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McaM “脑洞”艺术家丨LarbitsSisters, Lauren McCarthy, Memo Akten

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脑洞 —— 人工智能与艺术

策展人：邱志杰、龙星如

主办方：McaM 明当代美术馆

展期：2019.11.07 - 2020.02.09

展览开幕：2019.11.06

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参展艺术家及组合

艺术家介绍 Artist Bio

自2010年起，来自比利时布鲁塞尔的社交媒体研究员本艾蒂科特 · 雅科布斯和媒体艺术家罗瑞 · 安妮 · 雅科布斯成立了艺术家组合“拉比特姐妹”。他们的工作起源于对新媒体的共同迷恋，如今跨界艺术、科技、政治和社会问题领域。他们将研究和艺术实践融合到项目中，探索可追溯性、网络分析、算法，自动化，数据处理中的可能性。她们的工作重点是数字媒体中的创意驱动和模式。工作核心探讨是公共和私人，线上和线下，肆无忌惮的技术发展信仰和日常生活之间的摩擦。

2011年，LarbitsSisters成立了Larbitslab数字可视化研究实验室。Larbitslab汇集了艺术家和科学家，共同围绕网络社会中产生的问题进行探讨。Larbitslab的特别之处在于其方法论，它结合了观察实践、媒体分析以及技术和社会影响的研究。他们的作品已在多个国际展览和研讨会上展出。

艺术家过往作品

bitSOIL TRADER

Internet Yami-Ichi (インターネットヤミ市) Brussels #2, iMAL / Brussels (30 September – 1 October 2017)

eu4you

Coding/Decoding Borders

Espace Architecture Flagey

Brussels

13/04 > 31/05/2016

Algorithmic Tube Tales

21/09/2015

D.ART

Artenova | Mechelen

1/07 > 05/07/2015

Since 2010 social media researcher Bénédicte Jacobs (BE) and media artist Laure-Anne Jacobs (BE) form the artist duo LarbitsSisters. The work of the Brussels-based artist duo is situated at the crossroads of art, technology, political and societal issues. Their collaboration grew out of a shared fascination on new media, merging research and artistic practice onto projects in which concepts such as traceability, network analysis, algorithms, automation, data processing are explored. Their artistic practice focuses on the creative drives and patterns in digital media Central is the friction between public and private, online and offline; between the unbridled faith in technological progress and everyday life.

In 2011 LarbitsSisters founded ‘Larbitslab’ aimed at bringing together artists and scientists around societal issues brought by our networked societies. The specificity of Larbitslab lies in the methodological approach, which combines observing practices, media analysis and research on technical and societal implications of our contemporary networked society. Their work has been presented in several national and international exhibitions and symposia.

劳伦 · 麦卡锡是一位工作于洛杉矶的艺术家。她在今天充斥着自动化和算法的生存环境中探讨社交关系的状态。她是 p5.js 的创始人，这是一个开源的编程语言，在世界范围内有超过150万的用户。P5.js 帮助艺术家能通过代码在线学习创意表达。她同时也是 Processing 基金会的联合总监，这是一个非盈利组织，致力于在视觉艺术家中推广软件的阅读能力，并在技术相关领域提升人们的视觉审美，在此基础上，进一步促进这些领域能向更多元的社区开放。她是加州大学洛杉矶分校媒体艺术专业的副教授。

劳伦的作品在世界范围内展出，包括奥地利林茨电子艺术节、英国伦敦巴比肯艺术中心、苏黎世温特图尔摄影博物馆、计算机图形图像研讨会、都柏林科学画廊、首尔美术馆、日本媒体艺术节等。她曾经接受伦敦眼项目和林肯中心的委任创作。她于2019年获得“创造力资本”奖项、ZERO1艺术浮华项目奖项，获得圣丹斯学会、Eyebeam小组等项目的支持。她在卡耐基梅隆实验室、Autodesk、纽约大学交互设计项目、林茨电子艺术节等项目驻地。她是奈特基金会等项目的获奖人。她拥有美国麻省理工学院艺术设计方向理学学士，加州大学洛杉矶分校纯艺术硕士学位。

艺术家过往作品

作品：24h HOST

作品：Follower

作品：Waking Agents

Lauren McCarthy is an LA-based artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is the creator of p5.js, an open source programming language with over 1.5 million users, for learning creative expression through code online. She is Co-Director of the Processing Foundation, a non-profit whose mission is to promote software literacy within the visual arts, and visual literacy within technology-related fields—and to make these fields accessible to diverse communities. She is an Assistant Professor at UCLA Design Media Arts.

Lauren's work has been exhibited internationally, at places such as Ars Electronica, Barbican Centre, Fotomuseum Winterthur, SIGGRAPH, Science Gallery Dublin, Seoul Museum of Art, and the Japan Media Arts Festival, and she has worked on installations for the London Eye and the Lincoln Center for Performing Arts. She is a 2019 Creative Capital Grantee, ZERO1 Arts Incubator Resident, was a Sundance Institute Fellow, Eyebeam Resident, and has been in residency at CMU STUDIO for Creative Inquiry, Autodesk, NYU ITP, and Ars Electronica / QUT TRANSMIT3. She is the recipient of grants from the Knight Foundation, the Online News Association, Mozilla Foundation, Google AMI, Sundance Institute New Frontiers Labs, Turner Broadcasting, and Rhizome. She holds an MFA from UCLA and a BS Computer Science and BS Art and Design from MIT.

Memo Akten

Memo Akten 是来自土耳其伊斯坦布尔的艺术家、研究员和数学爱好者，他以计算为媒介和语言，研究自然、科学、技术、伦理、仪式、传统和宗教之间的冲突，探索科学与灵性之间的交叉点。通过使用算法和自定义软件，他将批判性、概念性的方法与对形式、运动和声音的研究相结合，设计自然和人为过程中的行为抽象和数据戏剧化。他的实践跨越移动影像、视频、声光装置和表演。在艺术实践的同时，他目前正在伦敦金斯密斯大学攻读人工智能和人机交互表达博士学位，以深造人机之间的协作创造和增强创意表达。他为试图理解世界和人性所着迷，并从物理学、分子与进化生物学、生态学、生物发生、神经科学、人类学、社会学和哲学等领域汲取灵感。

2013年，Akten 以与 Quayola 合作的作品 Forms 获得了Ars Electronica Golden Nica大奖。他2009年的作品 Body Paint 和 Gold 参与维多利亚与艾伯特博物馆(Victoria & Albert Museum)的展览：Decode，并参与巡展。他2017年的作品 Learning to see 目前正在巴比肯艺术中心 (Barbican) 举办的 More than human 展览中展出。其他过往参展和表演机构包括大皇宫 (巴黎)，皇家歌剧院 (伦敦)，莫斯科现代艺术博物馆 (莫斯科)，霍伦博物馆 (特拉维夫)，EYE 电影协会 (阿姆斯特丹)和里斯本建筑三年展 (里斯本)。

Akten 是开源软件的坚定支持者，他的许多开源工具和开源库都在全球范围内被使用。他是 openFrameworks 项目的核心贡献者之一，并在世界各地举办讲座和研讨会。2007年，他创立了 Mega Super Awesome Visuals 公司 (MSA Visuals)，一家跨越艺术和技术领域的创意工作室。在2011年，他与两个新合作伙伴将其发展为 Marshmallow Laser Feast (MLF)。2014年，在完成一系列非常成功、极具影响力的大规模项目之后，Memo 离开MLF，专注于个人创作、协作和研究。

艺术家过往作品

Deep Meditations

“Deep Meditations” at Sonar+D, Barcelona, Spain (2019)

Learning to See

“Learning to See” Interactive Installation at Barbican AI: More than Human, 2019

Body Paint

“Body Paint” at Sonar Istanbul 2019

Simple Harmonic Motion #12

Simple Harmonic Motion #12 for 16 Percussionists at RNCM (2015)

Memo Akten is an artist, researcher and philomath from Istanbul, Turkey, working with computation as a medium and language to investigate the collisions between nature, science, technology, ethics, ritual, tradition and religion; thinking about the intersections of science and spirituality. Working with algorithms and custom software he combines critical and conceptual approaches with investigations into form, movement and sound; designing behavioural abstractions and data dramatizations of natural and anthropogenic processes. His outputs span moving images; video, sound and light installations and performances. Alongside his practice, he is currently working towards a PhD at Goldsmiths University of London in artificial intelligence and expressive human-machine interaction, to deepen collaborative creativity between humans and machines and augment human creative expression. Fascinated by trying to understand the world and human nature, he draws inspiration from fields such as physics, molecular & evolutionary biology, ecology, abiogenesis, neuroscience, anthropology, sociology and philosophy.

Akten received the Prix Ars Electronica Golden Nica in 2013 for his collaboration with Quayola, ‘Forms’. His 2009 works ‘Body Paint’ and ‘Gold’ have toured with the Victoria & Albert Museum’s ‘Decode’ exhibition. His 2017 work “Learning to see” is currently part of the Barbican’s ‘More than human’ exhibition. Other exhibitions and performances include the Grand Palais (Paris FR), Royal Opera House (London UK), Moscow Museum of Modern Art (Moscow RU), Holon Museum (Tel Aviv IL), EYE Film Institute (Amsterdam NL) and Lisbon Architecture Triennale (Lisbon PT).

Akten is a strong supporter of open-source software and many of his open-source tools and libraries are used globally. He is one of the core contributors to the openFrameworks project, and he gives lectures and workshops around the world. In 2007 he founded The Mega Super Awesome Visuals Company (MSA Visuals), a creative studio spanning art and technology. In 2011, with two new partners this evolved into Marshmallow Laser Feast (MLF). In 2014, after a string of hugely successful, influential and large scale projects, Memo left MLF to focus on personal work, collaborations and research.

McaM Exhibition:

Mind the Deep: Artificial Intelligence

and Artistic Creation

Curators: Qiu Zhijie, Iris Long

Organizer: Ming Contemporary Art Museum (McaM)

Exhibition Period: 7 Nov, 2019 - 9 Feb, 2020

Exhibition Opening: 6 Nov, 2019

Artists & Collectives:

文中部分图片来源自艺术家网站

http://www.larbitslab.be/

https://lauren-mccarthy.com/

http://www.memo.tv