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【OCT-LOFT爵士音乐节】明晚丨第九届 OCT-LOFT 国际爵士音乐节开幕！

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10.11 / 20:00 - 20:30

Marilyn Mazur

丹麦 Denmark

Marilyn Mazur - 打击乐 Percussions / 鼓 Drums

10.11 / 20:50 - 21:50

平林牧子三重奏

Makiko Hirabayashi Trio

丹麦 Denmark

平林牧子 Makiko Hirabayashi - 钢琴 Piano

Klavs Hovman - 低音提琴 Double Bass

Marilyn Mazur - 鼓 Drums / 打击乐 Percussions / 人声 Voice

第一场 1st Set 20:00 - 20:30

Marilyn Mazur

第二场 2st Set 20:50 - 21:50

平林牧子三重奏

Makiko Hirabayashi Trio

演出流程 Agenda

18:00 兑票 / 售票

19:30 观众入场

20:00 演出开始

一张门票可观看当晚两场演出

预售将于演出当天00:00下架

Marilyn Mazur

? Niels Chr. Hertz

被称为“打击乐女皇”的Marilyn Mazur，是全世界最负盛名的女鼓手之一。

丹麦鼓手、打击乐手和作曲家Marilyn Mazur在她乐手生涯的早期，就已在当代爵士领域取得了傲人的成就。80年代，她与诸如美国小号手Miles Davis、美国萨克斯手Wayne Shorter和加拿大钢琴家Gil Evans这样的巨擘同台，而后于1991年加入了挪威萨克斯手Jan Garbarek的乐队，在千禧年初期参与了这位传奇音乐家的许多重要项目。

Marilyn生于纽约，她自6岁开始生活在丹麦。自1975年以来，她作为打击乐手参与和创立了许多音乐项目，也与众多重量级的音乐家有过合作，包括60年代自由爵士运动的中心人物之一——丹麦萨克斯手John Tchicai；New Jungle Orchestra的领队、前卫爵士吉他手Pierre D?rge；国际前卫爵士场景不可忽视的丹麦小号手Palle Mikkelborg；在世界范围内最知名的挪威低音提琴手Arild Andersen；Globe Unity Orchestra成员、德国自由爵士低音提琴手兼大号手Peter Kowald；20世纪最独特的一把嗓音——美国前卫爵士女声Jeanne Lee，和日本爵士钢琴家平林牧子等。

Marilyn Mazur 打击乐独奏

Marilyn创立了和参与了多个以其为核心、极具特色的音乐项目，包括Marilyn Mazur Group、7人乐团Future Song，以及由10位斯堪的纳维亚女性乐手与挪威舞者Tine Erica Aspaas组成的跨界乐团Shamania等。

在其漫长的职业生涯中，Marilyn获得过无数丹麦与国际的奖项和荣誉。美国爵士杂志《Down Beat》在1989、1990、1995、1997、1998、2002和2008年都将她评为“值得获得更广泛关注的打击乐人才”；2001年她获颁全球最大的国际爵士奖项Jazzpar奖；1998年和2001年两度被提名北欧理事会音乐奖；2016年被选为瑞典皇家音乐学院成员；2017年获Wilhelm Hansens作曲家奖和荣誉奖……

? Kim Lessel

Performing in the 70’s as a dancer, composer and pianist, Marilyn switched to percussion and drums as her main instruments when she was 19.

Since then Marilyn has been very active as a composer, bandleader and musician in a vast number of connections.

She has been a member of the orchestras of i.e. Miles Davis (1985-89), Wayne Shorter (1987) and Jan Garbarek (1991-2005), touring in the entire world with these names.

Marilyn leads several of her own bands and special projects, often based in Denmark. Besides these projects, she composes music for film, theatre etc.

Marilyn (jumping) and Primi Band

She creates and performs continuously in numerous exciting projects, specializing in playing on large set-ups with instruments from most of the world. Her adventurous compositions have strong melodic qualities and elements of odd rhythms, complex figures and their own kind of poetic nordic minimalism. In the more recent years, her music has been heard in:

MM’s Shamania (11-piece women music theatre, formed 2015, CD 2019)

Maluba Orchestra (13-piece band in collaboration with Fredrik Lundin and Kasper Bai, CD 2019) Cronholm/Mazur/Jonsson Trio (CD 2014: Flamingo Sky)

Mazur’s solo-CD for ECM (with Jan Garbarek as guest) 2008 ELIXIR

MM’s Trylleorkester (Magic music for and with children, live and illustrated CD)
MM’s Future Song (20 years jubilee 2009, 3 CD-releases)
Percussion Paradise (2000-2007)
Marilyn Mazur Group (with i.e. Fredrik Lundin, double CD 2010)
Makiko Hirabayashi Trio (4 CDs)
MM’s Celestial Circle (w. John Taylor, Anders Jormin, Josefine Cronholm, ECM-CD juni 2011)
Choir Projects (Eksistens w. Tritonus choir+Quartet, CD 2014)
and in various projects:
As composer/soloist with Danish Radio Big Band 2018

The dance-production Blueprint (w. ?ben Dans 2005)
Spirit Cave (w. Jan Bang, Nils Petter Molv?r and Eivind Aarset)

Christian Braad Thomsen’s portrait film MM-Queen of Percussion (2006)
Camilla Plums gardening program in danish national television

Solo performance for children at London Jazzfestival, incl. commissioned piece for teacups

She recorded and played as a soloist/musician in numerous constellations, i.e. Brazilian Landscapes with Michala Petri and Daniel Murray (2016)

Lars M?llers Rewrite of Spring.

Norrbotten, De Nada and WDR big bands

Palle Mikkelborgs projects, and with Gil Evans, Eliane Elias, Flora Purim, John Tchicai, Dhafer Youssef, Dave Liebman and many more

Marilyn Mazur和Jan Garbarek在录音室 2005

Marilyn has received many Danish and international awards in her long career, i.e. the Jazzparprize (01), the international/german Eurocore, the Wilhelm Hansens Composers Award and their honorary award 2017. She has been nominated twice for Nordic Councils Music Prize (1998 & 2001). As a composer she receives a lifetime honorary grant from the Danish Arts Foundation. In 2016 she was elected as member of the Royal Swedish Academy of Music.

平林牧子三重奏

Makiko Hirabayashi Trio

“日本有不少优秀的钢琴家，但平林牧子胜人一筹的地方，就在于她会邀请你进入一个奇妙的音乐宇宙，在那里，人类情感的深度和多样形式得以展现，并成为了故事传述之地。”

——日本音乐评论家青木和富

? Matthias Wigger

自其2006年首张三重奏专辑发行以来，日本钢琴家、作曲家平林牧子便以其鲜明的个人风格在国际爵士乐届广获赞誉。她令人耳目一新的作曲，以及三重奏成员之间充满活力的默契配合，赢得了世界各地乐迷的青睐。这支劲旅的成员还包括了蜚声国际的丹麦鼓手、打击乐手Marilyn Mazur（1985-1989年Miles Davis Goup成员、1991-2005年Jan Garbarek Group成员）和她长年的合作伙伴、贝斯手Klavs Hovman。他们在欧洲和日本频频献演，同时也被邀请到包括以色列、埃及和马来西亚在内的众多国家和地区演出。

平林牧子三重奏 - Live at Montmartre，2018

乐队以他们充满活力的互动与配合、强大的作曲能力和娓娓道来般的演奏特质，在成千上百的钢琴三重奏中赢得了自己的一席之地。他们的作品和演奏都给人一种轻盈的透明感，将引领你进入一个充满惊喜的世界，被《Jazz Special》评价为“深度交融而生机勃勃的三人演奏”。远东风情、北欧情调，又或是爵士乐和古典音乐的元素，都被毫不做作地塑造为属于他们自己的、引人入胜的声音。

平林牧子1966年生于日本东京，4岁开始学习钢琴，9岁开始学习小提琴。她曾在香港度过了5年的童年时光——在这个文化大熔炉的生活体验给她带来了持续的影响。少年时期，她开始对电影配乐产生兴趣，并在20岁获得了波士顿伯克利音乐学院的奖学金。浸淫在波士顿的爵士乐场景之中的她，开始将更多的兴趣和注意力转向了爵士和即兴。毕业后，她将活动中心转移到了丹麦的哥本哈根，并开始了作为钢琴家和作曲家的职业生涯。

在其职业生涯中，平林牧子曾和爵士与世界音乐领域的许多音乐家有过合作。她前不久才参与了意大利传奇小号手Enrico Rava的二重奏/四重奏演出，同时她也是Marilyn Mazur多个音乐项目的活跃成员，并曾与许多欧洲顶级的音乐家同台，如Norma Winstone、Nils Petter Molv?r、Eivind Aarset和Fredrik Lundin等。

平林牧子三重奏 ? Michael Wassenberg

“There are many fine pianists from Japan, but more than anyone, Makiko Hirabayashi invites you to the musical universe of wonder, where the depths and forms of the human emotions are revealed, and become landscapes where stories are told.”

- Japanese music critic Kazutomi Aoki

Since the release of her first trio album in 2006, Japanese pianist/composer Makiko Hirabayashi has received wide critical acclaim as a personal voice on the international jazz scene. The freshness of both her compositions and the trio’s vibrant interplay has caught the ears of many listeners around the world. The trio, featuring drummer/percussionist Marilyn Mazur (Miles Davis Group 85-89, Jan Garbarek Group 91-05) and bassist Klavs Hovman, has been her main focus in the recent years, where she established her unique sound through performances in Europe and Japan, as well as less travelled parts of the world e.g. Israel, Egypt and Malaysia.

? Nicola Fasano

This trio is known for their vibrant interplay and strong compositions with a great story telling quality, which can take you in surprising directions, once described in Jazz Special as “deeply integrated, fiercely vibrant trio playing”. Both their compositions and playing have a certain kind of lightness or transparency to it. Amongst thousands of piano trios, they earn their place as a personal voice that cannot be heard elsewhere. Elements of Far Eastern music, Nordic moods, jazz and classical music are all molded uncontrivedly into an intriguing, compelling sound of their own.

Makiko Hirabayashi was born 1966 in Tokyo, Japan. She started playing piano at the age of 4, and subsequently violin at 9. Spending 5 years of her childhood in Hong Kong – a cultural melting pot at the time, has had a lasting impact on her life. As a teenager, she became interested in film scoring and won a scholarship to Berklee College of Music in Boston, where she became more involved with jazz and improvisation. After graduation, she moved to Copenhagen to start her career as a pianist and composer.

Throughout her career, Makiko has collaborated with a wide range of musicians, both on the jazz scene and the world music scene. She has recently performed duo/quartet concerts with the legendary Italian trumpeter, Enrico Rava. She also plays an active roll in numerous projects led by Marilyn Mazur, and has worked with many of Europe’s top notch musicians, including Norma Winstone, Nils Petter Molv?r, Eivind Aarset, Auden Kleive, and Fredrik Lundin.

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