
Please scroll down for English.
讲者:
Pony Express
日期:
2019.10.27(周日)
时间:
2:00 – 4:00
地点:
新时线媒体艺术中心(上海市普陀区莫干山路50号18号楼)
语言:
英文(中文现场翻译)
*活动免费,报名请点击“阅读原文”
我们应该怎样称呼现在的地质时代?Pony Express与一群艺术家、思想家和生态愿景者合作,邀请你加入Epoch Wars —— 一项围绕命名地球下一个时代的激烈辩论而提出的干预性行动。
Epcoh Wars回应了有关命名“人类世”时代的论述。“人类世” -- 人类的近世纪 -- 被认为是由人类作为一种地质力量而定义的地球历史时代。2020年,一个小型人类联盟将提交“人类世”一词,以期在第36届国际地质大会上获得正式纳入化石记录的批准。“人类世”作为一种表达当今焦虑和恐怖的方式而在艺术、学术界和新闻界广受欢迎,但付出了什么代价呢?
Pony Express通过“Epoch Wars”颠覆了地质命名的过程,替代性地强调声音和视觉来命名我们的时代。谁将有资格或不具备资格来代表下一个10,000代做出决定?时代的名称如何影响我们协商自己在世界中处境的方式?进入Epoch Wars即是提出:如何称呼一个值得消逝在其中的未来?
图片由艺术家惠允
< 更多阅读 >
-《用石头书写》(Written in Stone)(作者:詹姆斯·韦斯科特 (James Westcott))(https://aeon.co/essays/is-rushing-to-declare-the-anthropocene-also-human-error)
-《我们是否进入了行星历史的新阶段》(Have We Entered A New Phase of Planetary History)(作者:妮可·戴维森(Nicole Davidson))(https://www.theguardian.com/environment/2019/may/30/anthropocene-epoch-have-we-entered-a-new-phase-of-planetary-history#img-4)
-《反对官方人类世》(Against the Official Anthropocene)(作者:CJ库莫 (CJ Cuomo))(https://petitions.moveon.org/sign/against-the-official-2)
- 通过作品确认“人类世”名称的艺术家:爱德华·伯汀斯基(Edward Burtynsky) )(https://theanthropocene.org/)
- 使用自己的时代名称作为其品牌延伸的艺术家:托马斯·萨拉塞诺(Tomas Saraceno)(https://aerocene.org/)
- 格伦·阿尔布雷希特(Glenn Albrecht)关于《退出人类世并进入共生世》(Exiting the Anthropocene and Entering the Symbiocene)(https://www.humansandnature.org/exiting-the-anthropocene-and-entering-the-symbiocene)
- 人类世,首都世,世茂世 (https://www.youtube.com/watch?v=GrYA7sMQaBQ)
- GSSP或Golden Spike:这些是地层年代学界用来宣布地质时代边界的标记(https://en.wikipedia.org/wiki/Global_Boundary_Stratotype_Section_and_Point)
- 人类世间工作组;由34名成员组成的委员会,将该名称作为科学真理进行了宣传 (http://quaternary.stratigraphy.org/working-groups/anthropocene/)
-《为什么人类世必须是人类世?》 (Why must the Anthropocene be a Manthropocene)(作者:凯特·拉沃思(Kate Raworth))(https://www.theguardian.com/commentisfree/2014/oct/20/anthropocene-working-group-science-gender-bias)
Pony Express的 “Epoch Wars” 预览:https://vimeo.com/212228558
Pony Express的Vimeo频道:https://vimeo.com/helloponyexpress
关于讲者
Pony Express是由伊恩·辛克莱(Ian Sinclair)和洛伦·克朗米耶(Loren Kronemyer)组成的实验性现场艺术二人组。Pony Express在媒体艺术、表演、影像和跨学科研究等领域内通过男女搭配的协作过程进行工作,他们创造的沉浸式替代现实反映了适应性、全球异质和慢性末日的主题。他们在各种传统和非传统场所内展示作品,与社区、组织和亚文化合作在环境未来的最前沿进行合作。该组织专注于酷儿生态和非人类政治,以建立困扰当今道德格局的世界。
Pony Express是利斯塔哈斯科利岛冰岛艺术大学的季节性讲师,曾在国内和国际上进行过展览和巡回演出,包括波尔图港、 圣桑杰洛节、黑暗MOFO、恩德贝利节、边缘世界、 珀斯当代艺术学院、气候世纪与专制–重要统计、 LiveWorks实验艺术节、Next Wave 音乐节、NIDA 艺术纸殖民地-维尔纽斯艺术学院、Westspace画廊、 OktoLab Artback NT、 海洋与南极研究所、康斯坦斯ARI、CP项目空间、纽约视觉艺术学院和澳大利亚摄影中心。
www.helloponyexpress.com
CAC Presents | Epoch Wars
Speaker:
Pony Express
Date:
2019.10.27 (Sunday)
Time:
2:00 - 4:00
Venue:
Chronus Art Center, Building 18, No.50 Moganshan Road, Shanghai
Language:
English (with Chinese translation)
*Free Admission, please click "Read More" for register.
What should we be calling our present geological age? Working with communities of artists, thinkers, and ecological visionaries, Pony Express invite you to join the Epoch Wars, a proposed intervention into the heated debate currently unfolding around what to name Earth's next era.
Epoch Wars responds to the discourse around the naming of the so-called “Anthropocene” epoch. The word ‘Anthropocene’, the human-recent era, is understood to mean the age of Earth’s history defined by humankind as a geological force. In 2020, the word ‘Anthropocene’ will be submitted by a small coalition for approval at the 36th International Geological Congress on its way towards formal adoption into the fossil record. ‘Anthropocene’ has gained popularity across the arts, academia, and journalism as a way to articulate the anxieties and horrors of our present day – but at what cost?
With Epoch Wars, Pony Express are subverting the process of geological nomenclature to highlight alternative voices and visions for the naming our era. Who is and isn't invited to the table when making a decision on behalf of the next 10,000 generations? How does the name of our era impact the way we negotiate our place in the world? To enter the Epoch Wars is to ask: what is the name of a future worth dying in?
< Additional reading >
- Written in Stone by James Westcott (https://aeon.co/essays/is-rushing-to-declare-the-anthropocene-also-human-error)
- Have We Entered A New Phase of Planetary History by Nicole Davidson (https://www.theguardian.com/environment/2019/may/30/anthropocene-epoch-have-we-entered-a-new-phase-of-planetary-history#img-4)
- Against the Official Anthropocene by CJ Cuomo. (https://petitions.moveon.org/sign/against-the-official-2)
- Artists affirming the name "Anthropocene" through their work: Edward Burtynsky (https://theanthropocene.org/)
- Artists using their own alter-epoch name as an extension of their branding: Tomas Saraceno (https://aerocene.org/)
- Glenn Albrecht on Exiting the Anthropocene and Entering the Symbiocene (https://www.humansandnature.org/exiting-the-anthropocene-and-entering-the-symbiocene)
- Anthropocene, Capitalocene, Chthulucen(https://www.youtube.com/watch?v=GrYA7sMQaBQ)
- The GSSP or Golden Spike: these are markers used to declare the boundary of a geological epoch by the chronostratigraphic community (https://en.wikipedia.org/wiki/Global_Boundary_Stratotype_Section_and_Point)
- The Anthropocene Working Group; the committee of 34 members advancing the name as a scientific truth (http://quaternary.stratigraphy.org/working-groups/anthropocene/)
- Why must the Anthropocene be a Manthropocene by Kate Raworth (https://www.theguardian.com/commentisfree/2014/oct/20/anthropocene-working-group-science-gender-bias)
Epoch Wars by Pony Express Preview: https://vimeo.com/212228558
More From Pony Express on Vimeo: https://vimeo.com/helloponyexpress
About the Speaker
Pony Express is an experimental, Live Art duo led by Ian Sinclair and Loren Kronemyer. Through their pandrogynous collaborative process, Pony Express work across platforms of media art, performance, video and transdisciplinary research, creating immersive alternate realities that reflect themes of adaptation, global weirding and the slow apocalypse. They present their work in a diverse array of traditional and non-traditional venues, cooperating with communities, organisations and subcultures at the forefront of environmental futures. The duo focus on queer ecologies and nonhuman politics to build worlds that trouble the ethical landscape of the present day.
Pony Express are seasonal lecturers at the Iceland University of the Arts, Listaháskóli íslands and have exhibited or toured nationally and internationally including Fórum do Futuro Porto; Santarcangelo Festival; DARK MOFO; Underbelly Festival; Fringe World; Perth Institute of Contemporary Arts; Climate Century and Adhocracy – Vital Statistix; LiveWorks Festival of Experimental Art; Next Wave Festival; NIDA Art Colony - Vilnius Academy of Arts; Westspace Gallery; OktoLab Artback NT; Institute of Marine and Antarctic Studies; Constance ARI; CP Projects Space; New York School of Visual Arts and the Australian Centre for Photography.
www.helloponyexpress.com
是什么使今天的计算机如此有趣,如此荒谬?
2019.10.30 – 2019.12.30
新时线媒体艺术中心 (CAC)
上海市普陀区莫干山路50号18号楼
Just What Is It That Makes Today’s Computers So Intriguing, So Nonsensical?
新时线媒体艺术中心(CAC)成立于2013年,系国内首家致力于媒体艺术之展示、研究/创作及学术交流的非营利性艺术机构。通过展览、驻留、奖学金、讲座、工作坊及相关文献的梳理与出版,CAC为媒体艺术在全球语境中的论述、生产及传播开拓了一个多样化且富有活力的平台。CAC以批判地介入不断改变进而重塑当代经验的媒体技术来推动艺术创新及文化认知。
Established in 2013, Chronus Art Center (CAC) is China’s first nonprofit art organization dedicated to the presentation, research / creation and scholarship of media art. CAC with its exhibitions, residency-oriented fellowships, lectures and workshop programs and through its archiving and publishing initiatives, creates a multifaceted and vibrant platform for the discourse, production and dissemination of media art in a global context. CAC is positioned to advance artistic innovation and cultural awareness by critically engaging with media technologies that are transforming and reshaping contemporary experiences.
www.chronusartcenter.org
更多展览以及艺术家信息请持续关注新时线媒体艺术中心微信公众号动态.
媒体垂询:media@chronusartcenter.org






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