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迈克尔·耐贾尔展览 《外层空间》作品介绍 (4) :行星概观​ "planetary overview", (2017)

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4.

行星概观 "planetary overview", (2017)


“planetary overview”

2017

hybrid photography, archival pigment print, diasec, custom-made

aluminium frame

混印摄影,收藏级喷墨打印,Diasec 装裱,定制铝框

102 x 67 cm


先进空间探索的一个重要成果是行星概观的出现。看到和感受地球统一的概观效应是一种元体验,以前只有宇航员才能接触到。今天,急剧增长的地球观测技术强化了这一效应,使得所有人都能接触。然而,这种测量和可视化地球的新方法带来了严峻的生态警告。太空探索远景不仅仅是向外聚焦到太空,其中也包括地球。行星概观的出现可能会加强人们对我们这个星球目前正在遭受的生态破坏的认识。卫星技术、计算机算法和处理能力的进步现在使科学家能够扩大他们对冰川地区的轨道观测。目标是了解随着温度升高,冰川和冰原融化的速度有多快,从而海洋上升的速度有多快。作品“行星概况”突出了从太空层面对冰川变化的观察。


卫星观测创造了绘制大型陆地景观图的新方法,冰川学也由此发生了革命性的变化。一个国家对其所存在的冰川发现也得益于此,并巩固了我们对冰川衰退和变化的理解;它帮助我们绘制冰川雪盖和质量平衡图,以及跟踪冰盖厚度和冰流速度的变化;还允许监测偏远地区的详细变化。通过使用定位在太空中的照相机,我们可以在更大的尺度上观察冰川的行为。作品《行星概观》结合了从冰岛?的 Brei§amerkurj?kull 冰川的裂缝内部拍摄的图像,以及从高空间轨道位置拍摄的同一冰川的几张卫星图像。这项工作结合了微观和宏观的视角,从极遥远的外太空极的视角来观察脆弱冰川的内部。


One important outcome of advanced space exploration is the appearance of a planetary overview system. The overview effect of seeing and feeling the unity of Earth is a meta-experience that was previously only accessible for astronauts. Today ?s dramatically growing Earth-observation technologies intensify this effect and make it accessible to all of us. Yet this new way of measuring and visualizing the globe carries a stern ecological warning. Space exploration visions are not just focused outwards into space, they include the Earth as well. The dawning of a planetary overview system might intensify awareness of the ecological damage our planet is currently suffering. Advances in satellite technology, computer algorithms and processing power are now enabling scientists to expand their orbital observation of glacier regions. The goal is to understand how quickly glaciers and ice sheets melt - and thus how fast oceans rise - as temperatures increase.The work “planetary overview” highlights observation of glacier change from space.


Satellite observation has revolutionised glaciology by creating new ways to map large terrestrial landscapes. It has enabled glacier inventories of entire countries to be taken, and underpinned our understanding of glacier recession and advance; it helps us to map glacier snow cover and mass balance as well as to track changes in ice sheet thickness and ice flow velocities; and has also allowed detailed changes in remote locations to be monitored. By using a camera positioned in space we can observe glacier behaviour on a much larger scale. “planetary overview” combines images taken from inside a crevasse in Iceland ?s Breieamerkurj?kull glacier with several satellite images taken of the same glacier from an orbital position high in space. The work combines a micro- and macro-perspective, the inside view of the fragile glacier with the extreme distance view from outer space.




更多关于艺术家

More about the artist



迈克尔·耐贾尔(生于1966 年) 在德国柏林工作和生活。耐贾尔的照片和录像作品充分体现了他对艺术的跨学科理解。他有关形式和内容的图像语言可以引导观众进入一个由图像和元素蒙太奇而成、以模拟现实的复杂结构。他将摄影图像从其固有的观览模式中移除,并重置于一种全新的视角下。耐贾尔将科学、艺术和技术融入进有关高新技术影响下未来社会秩序的愿景和乌托邦中,对塑造及改变了 21 世纪的技术力量进行了复杂的批判。 


耐贾尔的作品曾展出于巴塞罗那的米罗基金会美术馆 ; 2006 年威尼斯双年展第十届国际建筑展 ; 第九届哈瓦那双年展 ; 第七届莫斯科国际艺术双年展 ; 柏林艺术学院 ; 科隆路德维希博物馆 ; 汉堡美术馆 / der Gegenwart 画廊 ;Deichtorhallen 汉堡国际摄影博物馆 ; 玛尔塔黑尔福德博物馆 ; 奥尔登堡 Edith Russ Site for Media Art 美术馆 ; 图森艺术博物馆 ; 伦敦科学博物馆 ; 伯明翰当代艺术博物馆 ; 阿姆斯特丹新媒体艺术学院 ; 米兰 FORMA 国际摄影中心 ; 日内瓦 CIC 当代艺术中心 ; 萨拉曼卡 Museo DA2 (Domus Artium 2002); 马拉加当代艺术中心 ; 马略卡岛帕尔马 Museo Es Baluard; 台北国家科 学博物馆 ; 北京中央美术学院等。 


纳贾尔的作品曾多次参加国际艺术馆展览和双年展。如巴塞罗那Joan Miro基金会,威尼斯双年展、第十届国际建筑展、第九届哈瓦那双年展和北京双年展、第七届莫斯科国际双年展等。纳贾尔在下列国家和国际博物馆、机构和画廊展出: 柏林艺术学院;路德维希博物馆,科隆;汉堡美术馆,汉堡; 德国汉堡国际摄影博物馆;德国玛尔塔博物馆; 伦敦科学博物馆; 北京中央美术学院。纳贾尔《外层空间》中的作品被收纳于以人类文明为主题的摄影展《文明》中。该展览已在韩国和北京展出,并将在墨尔本的维多利亚国家美术馆以及众多欧美城市展出。

Michael Najjar (b. 1966) works and lives in Berlin, Germany. Najjar’s photo and video works exemplify and draw on his interdisciplinary understanding of art. His pictorial language of form and content guides the viewer into a complex construction of simulated reality which is generated by the montage of multiple image sources and elements. He removes the photographic image from its historical viewing conventions and resituates it in a fundamentally new mode of perception. Fusing science, art, and technology into visions and utopias of future social orders emerging under the impact of cutting-edge technologies, Najjar takes a complex critical look at the technological forces shaping and drastically transforming the early 21st century. 


Najjar has exhibited at Joan Miró Foundation, Barcelona; the 2006 Venice Biennale’s 10th International Architecture Exhibition; the 9th Havana Biennale; the 7th International Moscow Biennial; Academy of Arts, Berlin; Museum Ludwig, Cologne; Kunsthalle Hamburg / Galerie der Gegenwart, Hamburg; Deichtorhallen International Museum of Photography, Hamburg; Marta Museum, Herford; Edith Russ Site for Media Art Oldenburg; Museum of Art, Tucson; Science Museum, London; Museum of Contemporary Art, Birmingham; New Media Art Institute, Amsterdam; FORMA International Centre for Photography, Milan; Centre pour l’image contemporaine, Geneva; Museo DA2 (Domus Artium 2002), Salamanca; Centro de Arte Contemporaneo, Málaga; Museo Es Baluard, Palma de Mallorca; National Museum of Science, Taipei; Central Academy of Fine Arts, Beijing. 


Images from Najjar’s Outer Space is also featured in ‘Civilization', an international photo exhibition that explores the current state of humankind. It has shown in Korea, Beijing and opens this month at the National Gallery in Victoria, Melbourne before moving to Europe and the Americas.




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