    是否置顶评论
    取消
    确定
    提示
    是否取消置顶
    取消
    确定
    提示
    是否删除评论
    取消
    确定
    微信客服
    使用微信扫一扫联系客服
    点击右上角分享
    按下开始,松开结束(录音不超过60秒)