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【OCT-LOFT爵士音乐节】明天丨放映 / Jozef van Wissem / Eli Keszler

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10.13 / 15:00 - 16:00

爵士角落：“1369”的黄金岁月

A Place For Jazz

美国 USA

场地 Venue：A3+

免费入场 Free Admission

导演 Director: Richard Broadman

时长 Time: 68 分钟 68 min.

年份 Year: 1991

语言 Language: 英语 English

字幕 Subtitles: 无 None

10.13 / 20:00 - 21:00

Jozef van Wissem

荷兰 Netherlands

Jozef Van Wissem - 鲁特琴 Lute / 人声 Vocals

10.13 / 21:20 - 22:20

Eli Keszler

美国 USA

Eli Keszler - 鼓 Drums / 打击乐 Percussions

放映 Screening

15:00 - 16:00

爵士角落：“1369”的黄金岁月

《A Place For Jazz》

导演 Director: Richard Broadman

场地 Venue

华侨城创意文化园北区A3+

A3+, North District of OCT-LOFT

*放映为免费活动

Free admission for Screening.

演出 Concert

第一场 1st Set 20:00 - 21:00

Jozef van Wissem

第二场 2st Set 21:20 - 22:20

Eli Keszler

演出流程 Agenda

18:30 兑票 / 售票

19:30 观众入场

20:00 演出开始

一张门票可观看当晚两场演出

预售将于演出当天00:00下架

爵士角落：“1369”的黄金岁月

《A Place For Jazz》

《爵士角落：“1369”的黄金岁月》( A Place for Jazz ) 电影片段：

风琴手Lonnie Smith在1369的演出

1369的内部环境

“1369”是一家爵士俱乐部，位于马塞诸塞州英曼广场剑桥街1369号。今天，它是一家普通的咖啡厅，但在1984到1988年之间，它是一个见证历史的地方。《爵士角落："1369"的黄金岁月》记录了1369爵士俱乐部最精彩的三年时光——1985到1988年8月。导演Richard Broadman、摄像师和制作助理John Bishop与哈佛大学爵士节目总监Michael Haggerty一同记录了这个俱乐部三年时光里的精彩演出，并深度采访了在这里演出的音乐家、俱乐部工作人员以及观众，其中不乏当时最重要的爵士音乐家，包括Joe Lovanno、Archie Shepp、Steve Lacy、Henry Threadgill、Mel Lewis、Dr. Lonnie Smith、Andrew Cyrille、Kenny Werner、Ricky Ford和Fred Hopkins等。

一些布鲁斯音乐家在1369

The “1369”, was located at 1369 Cambridge St., Inman Sq., Cambridge, Ma. Today it is a cafe. Between 1984 and 1988 it was a happening.

“A Place for Jazz” was filmed over the course of three years at the 1369 Jazz Club. Beginning in 1985 and concluding in August, 1988, award-winning filmmaker Richard Broadman, cameraman / assistant producer, John Bishop, and Harvard University Jazz Program director Michael Haggerty, recorded live performances and in-depth interviews with local musicians, club staff, audience members, and some of the most important Jazz artists of the time. Among those interviewed and performing live are Joe Lovanno, Archie Shepp, Steve Lacy, Henry Threadgill, Mel Lewis, Dr. Lonnie Smith, Andrew Cyrille, Kenny Werner, Ricky Ford, and Fred Hopkins.

Jozef van Wissem

“他的音乐具有鲜明的特质，朴素、极简而直击人心，仿佛让听众进入一个他创造的私密世界，并透过黑色的玻璃向外窥探。”（The Quietus网站）

Jozef van Wissem既是一位先锋作曲家，也是一位传统巴洛克鲁特琴演奏家，因此他熟悉这两个截然不同的世界，他一直在把鲁特琴从学院带到更平易近人的音乐场景。Jozef van Wissem曾在教堂和世界各地的演出现场进行过1200多场鲁特琴独奏，演奏那把为他量身定做的漆黑的鲁特琴。伦敦国家美术馆曾委拖Jozef van Wissem为汉斯·荷尔拜因的画作《大使们》（The Ambassadors，1533）创作声音作品，俄罗斯艾尔米塔什博物馆则邀请其演奏卡拉瓦乔的作品《鲁特琴师》（The Lute Player，1596）上所描绘的牧歌。

他曾和著名电影导演贾木许（Jim Jarmusch）合作发行过三张专辑。在2013年，他凭借为贾木许执导的电影《唯爱永生》所作的配乐，获得了戛纳电影节颁发的最佳配乐奖。

Jozef van Wissem - Our Hearts Condemn Us

Live @ Bimhuis - Amsterdam

He sets the listener into a private world, looking out through a glass darkly, such is the intense quality of the music. Brevity, simplicity, directness is the key. — The Quietus

Van Wissem is both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy (New York Times). He has been pushing the lute’s agenda out of the academy and into more accessible circles (Pitchfork). He’s performed over 1200 solo lute concerts in churches and at concert venues around the world, playing his all black, one-of-a-kind baroque lute custom build for him. He was commissioned to compose a sound piece for Hans Holbein’s painting ‘The Ambassadors” (1533) by the National Gallery. In December 2017 he was invited to perform the madrigal depicted in Caravaggio’s painting ‘the Lute Player ‘(1596) at the Hermitage museum.

Van Wissem has released three records with the film director Jim Jarmusch. In 2013 he won the Cannes Soundtrack Award for best score at the Cannes Film Festival for Only Lovers Left Alive.

Eli Keszler

“Eli Keszler的作品呈现出的是悖论，他是一位根植于朋克摇滚和自由即兴的打击乐器演奏家，在他的音乐中融合了混乱和秩序……”——Steve Smith,《纽约时报》

Eli Keszler是一位现居纽约的跨界艺术家、作曲家和打击乐演奏者，毕业于新英格兰音乐学院的他八岁开始打鼓，十二岁开始作曲。Eli Keszler的艺术实践多围绕公共建筑、空间、视觉、装置和即兴打击展开。他的作品一般运用微处理控制器和发声装置，并发动感应器去带出碰撞、刮擦和震动。他的声音艺术装置曾在多家艺术机构上展出，如：林肯中心、麻省理工视觉艺术中心、67 Ludlow画廊、维多利亚和阿尔伯特博物馆、南伦敦画廊、Hessel博物馆、Carpenter视觉艺术中心、Luma基金会、乌特勒支中央博物馆、Walker艺术博物馆、LAX Art空间以及MoMA PS1等。

如今，Eli Keszler在SHELTER PRESS、EMPTY EDITIONS、ESP-DISK和PAN AND REL等厂牌发行过专辑，其最新个人专辑《Stadium》于2018年10月12日发行。作为一名作曲家， Eli Keszler曾接受来自冰岛交响乐团、国际当代艺术团、布鲁克林弦乐团等乐团的委托创作打击乐。Eli Keszler还曾与Oneohtrix Point Never、Laurel Halo、Rashad Becker和David Grubbs等著名作曲家、音乐家合作。

Eli Keszler - Stadium (Live at The Kitchen)

“Eli Keszler’s work presents several paradoxes. A percussionist with roots in punk rock and free improvisation, he fuses chaos and order in his drumming...”

—— The New York Times

Eli Keszler is a New York-based artist, composer, and percussionist. His installations, music, and visual work have appeared at Lincoln Center, MIT List Center, 67 Ludlow, Victoria & Albert Museum, South London Gallery, Hessel Museum, Carpenter Center for the Visual Arts, Luma-Foundation, Centraal Museum in Utrecht, Walker Art Museum, LAX Art, and Greater New York at MoMA PS1.

Eli Keszler has released solo records for Shelter Press, Empty Editions, ESP-DISK’, PAN and REL Records, his latest solo record on Shelter Press, entitled Stadium, was released on October 12, 2018. As a composer, Keszler’s commissions include: the Icelandic Symphony Orchestra, ICE Ensemble, Brooklyn String Orchestra and So Percussion. Keszler has collaborated with Oneohtrix Point Never, Laurel Halo, Kevin Beasley, Rashad Becker, Laure Prouvost, and David Grubbs among others.

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