演出信息
时间：
2019年12月7日（周六） 19:30-20:30
12月8日（周日）17:00-18:00
*为配合演出，12月7日-8日美术馆展览开放时间改为10:00-15:30，最后入场时间为14:45，请各位观众合理安排观展时间。
地点：
上海明当代美术馆（永和东路436号）
票价：
早鸟票价：80元（每场限量80张）
现场票价：100元
*现场凭学生证可购学生票：50元（每场限量20张）
扫描上方二维码购买早鸟票
演出全长60分钟，无中场休息
中英文对白，无字幕
以下是此次演出的团队介绍
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集体创作者 Devisors
吕雨舟（Selena）
独立剧场创作者，老妖精ensemble创始成员。剑桥大学心理学学士，伦敦东15戏剧学院导演研究生。长期实践集体创作和纪录剧场，希冀通过剧场行为构建寓言空间并带来改变。个人作品包括：《经痛独白》 (15, 芬兰，北京)，纪录剧场《你从哪里来到瓦尔登湖？》（15-18, 北京），《静》（16，北京），英文版翻译首演《顾不上》（17，伦敦），亲密关系实验室《如鱼得水》（18，上海，乌镇）等；集体创作包括：《到此一游》城市漫步系列（18-，上海），《阿娜塔》变装秀（19，上海）等。
Selena LU has a BA in Politics, Psychology and Sociology from Cambridge University and MFA in Theatre Directing from East 15 Acting School. She is the co-founder of _ao_ao_ing ensemble in Shanghai, focused on devising. Trained with psychological and anthropological imaginations, Selena aspires to use theatre-making process as a means for self-discovery, community building, social documentation, and all possibili- ties of real-time changes. She commonly incorporates verbatim materials (such as in- terviews, news, academic papers) in her works, and is mostly charmed by the grey area juxtaposing the real and the fictional. Past projects including: “Period Pain Mono- logues” (solo and forum theatre, 2015, Helsinki, Beijing); “The Way to Walden” (docu- mentary theatre with students from a bankrupt art college, 2015, 16, 17, 18- , Beijing); “Quiet” (documentary theatre with significant others of MH370 incident, 2016-, Beijing); “Witness” (physical theatre based on oral history of Chernobyl, 2017, London); “No Time Gu” (Chinese New Writing, 2017, London); “You are my water.” (Live art, 2018, Shanghai, Wuzhen).
林翠西
剧场创作者、导演，现居上海，老妖精ensemble创始人之一。其作品长期关注性别经验、人与科技等话题，以当代剧场的语言创造怪异与诗意的剧场幻区。曾于欧洲大师级肢体剧团欧丁剧团、俄罗斯戏剧学院、壁虎肢体剧团接受剧场训练。导演作品包括：《孕》（2018 上海/乌镇）、《宗周异闻录》（2018 杭州）、感官剧场《时间纪念日》（2018 伦敦）；集体创作作品包括：《阿娜塔》变装秀（2019 上海）、《此地吴人》（2019 上海）、《赛博咖啡》（2018 上海）等。
Cuixi LIN is a theatre director and performer with a special interest in physical theatre devising. She is a co-founder and member of _ao_ao_ao ensemble. With a focus on topics of gender, identity, technology and humanity, Cuixi creates performances that speak about present-day dilemmas in the language of fantasy. She is a graduate of Theatre Directing MFA training at East 15 Acting School in London. She has also trained with Odin Teatret, GITIS Moscow and Gecko Physical Theatre Company. In 2018, as Assistant Director, she assisted contemporary physical theatre director David Glass with his devised theatre piece, Tarkovsky's Last Days of Europe. Her past works include: physical theatre ‘Doll Factory’, a piece about beauty and consumerism (Hangzhou, 2017), ‘Display Window’, a short voyeuristic piece about gender identity (Hangzhou, 2017) and verbatim theatre ‘Nowhere’ (Los Angeles, 2016).
李雅
是一位拥有埃及血统的美国演员以及导演，毕业于达特茅斯学院和上海戏剧学院。她曾经担任上海跨文化多语种剧团“一个世界”艺术总监，并现为上海跨文化组织“盘上海”的一员。她曾导演《五个贝蒂一台戏》，并制作《白兔子，红兔子》。作为演员，她曾在华盛顿出演由Guillermo Calderon编剧的《吻》，及在中国国家大剧院于演出的《第十二夜》中扮演维奥拉。李雅也曾与Woolly Mammoth Theatre Company,Source Festival, Compass Rose Theatre, the Georgetown Lab for Global Performance and Politics等合作。
Lelia TahaBurt is an Egyptian-American actor and director who graduated from Dartmouth College and the Shanghai Theatre Academy. She was the founding artistic director of One World Theatre, an intercultural independent theatre group in Shanghai, and is now part of the intercultural arts group 盘上海 . She has directed “Collective Rage: A Play in Five Betties” and produced “White Rabbit, Red Rabbit,” among others. As an actor, she acted in "Kiss" by Guillermo Calderon in Washington DC, and played Viola in the "Twelfth Night" at the National Centre for the Performing Arts in Beijing. Lelia has also worked with Woolly Mammoth Theatre Company, Source Festival, Compass Rose Theatre, the Georgetown Lab for Global Performance and Politics.
郭阳阳
是一名演员、作者和导演，现居住工作于北京以及上海。近期代表作品包括《第十二夜》（演出于北京国家大剧院）， 《愤怒的集结：五个贝蒂一台戏》。阳阳在北京出生，美国长大，从美国杜克大学经济系毕业，曾在华尔街的投行工作，之后离职追求艺术梦想。
Yangyang GUO was born in Beijing and grew up in the US. After graduating from Duke University, she worked in investment banking at Morgan Stanley in NYC, but left the finance world to pursue her passion for the performing arts. She has performed in the- atres across New York, Beijing, and Shanghai, and is committed to telling stories from unique perspectives and under-represented voices.
制作人、戏剧构作
丰翼
来自意大的制作人、策划人、戏剧构作。先后获得佛罗伦萨大学学士学位和伦敦大学硕士学位，曾于中央戏剧学院戏剧研究所实习。2009年起，丰翼作为一名活跃的策划人以及表演艺术制作人，为国内外的多家组织机构工作，包括乌镇戏剧节、上海ACT当代戏剧节、北京青年戏剧节、广东现代舞周、丹麦的欧丁剧场等。他也曾作为特邀嘉宾，于丹麦国立表演学校、中国国家话剧院、北京舞蹈学院开展讲座。2016年至2019年为“易卜生国际”艺术总监。
Producer / Dramaturg
Fabrizio Massini is a producer, curator and dramaturg from Italy. He received a BA from the University of Florence, an MA from the University of London (SOAS), and a research residency at the Central Academy of Drama. Fabrizio collaborated with several Chinese and European organizations including Wuzhen Theatre Festival, Shanghai ACT Festival, Beijing Fringe Festival, Guangzhou Dance Festival, Odin Teatret (Denmark). He also gave guest lectures at the Danish National School of Performing Arts, National Theatre Company of China, Beijing Dance Academy. Between 2016 and 2019 Fabrizio has worked as Artistic Director of Ibsen International.
舞台设计
麻进
当代艺术家，毕业于中国美院，从事博物馆设计工作十多年后开始了职业艺术创作生涯，创立了多元立体书法的艺术表现形式，于2016年在上海张江当代艺术博物馆举办全球首个多元立体书法艺术个展，在进行立体书法艺术的发展与实践过程中同时也在水墨、油画、行为表演等多个领域进行艺术创作，实践艺术跨界的创新理想。
这是他的第一次舞美设计。
Stage Design
Magic Ma
Contemporary artist, graduated from China Academy of Art. He started his professional art career after working in museum design for over ten years. He has created the art form of “multidimensional calligraphy” and had the first multidimensional calligraphy solo exhibition in Zhangjiang Contemporary Art Museum, Shanghai. He is also active in various fields such as ink painting, oil painting, and performance.
This is his first time designing for performance.
音响设计
阿鸣
实验音乐家，音乐制作人，戏剧演员，影像工作者，解离的真实（mirrors）乐队吉他手。目前活跃于上海各音乐、艺术场景中。
精通多种乐器，自制乐器、噪音机器。
多年从事影像配乐工作。
演出风格时而狂暴，时而静谧，大多时候是起伏的山丘。毫无顾及的将自我以及听者带上穿梭在不同维度的能量载体中。幻境与梦境交替，现实分崩离析。
Music
Aming
Experimental musician, music producer, performer, videographer, guitarist for the band Mirrors. Currently active in various music and art scenes in Shanghai.
He is deft with different kinds of instruments, including self-made instruments and noise instruments.
He has been creating background music for videos for many years.
His musical style ranges from rage to serenity, while mainly like hills undulating. It takes the audience with him to a medium of energy through a kaleidoscope of dimensions. Fantasies and dreams alternate, where reality shatters.
灯光设计
何异艺
南京艺术学院教师，毕业于上海戏剧学院灯光设计研究方向研究生，师从萧丽河。上海舞台美术学会会员。
Light Design
He Yiyi, currently teaching at Nanjing University of the Arts, and member of Shanghai Stage Art Society. Graduated from Lighting Design at Shanghai Theatre Academy, he studied after Xiao Lihe.
戏剧导师
乔恩·唐布尔（Jon Tombre）
自在巴黎和奥斯陆接受教育至今已创作超过60部舞台作品。唐布尔关注当代剧场，已经将包括约恩·福瑟（Jon Fosse ）、萨姆·谢泼德（Sam Sheppard）、大卫·哈罗尔（David Harrower）、佩斯亚克夫兄弟（the Presnyakovbrothers）、君特·格拉斯（Günter Grass）在内的当代文学巨匠作品搬上舞台。他的导演作品专注于探索和实验戏剧，舞蹈，视觉艺术和音乐等领域之间的微妙界限。他的大部分作品包括与嘻哈艺术家，新马戏，土著文化（玛雅和萨米），爵士音乐家及装置艺术家等的合作。唐布尔对戏剧探索式的尝试得到国际认可,先后数次提名挪威海达奖；2014年和2016年，他两次荣获挪威评论人奖。
Theatre Consultant
JON TOMBRE is a director educated in Paris and Oslo with more than 60 performing arts productions. His main focus is contemporary theatre, he has staged a wide range of international and Norwegian contemporary writers as Jon Foss, Sam Sheppard, David Harrower, the Presnyakov brothers and Günter Grass. His performances are dedicated to experimentation and exploration of the fine boarders between theater, dance, visual arts and music. His work consists in large scale of collaboration with artists from hiphop, new circus, indigenous cultures as Maya and Sapmi, as well as dancers, writers, jazz musicians and installation artists. Jon Tombre has carved a niche for himself in the world of explorative theatre. He has several times been nominated to the Norwegian Hedda Prize and in 2014 and 2016 he was acclaimed with the Critics prize of Norway.
制作助理、构作助理
July Yang
跨领域演出创作者和研究者，伦敦大学金史密斯学院演出创作硕士及香港大学文学学士，常在演出的艺术、技术和理论领域灵活游走。近期实践专注于重新思考当代生活经验，尤其是城市语境中的异化。
Production /
Dramaturgy Assistant
July YANG, multi-disciplinary performance maker and researcher, with MA Performance Making (Goldsmiths, University of London) and BA in literature (The University of Hong Kong). She shifts deftly between the artistic, technical, and theoretical aspects of performance. Her recent practice focuses on rethinking contemporary daily experience, especially the alienation in urban context.
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