博而励画廊荣幸的宣布，我们即将亮相2019弗里兹大师（Frieze Masters）D08展位，与10 Chancery Lane Gallery共同呈现与上世纪七十年代末出现在北京的先锋艺术团体“星星画会”密切相关的作品及重要文献。
恰逢“星星美展”四十周年之际，回溯这一中国当代艺术的开端事件，并由此唤起对于未来的想象，对于我们而言意义深远，它将与北京空间正在呈现的大展“没有航标的河流，1979”共同关照以“1979”为轴心持续辐射的价值与影响力。
2019 弗里兹大师 | 2019 Frieze Masters
10月4日-10月5日，周五至周六，公众日：上午11点至晚7点
伦敦摄政公园 Gloucester Green, Regent’s Park, London
“星星画会”是上世纪七十年代末出现在北京的一个先锋艺术团体，曾以激进的方式力争艺术自由的权利，在当时引起了巨大的社会反响，被视为中国当代艺术的发端。
“星星”精神最大的价值在于它是第一个公开地用与主流艺术迥然不同的创作原则——表现自我（当时是一种新的艺术思潮），来对抗和反叛主流艺术，表现自我的创作原则是针对当时的“艺术为政治服务”口号。“星星”是向所有图解政治的绘画挑战，并大胆地按照自己的意愿去表现，因此它在中国现代美术史上占有一定的地位。1979年，北京“星星画会”正式成立，其主要成员有黄锐、马德升、严力、王克平、杨益平、曲磊磊、毛栗子、蒋云、钟阿城、邵飞、李爽、艾未未等。
An art exhibition took place on September 27, 1979 in Beijing when a group of young avant-garde and non-academy trained artists staged an unpermitted exhibition on the railings of the National Art Museum of China after being denied an official exhibition space. The group was called The Stars Art Group (Xing Xing 星星画会), named because they saw themselves as points of light within the endless black.
Some of the artworks were composed of formerly banned styles, while others were expressions of their rebellious thoughts rendered in their own artistic style. They sought to free themselves from the shackles of official art by challenging both aesthetic convention and political authority. Tens of thousands of people attended the exhibition, which was closed by the police after just two days. When the works were removed the artists posted a notice on the Democracy Wall in protest and a mass rally ensued. After discussions with the officials of the Beijing Association of Artists, the group was granted a space to exhibit and held their first formal exhibition: The Stars Art Exhibition (Xing XingMeizhan 星星美展), at Beihai Park, Beijing two months later in November. The exhibition included 163 works by 23 nonprofessional artists. The major numbers are Huang Rui, Ma Desheng, Wang Keping, Yang Yiping, Qu leilei, Mao Lizi, Acheng, Shao Fei, Li Shuang and Ai Weiwei…The Stars Art exhibition was a milestone in China’s contemporary art beginnings. In 1980, the National Art Museum of China invited the Stars to exhibit inside the museum.
The artworks of The Stars Art Group were born from the defiance of their youth. These avant-garde artists challenged the status quo and initiated free artistic expression in the post-Mao era. Their works were a voice of the future within a China that was on the verge of transformation.
黄锐
黄锐出生于1952年，被认为是构建中国当代美术史的重要人物之一。作为星星画会的主要成员， 黄锐将国际艺术运动及不同艺术风格介绍到后文 革时期对中国当代美术界，掀起了对抽象艺术的 探索。在他的艺术实践中，20世纪80年代早期的“胡同”系列，体现出与立体主义的密切联系。通过在日本的工作生活，黄锐开始以阴阳思想作为创作的中心原则。黄锐是1979年与1980年组织两次“星星美展”的关键人物，他们利用中国美术馆——这个中国艺术 的圣地，空地上的栅栏举办了这两次展览。星星 画会的成员通过他们的对自由和艺术多样性的争 取对文化权威发起挑战。他的作品为蓬皮杜艺术 中心（法国）、福岗亚洲美术馆（日本）、三星 美术馆Leeum（韩国）、中国美术馆（中国）等重要机构收藏。
Huang Rui, born in 1952, is revered as one of the seminal figures in shaping contemporary Chinese art. As a leading member of the Star Artists Group, Huang Rui has had significant influence in the post-Cultural Revolution period, whose introduction of international art movements and various artistic styles to the Chinese Contemporary art scene stimulated unanimous interest in exploring abstraction developments. In his own practice, his “Hutong” series in the early 1980s, showed affinity to Cubism. Furthermore, his period of living and working in Japan, allowed him to discover the central principle yin/yang that define his artistic practice.Huang Rui played a critical role in organizing the two Star Art Exhibitions in 1979 and 1980, one on the fence of the Chinese National Art Gallery, and the other inside Mecca of Chinese art, in both cases. The Star artists challenged the cultural authority through their struggle for personal freedom and artist diversity. His works have been collected by prominent institutions such as Centre Georges Pompidou, France, Fukuoka Asian Art Museum, Japan, Leeum, Samsung Museum of Art, Seoul, Korea, National Art Museum of China.
黄锐，持扇的女孩，1979，纸上油画，54 x 40 cm / Huang Rui, Girl with Fan, 1979, oil on paper, 54 x 40 cm ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
此件作品在1979年第一届星星画展中展出，并在星星20年展览中展出 / Exhibited at the 1st start exhibition, outside of China Art Museum 1979 Exhibited at the Stars 20 years, Tokyo, Japan, 2000
李爽
李爽是中国最早的先锋艺术团体“星星画会”的唯一一位女性创始成员，与其它星星画会的艺术家王克平、黄锐、马德升、艾未未和作家阿城、北岛等，踌躇满志地争取「艺术自由」。纵然展 览被当时的政府取消，但那前卫的精神及胆识对今后的中国当代艺术 发展功不可没 。深受中国传统文化影响的她，画中的女子都有着符号性的樱桃嘴、丹凤眼，充满着东方女性的神 韵，人物或沉思或凝神，随处流露着古典与神性 的永恒之美。同时，画家也在静谧的背景有意地流露出其丰富多变的精神情感。李爽曾说，“我是唯一一个以精神维度来画肖像的中国女人。”在她的创作中，神秘的东方女性却表露着最真诚直白的情感，这也是中西情感的交融所产生的独一无二的肖像艺术实践 。
Li Shuang is the only female member of China's earliest avant-garde art group “The Stars.” Together with other star painting artists Wang Keping, Huang Rui, Ma Desheng, Ai Weiwei and writer Acheng, Beidao, etc., they eagerly strives for the freedom in art. Even-though the exhibition was forbidden by the government, the spirit and courage of the group contributed to the development of Chinese contemporary art in the future. Deeply influenced by Chinese traditional culture, the women in her paintings all have symbolic small cherry mouths and long and thin eyes, whom are typical Eastern beauty. The figures are either contemplating or pondering, revealing the beauty of classicism. At the same time, the painter also intentionally reveals its rich and varied spiritual emotions in a quiet background. Li Shuang once said, “I am the only Chinese woman who draws portraits in a spiritual dimension.” In her creations, the mysterious Oriental women straightforwardly express the most sincere emotions, which is also unique in the blending of Chinese and Western art style practice.
李爽，妹妹，1979，木板油画，40.5 x 33 cm / Li Shuang, Sister, 1979, oil on wood board, 40.5 x 33 cm ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery此件作品在1979年第一届星星画展中展出 / Exhibited at the 1st start exhibition, outside of China Art Museum 1979
严力
诗人、艺术家。1954年出生于北京。1973年开始诗歌创作，1979年开始绘画创作。为北京民间艺术团体“星星画会”的成员。1984年在上海人民公园展览厅首次举办个人画展，是最早在国内举 办的前卫个人画展。1985年留学美国纽约，1987 年在纽约创办“一行” 诗歌艺术团体， 并出版“一行”诗歌艺术季刊。他认为“尽管你的母语不可能加入其他语言的国籍，但人是人的护照， 地球之内不需要加盖人性疆界的边界图章”。他以经历过中国的现代诗歌运动与艺术事件以及还在经历着中美两种制度而庆幸，因为写作有了更多的经验和题材。
Yan Li is a Poet, artist. Born in Beijing in 1954. He began writing poetry in 1973 and painting in 1979. He is a member of China's earliest avant-garde art group "The Stars". In 1984, Yan held his first solo exhibition in Shanghai people's park exhibition hall, which was the earliest avant-garde solo exhibition held in China. In 1985, he studied abroad in New York, USA. In 1987, he founded the "one-line" poetry art group in New York and published quarterly publication "one-line" poetry art. "Although it is impossible to define one's nationality by the first language," he said, "but the humanity is the passport, and there is no need to get a Visa within the earth." He felt lucky that he had experienced the modern poetry movement and art events in China as well as the different political systems between China and America, since this is the inspiration for his poetry writing.
严力，口号的暴力，1981，木，3 x 26 x 1.5 cm / Yan Li, Violence of the Slogan, 1981, wood, 33 x 26 x 1.5 cm ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
王克平
王克平1949年出生于中国北京，自1984年起移居法国巴黎。中国当代最早的前卫艺术运动“星星美展”发起人之一。王克平的雕刻以“木头” 为基本材料及创作灵感主要来源，抽离于男人、女人等具象形式，造型简拙古朴，隐喻了人性与肉感。他利用木材的外形与内在的力量，使作品自然而然，天人合一，独树一帜。其作品在国际范围内展出，包括巴黎蓬皮杜文化中心、巴黎马约尔博物馆、巴黎Zadkie博物馆、瑞士伯尔尼艺术博物馆、美国布鲁克林博物馆、北京中国美术馆、台湾省立美术馆、香港M+ 博物馆、牛津Ashmolean博物馆等重要机构所收藏。
Wang Keping was born in Beijing in 1949, he has been living and working in Paris since 1984. Wang was one of the founders of the non-conformist artist group Star Artists Group. Wood is the basic material as well as the source of inspiration. Wang Keping’s sculptures are an exploration of the human form. With a natural intuition of space and balance, they convey a highly sensual representation of the male and female body. Wang reveals the natural contours of the wood: the grain; knots; and colors to evoke figurative representations in his work. His works have been exhibited internationally, including the Centre Geoges Pompidou, Paris; Musee Maillol, Paris; Musee Zadkine, Paris; Kunstmuseum Bern; Brooklyn Museum, New York; The National Art Museum of China; Taipei Fine Arts Museum; M+Museum, Hong-Kong; Ashmolean Museum, Oxford.
王克平，呐喊中的沉默，1980，41.5 x 18 x 17cm，木头 / Wang Keping, Silence in shouting, 1980, 41.5 x 18 x 17cm, Wood ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
此件作品在1979年第二届星星画展中展出，是艺术家送给好朋友李晓斌的收藏 / Exhibited at the 2nd Stars exhibition, China Art Museum, Beijing, China,1980
Works that were displayed at the Star exhibition
何宝森，女孩像，纸上油画，41.5 x 57.5cm / He Baosen, Girl portrait 1978, Oil on paper, 41.5 x 57.5cm ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
此件作品在1979年第一届星星画展中展出 / Exhibited at the 1st start exhibition, outside of China Art Museum 1979
于美好，女孩像，纸上油画，28.5 x 38cm / Yu Meihao, Girl portrait 1979, oil on paper, 28.5 x 38cm ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery此件作品在1979年第一届星星画展中展出 / Exhibited at the 1st start exhibition, outside of China Art Museum 1979
Stars Photo Documentation
星星摄影文献是星星艺术基金会通过近十年的时间，收集整理的关于“第一届星星美展”、“星星美展游行”、“第一届星星美展北海画舫斋恢复展”、“第二届星星美展”、及1979年前后以“星星画会”、《今天》诗刊为主的文学艺术生态摄影纪实。其中包括著名摄影家李晓斌、王瑞、李英杰、以及摄影电影双栖大师池小宁。以上作者也是同时期著名摄影沙龙“四月影会”的创始人及核心成员。这批摄影作品除了记录下“星星美展”这一中国当代艺术史上的创举外，还为后人研究中国70年代末80年代初的思想解放运动提供了难能可贵的研究视角。星星艺术基金会秉着珍视历史的态度，代理了以上四位摄影家关于“星星美展”的摄影作品，并委托三影堂摄影艺术中心的专业暗房师肖日宝先生，对李晓斌、李英杰、池小宁的每张底片进行收藏级手工银盐放大，尺寸：31.6 x 21.4 cm， 王瑞的银盐手洗则由王瑞先生亲自完成。该系列摄影作品共7版，目前可售1-3版，每版皆有艺术家的签名及星星艺术基金会的Logo钢印。
The Star Photography Literature is a documentary of literary and artistic ecological photography collected by the Star Art Foundation. For the past decade, the foundation is dedicated to preserve the documentary on the first Star Art Exhibition, the Star Art Exhibition Parade, the first Star Art Exhibition Bei Hai painting Fang Zhai resumption Exhibition, the second Star Art Exhibition, and the Literature and Art Ecological Photography, which is dominated by the Star painting Society and the Poetry Journal around 1979. Among them are famous photographers Li Xiaobin, Wang Rui, Li Yingjie, and Chi Xiaoning, a master of cinematography. Chi is also the founder and core member of April Film Club, a famous photography salon group during the same period. In addition to recording the Star Art Exhibition, which is a creation in the history of contemporary Chinese art, these photographic works also provide a valuable research perspective for future generations to study the ideological liberation movement in China in the late 1970s and early 1980s. With the attitude to cherish history, the Star Art Foundation represents the photography works of the above four photographers from the Star Art Exhibition, and commissioned Mr. Xiao Ribao, a professional darkroom at the Three Shadows Photographic Art Center, to enlarge each negative film by collecting manual silver salt, sized 31.6 x 21.4 cm. Further, Mr. Wang Rui will wash the silver salt photo himself. The series consists of 7 editions and is currently available for sale in from the 1st to 3rd edition, each with an artist's signature and a Logo seal from the Star Art Foundation.
李英杰，1947年生人。1989年毕业于中国人民大学一分校摄影系。1979年参加创办“四月影会”。1980年加入北京摄影家协会和中国摄影家协会。1981年任《无线电》杂志摄影记者。1988年至2018年任北京摄影家协会副主席、现任北京摄影家协会顾问、中国摄影家协会函授学院副院长。1986年参加创办中国当代摄影学会（现代摄影沙龙），曾任副主席、执行主席。1995年参加创办世界华人摄影学会，任执行工作委员。2011年至2018年任北京文艺评论家协会副主席，现为顾问。2012年任中国通信摄影协会副主席。北京东城、北京西城摄影家协会主席。
Li Yingjie graduated from the photography department of a branch school of Renmin University of China. In 1979, he participated in the founding of the April Photography Society. In 1980, he joined the Beijing Photographers Association and the China Photographers Association. In 1981, he was a photojournalist of Radio Magazine. From 1988 to 2018, he served as the vice- chairman of the Beijing Photographers Association, the current consultant of the Beijing Photographers Association, and the vice president of the Correspondence School of the China Photographers Association.In 1986, he participated in the founding of the China Contemporary Photography Society and served as the vice-chairman and executive chairman. In 1995, he participated in the founding of the World Chinese Photography Society and served as an executive member. From 2011 to 2018, he served as vice-chairman of the Beijing Literary Critics Association and is now a consultant. In 2012, he served as vice-chairman of China Communications Photography Association. Currently Li Yingjie is the Chairman of Beijing Dongcheng and Beijing Xicheng Photographers Association.
星星的展览广告挂在中国美术馆的正面栏杆上(黄锐绘制广告)，1979 / Poster of the Stars Art Exhibition made by Huang Rui, on the railing 12 outside the National Art Museum of China, 1979 ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
池小宁
池小宁，1955年出生于北京市，先后毕业于北京 电影学院摄影系、京都大学艺术系电影学。四月影会成员，著名电影摄影师，曾拍摄《星星 美展》纪录片。1990年，担任剧情电影《菊豆》的摄影师。1992年，担任剧情电影《秋菊打官司》的摄影师 ，他凭借该片获得第13届中国电影金鸡奖最佳摄影奖 。1997年，担任电视剧《雍正王朝》的摄影师 。1999年，凭借剧情电影《横空出世》获得第20届中国电影金鸡奖最佳摄影奖 。2004年，担任剧情电影《冬至》的摄影师 ， 他凭借该片入围第24届中国电影金鸡奖最佳摄影奖。
Chi Xiaoning received a degree from the Photography Department at the Beijing Film Academy and from the Art Department at Kyoto University.A member of the April Photography Society, Chi Xiaoning was a renowned cinematographer whose works included the documentary film for the Stars Exhibition. Chi was the cinematographer for Zhang Yimou-directed movies Ju Dou (1990) and The Story of Qiu Ju (1992), for which he won the 13th Golden Rooster Award for Best Cinematography. In 1997, he worked as a cinematographer for the TV drama series The Yongzheng Era. He won the Best Cinematography Award at the 20th Golden Rooster Awards for his 1999 film Roaring Across the Horizon. In 2004, he was the cinematographer for the movie Dong Zhi, which earned him a nomination for Best Cinematography at the 24th Golden Rooster Awards.
星星美展于北海画舫斋展出的广告，1979 / An advertisement for The Stars Exhibition at Beihai HuafangZhai Gallery, 1979 ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
李晓斌
李晓斌，男，1955年6月生于北京，摄影家，四月影会发起人之一。1976年 参加“四五运动”拍摄大量照片。1979年参与星星美展游行拍摄大量照片。1977年—1978年 参加编辑“四五运动” 大型画册“人民的悼念”。1978年—1980年中央实验话剧院美工、摄影。1980年—1989年 十年任“新观察杂志”编辑、记者。1979年—1981年 北京“四月影会”创办人之一。1985年 在日本大阪举办李晓斌个人摄影展。1987年3-4月英国前首相、爱德华·希思访华期间，希思邀请专职摄影师1989年—2002 年中国作家协会创作研究室。2004年1月出版“变革在中国”一书。2006年10 月宋庄美术馆举办李晓斌个人摄影回顾展（1976- 1989）。Li Xiaobin was one of the founders of the April Photography Society. He took many documentary photos as a participant in the April Fifth Movement in 1976 and the Stars protest in 1979. From 1977 to 1978, he helped edit The People Mourn, a memorial book for the April Fifth Movement. Between 1978 and 1980, he worked as an artist and photographer at the Central Experimental Modern Drama Theatre, now the National Theatre of China. He served as an editor and journalist at New Observer magazine for ten years from 1980 to 1989. He was one of the co-founders of the April Photography Society in Beijing from 1979 to 1981. In 1985, Li Xiaobin held a solo photography exhibition in Osaka, Japan. During former British prime minister Edward Heath’s visit to China in March and April 1987, Li was the official photographer appointed by Heath. From 1989 to 2002, he worked in the Creative Research Division of the China Writers’ Association. In January 2004, Li published the photography monograph Reform in China. In October 2006, the Songzhuang Art Museum held a retrospective exhibition of Li Xiaobin’s photographic works from 1976 to 1989.
1979年9月27日，第一届“星星美展”前言，1979 / Preface to The First Stars Exhibition, September 27 ? 2019 艺术家 & 博而励画廊 Courtesy of the artist & Boers-Li Gallery
博而励北京 Boers-Li Gallery Beijing
没有航标的河流，1979
策展人：鲁明军
艺术家：池小宁、冯国东、龚剑、郭海强、郭海燕、郭鸿蔚、郝敬班、何宝森、何翔宇、胡建平、胡杰、黄锐、康万华、李珊、李爽、李晓斌、李英杰、廖国核、林一林、马德升、马可鲁、ONS、欧劲、蒲英玮、邱黯雄、沙丽娜、施勇、施昀佑、唐平刚、铁鹰、王广义、王克平、王强、王思顺、韦海、温普林、吴冠中、薛峰、颜磊、严力、严瑞芳、于吉、于美好、余友涵、张培力、张伟、赵刚、赵亮、郑子燕、周迈由、朱加、庄辉
2019.9.14 - 10.20
值此“星星美展”四十周年之际，博而励画廊隆重推出由鲁明军策划的大展“没有航标的河流，1979”，此次展览不仅是对一个时代的刻画，更希望由此重新唤起对于未来的想象。
博而励纽约 Boers-Li Gallery New York
?缓慢手部运动? * 温柔耳语 * 水 * 盐 * 麻 *
2019.9.12 - 10.26
博而励纽约画廊呈现展览?缓慢手部运动? * 温柔耳语 * 水 * 盐 * 麻 *。以网络世界的“耳音” (ASMR) 视频为引，本次群展呈现的艺术家作品突出触觉作为一种媒介感知生理经验，尤其身体有意与无意地穿梭于物理和虚拟空间。
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