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展览推荐 | 行动的意义——刘彦湖新作展

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主办单位:

中央美术学院

同济大学

上海市闵行区文化和旅游局

巽汇

宝龙文化发展基金


Organizer:

Central Academy of Fine Arts

Tongji University         

Shang Hai Minhang District

Administration of Culture and Tourism

XUNWAY

Powerlong Art Foundation


策  展  人:孙周兴

学术主持:寒   碧

展览总监:严善醇


Academic Host: Hanbi

Exhibition Director: Yan Shanchun

Curator: Sun Zhouxing


展览时间:2019年11月9日-11月26日

开幕时间:2019年11月9日 下午三点

展览地点:宝龙美术馆(上海市闵行区漕宝路3055号)


Duration: 2019.11 .9-2019.11.26

Opening: 2019.11.9  3 pm

Address: Powerlong Museum

No.3055 Caobao Road, Minhang District,Shanghai





“刘彦湖新作展”呈现出艺术家试图回溯书法背后文字创生的源发背景,并以此搭建起文字书写与当下时代之间的崭新联系。将书法的经典性与文本的当代性相结合,激发全新的文字阅读(审美)体验,提示出在全球化语境下中国当代书法前沿推进的可能性路径。 


"Liu Yanhu's New Works" exhibition reveals the artist's journey to back to the origin of characters that underlie modern calligraphy, and builds new connections between this writing and the current era. By combining the classics of calligraphy with the contemporariness of the text, he finds that we can stimulate a fresh experience of text reading (aesthetic), and discover new paths to advance the frontier of Chinese contemporary calligraphy in the context of the modern age and globalization.


九宫?上乘禅、中庸道、下午茶

Matrix ? Shangcheng chan、Zhongyong dao、Afternoon tea





本次展览既是一次对于传统文脉的全新释读,也是一次将书写与文本引入当代空间的视觉实验。刘彦湖有别于传统意义上的书法篆刻家,也迥异于一般意义上的当代艺术家,其特殊的学术背景和优异的创造能力使展览呈现为一种全新格局,为书法篆刻传统在当代生活情境里辟出一条新的途轨。刘彦湖的陶印创作深刻阐释印章艺术的文化价值,进而突破了数百年文人篆刻流派的格局,使作品在公共空间与观者建立起一种新式交流;书法作品则以三言集联为发端,以文字的声音线索与网络的语言重构为契机,以并置、列表、重复等一系列手段,究心于独立自主的文本与形式。文字书写在当今所谓“读图时代”具有怎样的可能性?书法作为中国人精神性象征的传统艺术与当今时代、文化间产生怎样的互动与碰撞?本次展览可能会带给你不一样的思路与答案。


This exhibition is not only a new interpretation of the traditional context, but also a visual experiment to introduce writing and text into the contemporary space. And Liu Yanhu is decidedly different from the traditional calligrapher and the general contemporary artist. His special academic background and excellent creative ability allow the exhibition to also present a new pattern, and create new paths, for the traditional calligrapher and the seal carver within contemporary life. Liu Yanhu's creation of ceramic seal profoundly examines the cultural value of seal art, yet then breaks through the pattern of hundreds of years of literati seal cutting schools - the works establish a new type of communication with the audience in public space; the calligraphic works take the combination of three words as the starting point, take the voice cues of the characters and the language reconstruction of the network as the opportunity, take a series of means such as juxtaposition, listing and repetition, and focus on Independence. Independent text and form. What is the possibility of writing in today's so-called "picture reading era"? What kind of interaction and collision between the traditional art of calligraphy as the spiritual symbol of Chinese people and the present era and culture? This exhibition might well bring you some new thinking; perhaps even, some fresh conclusions.



艺术家|Artist



刘彦湖,1960 年3 月生于黑龙江省,原籍吉林磐石人。现为中央美术学院中国画学院教授、硕士研究生导师;中国艺术研究院中国书法院研究员;中国艺术研究院中国篆刻院研究员。


Liu Yanhu,Born in March 1960 in Heilongjiang Province.Now he is a professor in the Chinese Painting Institute of the Central Academy of Fine Arts, a researcher of the Chinese Academy of Art, and a researcher of the Chinese Seal Carving Institute of the Chinese Academy of Art.



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一山:多维度艺术之路 | 亚洲艺术




关于亚洲艺术杂志
《Asia Art》由亞洲藝術基金會主辦,亞洲藝術文獻出版社聯合出版。它將以良好的媒體經驗,專業素養與人際關係加速當代藝術發展步伐,並引起藝術界業內人士的廣泛關注,讓更多的藝術愛好者可以在第一時間瞭解亞洲藝術發展的新動向;強調優秀藝術家、策展人與評論家的發展潛力,實現學術研究與市場研究並行,重視媒體化與時效性,打造亞洲當代藝術的新的傳播平臺。

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