冯钟睿 Fong Chung-Ray 2019-7-18
Fong Chung-Ray, aged 83 this year, was born in Henan and grew up in Taiwan. He has been living in San Francisco for more than 40 years. At the end of 1950s he started his art revolution with abstract ink painting; in recent years his works have reached a powerful thickness that recorded his life experience. In 1960s, he witnessed the trend that young Taiwanese artists started founding painting groups. The Fifth Moon Group that Fong Chung-Ray was in was one of the most prestigious art groups. Its members frequently upgraded new insights and ideas, transforming the discussions’ viewpoint from skills to ideas. At that time he also witnessed the gradual maturity of post-war modernity in Taiwan. Because of Taiwan’s complicated history and unique location, its modernity was allowed an early start. Therefore, comparing to other Chinese regions, Taiwan’s art development could reach a new atmosphere in just 15 years after the War, faster than any other part of China.
Scrutinizing how artist has interpreted his own time with his own particular way, taking Fong Chung-Ray as an example, we found that as early as 1964-75 that he already dared to combine the Western abstract painting with the traditional ink painting, which is delicate and poetic, to construct a luring and philosophical scene. His art might derive from abstract painting and ink painting, which have their own traditions and forms, but he had gone beyond borders and created another realm. The painting brushes he used are self-made with palm leaves. From 1967, he added acrylic to ink in order to change the finish; in 1975 he started to use canvas; in mid-1980s he started to use collage as method and from the late 1980s Chinese characters have appeared in his art. After 1990 he began to stamp shapes onto the canvas by acrylic paint that was touched on plastic sheets, in doing so he could enforce the thickness and vivify the fogging and rendering effect, suggesting the maturity of his artist-ship. The words that Fong Chung-Ray wrote on the layered paints are powerful lines, majestic and at the same time innocent. Perhaps, because he had been through traumatic personal and family changes, the sutra in one of his works had witnessed and concluded his fruit of Buddhist path as well as a peaceful reflection on art and on his 80 years of life: “Therefore, you now base your knowledge on awareness and perception; but that is fundamental ignorance. The absence of a view regarding awareness and perception is Nirvana – the true purity of no outflows. How could there be anything else in the midst of it?”
冯钟睿 Fong Chung-Ray 2019-5-9
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