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迈克尔·耐贾尔展览《外层空间》作品介绍 (6) ：动能漂移 "kinetic drift", (2014)

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动能漂移 "kinetic drift" (2014)

“kinetic drift”

2014

hybrid photography, archival pigment print, diasec, custom-made aluminium frame

混印摄影，收藏级喷墨打印，Diasec 装裱，定制铝框

132 x 202 cm

作品“动能漂移”探索了在微重力环境中发生的空间定向失调的过程。人类在太空轨道的出现使得外层空间的日趋商业化。而人类在零重力环境中前庭系统会紊乱，前庭系统负责我们的平衡感和空间定向。由于失去了稳定的重力参考点，宇航员在垂直度的感觉上经历了任意和意想不到的变化。从一个点观察时完全熟悉的透视在从不同的上下参考点观察时可能会变得不熟悉。

作品“动能漂移”展现了迈克尔·纳贾尔 (Michael Najjar)2013 年 10 月在俄罗斯星城尤里·加加林宇航员培训中心 (Yuri Gagarin Cosmonaut Training Center) 进行的零重量飞行。艺术家本人正在执行一架俄罗斯伊柳辛 IL-76 抛物线飞行中的动态漂移。他在失重状态下漂浮了10 多段时间，空间迷失了方向，他拍摄了一系列他周围的空间的照片。他用这些来对空间环境进行数字化重建，构建了一个虚构的空间，例证了熟悉的空间轴的丢失。作品画面的中心正是艺术家本人处于失重状态。

“kinetic drift” explores the process of spatial disorientation, which occurs in a microgravity environment. Commercia- lization of outer space may depend upon an increased human presence in orbit. Sojourns in zero gravity environ- ments cause disruptions of the human vestibular system which is responsible for our sense of balance and spatial orientation. Deprived of a stable gravitational reference point, astronauts experience arbitrary and unexpected changes in their sense of verticality. Perspectives that are thoroughly familiar when viewed from one point may become unfamiliar when viewed from a different up-down point of reference.

The artwork “kinetic drift” draws on a Zero-G flight taken by Michael Najjar in October 2013 at the Yuri Gagarin Cosmonaut Training Center in Star City, Russia. The artist himself is performing the kinetic drift during a parabolic flight in a Russian Ilyushin IL-76. Over 10 periods of floating in weightlessness, and spatial disorientation he took a series of photos of the space around him. He used these to make a digital reconstruction of the spatial environment, building a fictive space exemplifying the loss of familiar spatial axes. The center of the composition shows the artist himself in a state of weightlessness.

更多关于艺术家

More about the artist

迈克尔·耐贾尔(生于1966 年) 在德国柏林工作和生活。耐贾尔的照片和录像作品充分体现了他对艺术的跨学科理解。他有关形式和内容的图像语言可以引导观众进入一个由图像和元素蒙太奇而成、以模拟现实的复杂结构。他将摄影图像从其固有的观览模式中移除，并重置于一种全新的视角下。耐贾尔将科学、艺术和技术融入进有关高新技术影响下未来社会秩序的愿景和乌托邦中，对塑造及改变了 21 世纪的技术力量进行了复杂的批判。

耐贾尔的作品曾展出于巴塞罗那的米罗基金会美术馆 ; 2006 年威尼斯双年展第十届国际建筑展 ; 第九届哈瓦那双年展 ; 第七届莫斯科国际艺术双年展 ; 柏林艺术学院 ; 科隆路德维希博物馆 ; 汉堡美术馆 / der Gegenwart 画廊 ;Deichtorhallen 汉堡国际摄影博物馆 ; 玛尔塔黑尔福德博物馆 ; 奥尔登堡 Edith Russ Site for Media Art 美术馆 ; 图森艺术博物馆 ; 伦敦科学博物馆 ; 伯明翰当代艺术博物馆 ; 阿姆斯特丹新媒体艺术学院 ; 米兰 FORMA 国际摄影中心 ; 日内瓦 CIC 当代艺术中心 ; 萨拉曼卡 Museo DA2 (Domus Artium 2002); 马拉加当代艺术中心 ; 马略卡岛帕尔马 Museo Es Baluard; 台北国家科学博物馆 ; 北京中央美术学院等。

纳贾尔的作品曾多次参加国际艺术馆展览和双年展。如巴塞罗那Joan Miro基金会，威尼斯双年展、第十届国际建筑展、第九届哈瓦那双年展和北京双年展、第七届莫斯科国际双年展等。纳贾尔在下列国家和国际博物馆、机构和画廊展出: 柏林艺术学院；路德维希博物馆,科隆；汉堡美术馆，汉堡; 德国汉堡国际摄影博物馆；德国玛尔塔博物馆; 伦敦科学博物馆; 北京中央美术学院。纳贾尔《外层空间》中的作品被收纳于以人类文明为主题的摄影展《文明》中。该展览已在韩国和北京展出，并将在墨尔本的维多利亚国家美术馆以及众多欧美城市展出。

Michael Najjar (b. 1966) works and lives in Berlin, Germany. Najjar’s photo and video works exemplify and draw on his interdisciplinary understanding of art. His pictorial language of form and content guides the viewer into a complex construction of simulated reality which is generated by the montage of multiple image sources and elements. He removes the photographic image from its historical viewing conventions and resituates it in a fundamentally new mode of perception. Fusing science, art, and technology into visions and utopias of future social orders emerging under the impact of cutting-edge technologies, Najjar takes a complex critical look at the technological forces shaping and drastically transforming the early 21st century.

Najjar has exhibited at Joan Miró Foundation, Barcelona; the 2006 Venice Biennale’s 10th International Architecture Exhibition; the 9th Havana Biennale; the 7th International Moscow Biennial; Academy of Arts, Berlin; Museum Ludwig, Cologne; Kunsthalle Hamburg / Galerie der Gegenwart, Hamburg; Deichtorhallen International Museum of Photography, Hamburg; Marta Museum, Herford; Edith Russ Site for Media Art Oldenburg; Museum of Art, Tucson; Science Museum, London; Museum of Contemporary Art, Birmingham; New Media Art Institute, Amsterdam; FORMA International Centre for Photography, Milan; Centre pour l’image contemporaine, Geneva; Museo DA2 (Domus Artium 2002), Salamanca; Centro de Arte Contemporaneo, Málaga; Museo Es Baluard, Palma de Mallorca; National Museum of Science, Taipei; Central Academy of Fine Arts, Beijing.

Images from Najjar’s Outer Space is also featured in ‘Civilization', an international photo exhibition that explores the current state of humankind. It has shown in Korea, Beijing and opens this month at the National Gallery in Victoria, Melbourne before moving to Europe and the Americas.

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