2019 艺术深圳 | Art Shenzhen 2019
左：宝盒，2019，200 x 220 cm，布面丙烯；右：金顶，2019，200 x 100 cm，布面丙烯 / Left: Treasure Box, 2019, 200 x 220 cm, acrylic on canvas; Right: Golden Top, 2019, 200 x 100 cm, acrylic on canvas ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
LUCY-S-006，2019，150 x 200 cm，布面丙烯 / LUCY-S-006, 2019, 150 x 200 cm, acrylic on canvas ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
LUCY-S-007，2019，150 x 200 cm，布面丙烯 / LUCY-S-007, 2019, 150 x 200 cm, acrylic on canvas ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
Ye Linghan was born in 1985 in Lishui, Zhejiang Province, who graduated from the China Academy of Art in 2009, and currently lives and works in Beijing. Ye Linghan, born in Lishui, China in 1985, Graduated from China Academy of Art in 2009 and Living and working in Beijing now. The ubiquitous presence of the Internet in every aspect of our lives is a condition that became particularly apparent and irrevocable to Ye Linghan in 2016. To address the advent of what the artist claims as the future (or Year One of Artificial Intelligence), he began to translate this reality into his artistic practice under the fictional protagonist "Lucy". Ye Linghan continues to investigate the impacts of virtual reality on human behavior, while projecting a prescient outlook of the future through his artistic practice. His recent solo exhibitions include, "Lucy Episode 3: Replication" at HdM Gallery, London; "Lucy Episode 2: Dance, Tattoo, Data Carnival", Boers-Li Gallery, Beijing; "Lucy Episode I: LucyLucy" at Vanguard Gallery, Shanghai; "The Way Things Were" at Vanguard Gallery, Shanghai and "Gold Circle Tiger" at Ben Brown Gallery, Hong Kong. His works have been included in major group exhibitions, "Bi-City Biennale of Urbanism/Architecture", Shenzhen, China; "Fantasy Creator", chi K11 Art Museum, Shanghai, China; "Expiration Date of A Home", JNBY, Beijing, China; "Pixel Park", Jiangan Sculpture Park, Shanghai, China; "Animamix Biennale 2015-2016—Space In Mind", MOCA, Shanghai, China; "We-A Community of Chinese Contemporary Artists", K11, Shanghai, China; "Degeneration", OCT Contemporary Art Terminal, Shanghai; "Moving image in China: 1988-2011", Mingsheng Art Museum, Shanghai, China, among others.
Tie Ying, born in Harbin, China in 1971. In the early 1990s, He was enrolled in classes of advanced studies in the oil painting department of the Central Academy of Fine Art. Tie Ying held his first solo exhibition, "Morass of Reverie" at the CAFA Art Gallery in 1994. In 1996, as a visiting scholar, he studied at the Royal Institute of Art in Stockholm, Sweden. In the early 2000, Tie Ying's artistic practice expanded to conceptual photography, he was the subject of solo exhibitions in New York, Zurich and Singapore. As an outstanding artist of the 1970s generation, Tie Ying's artistic practice expands in the mediums of painting and photography. In spite of his profound knowledge on Chinese and Western art histories, Tie Ying has always kept the vigilance from appropriating extant visual traditions, so he wouldn't fall into the trap of self-defining tropes, prosaic iconography or trite methodologies. The artist consciously and constantly adjusting his composition on canvas to evade the definitive. It was not until 2012, Tie Ying returned to oil painting, and continued to explore the possibility of this medium based on his artistic notions. His works are widely collected in China and internationally, including the DSL Collection, the Prince Albert II collection, and other reputable private and public collections.
星轨，2019，230 x 130 cm，油画，喷漆，树脂，布面数码打印 / Orbital, 2019, 230 x 130 cm, oil, spray paint, resin, digital print on canvas ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery