吉塞普 · 佩诺内 / “Matrice di Linfa”展览现场 / 巴黎耶纳宫，2019
今年的FIAC巴黎国际当代艺术博览会期间，法国经济、社会与环境委员会（French Economic, Social and Environmental Council）邀请吉塞普 · 佩诺内（Giuseppe Penone）在耶纳宫宏伟的多柱厅展示其作品。这是艺术家自2013年之后在巴黎的全新个展，由法国经济、社会与环境委员会与玛丽安 · 古德曼画廊合作举办，展出大型作品《Matrice di Linfa》（养分的发源地）以及艺术家为此次展览特别制作的两件新雕塑。在《Matrice di Linfa》的创作过程中，佩诺内通过移除记录一棵杉树生长过程的80圈年轮，介入了其历史。这件作品象征着法国经济、社会和环境委员会对环境的承诺，同时庆祝法国建筑师奥古斯特 · 佩雷（Auguste Perret）的杰作耶纳宫建成80周年。
吉塞普 · 佩诺内 / “Matrice di Linfa”展览现场 / 巴黎耶纳宫，2019吉塞普 · 佩诺内 / “Matrice di Linfa”展览现场 / 巴黎耶纳宫，2019吉塞普 · 佩诺内将《Matrice di Linfa》视为具有一种动物力量的雕塑，作品同时也像一本打开的书，一座“绵长的祭坛”或一艘“由树枝的力量推动、往返穿梭于太空的细长飞船”。这件精彩的雕塑由两部分组成，每部分长二十米，以源自法国阿尔卑斯山奇迹山谷（Vallée des Merveilles）的一棵杉树为材料，结合艺术家特有的多种创作手法制作而成。吉塞普 · 佩诺内将杉树从中间截断，把树干中心的木头刨除，如同顺着年轮的纹路，提取了树的部分记忆。艺术家将带有自己身体印记的陶土元素置于掏空的树干中，并将类似于树液的红色植物树脂倾倒其中。杉树枝曾于季节变迁中逐渐生长，如今则作为树干的支撑，立于巨大的皮革毯之上。吉塞普 · 佩诺内 / “Matrice di Linfa”展览现场 / 巴黎耶纳宫，2019吉塞普 · 佩诺内 / “Matrice di Linfa”展览现场 / 巴黎耶纳宫，2019《Matrice di Linfa》是佩诺内非常有代表性的一件作品，具化体现了艺术家与树之间的联系。雕塑成为了一个凝聚艺术家雕塑实践精髓的“母体”（matrix）。这件作品十年前在巴黎国立高等美术学院首次展出。
在耶纳宫的展览则是《Matrice di Linfa》首次与《Pensieri di foglie》系列（叶的思绪，2014-2017）的两件雕塑共同展出。作品放置在大厅立柱的两侧，靠近树的两部分结合的位置，参观者可以在几件作品之间行走观看。艺术家制作的青铜树枝与树叶，与经由河流天然雕刻而成的石头相结合，共同形成人的轮廓。与《Matrice di Linfa》一样，《Pensieri di foglie》揭示了在材料之中留存的历史，体现人与自然的相互依存。
吉塞普 · 佩诺内 / “Matrice di Linfa"展览现场 / 巴黎耶纳宫，2019吉塞普 · 佩诺内 / "Matrice di Linfa"展览现场 / 巴黎耶纳宫，2019
佩诺内的作品是与自然联系紧密的创作过程的一部分。自七十年代末及其早期创作以来，他持续从自然中汲取诸多灵感。他运用简单的动作，介入或从形状上探索木材、青铜、大理石、石头、金合欢刺和树叶等天然材料，且往往与身体的部分或印记相结合，连接人与自然。艺术家表示：“我所感兴趣的，是人类作品开始成为自然的时候。” 为展览制作的纪录短片将每日在耶纳宫的多功能厅放映。短片记录了《Matrice di Linfa》以及其它作品的创作过程。
吉塞普 · 佩诺内将于10月17日（星期四）下午5时30分在耶纳宫多功能厅与著名独立策展人杰马诺 · 切兰特（Germano Celant）进行对谈（免费入场）。
吉塞普 · 佩诺内 / 《Matrice di Linfa》画册，签名限量版 / 46.5 x 32.5cm / 玛丽安 · 古德曼画廊出版，2019
吉塞普 · 佩诺内 / 《Pensieri di foglie》素描手稿，2019 / 玛丽安 · 古德曼画廊，巴黎为此次展览画廊还专门出版了一本小画册，以及带有艺术家签名并编号的艺术书（限量35份）。10月15日至24日期间，玛丽安 · 古德曼画廊将在画廊小展示厅推出一批艺术家的素描作品以及一件与该展览直接相关的《Pensieri di foglie》雕塑。吉塞普 · 佩诺内，2019 / 摄影：Laurence Sudre，Courtesy 玛丽安 · 古德曼画廊吉塞普 · 佩诺内1947年出生于意大利北部皮埃蒙特地区的加雷肖（Garessio）。他曾在都灵美术学院学习雕塑。杰马诺 · 切兰特将其早期创作与贫穷艺术（Arte Povera）联系起来。他曾于2014年获得享有盛誉的高松宫殿下纪念世界文化奖雕塑奖。2007年，他代表意大利参加第52届威尼斯双年展。2004年，巴黎蓬皮杜艺术中心为艺术家举办了一场大型回顾展。吉塞普 · 佩诺现在意大利都灵生活和创作。艺术家的作品曾在众多知名美术馆展出，其中包括：萨尔州立博物馆（Saarlandmuseum），萨尔布吕肯现代美术馆（Moderne Galerie Saarbrücken，展览正在进行中），意大利文明宫（Palazzo della Civiltà，2017年）；特伦托和罗韦雷托现当代艺术博物馆（MART，2016年），达拉斯纳什尔雕塑中心（Nasher Sculpture Center，2015）；洛桑州立美术馆（Musée Cantonal des Beaux-Arts，2015年）；贝鲁特艺术中心（Beirut Art Center ，2014年）；格勒诺布尔博物馆（Musée de Grenoble，2014年）。近年来，艺术家还在著名的公共花园或雕塑公园中展出大型雕塑，例如：英国约克郡雕塑公园（Yorkshire Sculpture Park，2018-2019年）；法国Le Puy Sainte Reparade的拉科斯特城堡（2017年）；阿姆斯特丹国立博物馆花园（2016年）；都灵附近的维纳利亚宫公园（2015年）；佛罗伦萨波波里花园（2014年）和凡尔赛宫花园（2013年）。
Giuseppe Penone
Matrice di Linfa
Palais d'Iéna – the French Economic, Social and Environmental Council
15 - 24 October 2019
During FIAC this year, the Palais d’Iéna – the French Economic, Social and Environmental Council has invited Giuseppe Penone to exhibit his work in its great hypostyle hall. For his first exhibition in Paris since 2013, organized in collaboration with Marian Goodman Gallery, the artist is presenting his monumental work Matrice di Linfa accompanied by two new sculptures created especially for the exhibition. In the making of Matrice di Linfa Penone intervened in the history of a fir tree by removing eighty rings of its growth. This work is emblematic of the CESE’s commitment to the environment and celebrates the 80th anniversary of Auguste Perret's architectural masterpiece.Giuseppe Penone considers Matrice di Linfa as a shape with an animal force, it also evokes an open book, a “long sacrificial altar” or “a long and thin boat sailing back and forth in the space, pushed by the strength of its branches.”This outstanding sculpture of two parts, each 20 meters long, made from a fir tree found in the Vallée des Merveilles in the French Alps, results from a multiplicity of gestures, typical of Penone’s practice. After having cut the fir tree in half length ways Giuseppe Penone removed wood from the trunk, and following the growth rings, extracted part of the tree’s memory. A red vegetal resin, resembling the tree’s sap, was poured into the central cavity, in which the artist placed terracotta elements bearing imprints of his own body. The fir tree’s branches, which grew season by season, now support the trunk, resting on large carpet of leather. Matrice de Linfa, a work so emblematic of Giuseppe Penone, embodies the connection between the artist and the tree. The sculpture becomes a “matrix” condensing the essence of his sculptural practice. It was first exhibited 10 years ago at the Ecole nationale supérieure des beaux-Arts in Paris. At the Palais d’Iéna, Matrice Di Linfa is exhibited for the first time with two sculptures from the Pensieri di foglie series(2014 - 2017). The works are installed either side of the central columns, near the space between the two parts of the tree where visitors are invited to walk. The branches and leaves in bronze created by the artist combined with naturally sculpted stones from a riverbed, form together an anthropomorphic silhouette. As with Matrice Di Linfa, the works Pensieri di foglie reveal the history preserved within the materials and evoke the interdependence of man and nature. Penone’s work is part of a process that is closely linked to nature, from which he has drawn much inspiration since the late seventies and his early works. His simple gestures, interventions or formal explorations on natural materials such a wood, bronze, marble, stone, acacia thorns and leaves are often associated with body fragments or imprints, which connect man to nature. “What interests me, says the artist, it is when humans’ work starts to become nature.”A short documentary-film created for the exhibition and screened every day in the auditorium of the Palais d’Iéna, documents the creative process employed in the making of Matrice di Linfa and other works.Giuseppe Penone will be in conversation with Germano Celant on Thursday 17th October at 5:30PM in the auditorium of the Palais d’Iéna (free admission). An exhibition booklet as well as a signed and numbered artist’s book (edition of 35) accompany the exhibition. Concurrently, a selection of drawings and a Pensieri di foglie sculpture directly related to this exhibition, are on display in the viewing room of Galerie Marian Goodman, 79 rue du Temple, Paris 3e, from the 15th to the 24th October.Giuseppe Penone was born in 1947 in Garessio in Piemonte region, Northern Italy. He studied sculpture at the Accademia di Belle Arti in Turin; his early work was associated by Germano Celant with the Arte Povera. As a sculptor, he received the prestigious Praemium Imperiale award in 2014. In 2007 he represented Italy at the 52nd Venice Biennale. The Centre Pompidou in Paris organized a major retrospective show of his work in 2004. Giuseppe Penone lives and works in Turin, Italy. His work has been shown in numerous major museums, such as the Saarlandmuseum, Moderne Galerie Saarbrücken (exhibition still on view); the Palazzo della Civiltà, Rome (2017); the Museum of Comtemporary Art of Trente and Rovereto (MART) (2016); the Nasher Sculpture Center, Dallas (2015); the Musée Cantonal des Beaux-Arts, in Lausanne (2015); the Beirut Art Center (2014); the Musée de Grenoble (2014). Recently he has also installed monumental sculptures in prestigious public gardens or sculpture parks such as, the Yorkshire Sculpture Park in Wakefield (2018 - 2019); the domaine du Chateau La Coste in Le Puy Sainte Reparade, France (2017); the gardens of the Rijksmuseum in Amsterdam (2016); the park of Venaria Reale near Turin (2015); the Giardino di Boboli in Florence (2014) and the gardens of the Chateau de Versailles (2013).
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HIROSHI SUGIMOTO
PAST PRESENCE
SEPTEMBER 10 – OCTOBER 26, 2019
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SEPTEMBER 11 – OCTOBER 23, 2019
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SEPTEMBER 19 – NOVEMBER 01, 2019
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